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When Shi was seven years old, he and his wife finished their performance and had a snack. He muttered a cross talk sketch "Catch and Release Cao". Mom and dad stop, wooden chopsticks. The next night, the seven-year-old Shi Shitai discussed with his father about "arresting and releasing Cao". The audience cheered and watched, allowing the father and son to chat for a while. Shi Yu's lifelong wish for comedy sketches ended here.

Shi Yisheng's wish crosstalk sketch Shi loved to raise his younger generation before his death. He has received Jing Li, Miao Fu, Gao Xiaopan and other disciples and adopted sons. The teacher once gave him guidance in many aspects when he visited Hou in cross talk. After Degang Guo became famous for his cross talk, he suffered a run on the music industry. Shi is a rare person who fully supports him. In a cross talk sketch with him, he even said directly that people in the music industry should learn and train from Degang Guo's cross talk.

When Hou Shoushi was an apprentice, he said that with young people like you, cross talk sketches will be handed down from generation to generation, and there will be expectations. Have comedy sketches revived in history? It's hard to say, man, but you can't go with the flow. But Shi has never missed the old age in his life. Shi Shengjie said before he died that when I was a child, I was in Tianjin and showed my face to Tianjin. But I think the so-called comic sketch is that people don't have a job, and the old gentleman in the stone is actually a child of comic sketch when urinating. It was the crosstalk performers who really gave our comic sketches a face.

Shi is a person who stands on the historical time inheritance of cross talk sketches. He knows it himself. In the last few years of his life, he took the blame as the head of China Crosstalk Technology Association, so he did more things for the comic sketches. Shi is a person who has lived in comedy sketches all his life. He was born in 1953, and his father Shi Shiyuan is also a famous crosstalk artist. In the forties and fifties of last century, he was quite famous in Tianjin and Hebei. 1959, Shi Shiyuan's whole family entered Harbin as the captain of the comic sketch team of Harbin Folk Art Troupe. When I first settled in Harbin, I lived in the Daowai North Market. At that time, the northern marketing market was a local leisure and entertainment club, with storytelling, opera, gongs and drums singing and shadow play. Stone is counted as catching up.

Growing up in such a natural environment, I can perform on stage at the age of seven. When I was eight years old, I worshipped Zhu as my teacher. Seven-year-old said that "catching Cao" is not guaranteed by ordinary fans. Anyone who has heard this kind of traditional cross talk knows that this book on singing in Beijing Opera stipulates that the clappers should have a white rhyme and just sing a sentence or two, which shows that Shi is the person who eats this bowl of rice.

Shi himself loves comic sketches. With the audience's undoubted encouragement to his ancestors, he studied in broad daylight, performed on stage at night, heard and witnessed stories, and gradually became practical in basic skills training. Shi's voice is smooth and clear, and he can be said to be a granddaddy who enjoys food. In addition, he is so eager to learn what he looks like, especially in Liuhuo, who is good at performing and teaching singing. He learns the vocals of various factions in Pingju, which is full of charm and mellow. It is even difficult to inherit and have time.

Like many comedy sketches of that period, his performance was once shaken off. 1968, his father Shi Shiyuan was persecuted to death. In the second year, Shi went to the production and construction corps of Beidahuang Group to weed, prepare for famine and make a fire, and did a lot of hard work. At that time, crosstalk masters were not allowed to perform in public, but Shi insisted on studying crosstalk sketches in his spare time, secretly practicing basic skills training, and secretly wondering how crosstalk sketches could reflect daily life. Since then, Shi has entered the propaganda team of Tuanchang style. Soon, he met Jiang Kun, an intellectual young man who came from Beijing to work in Beidahuang Group.

Jiang Kun's good friend, young Jiang Kun, is also a comic sketch lover. They hit it off and gradually cooperated to perform comedy sketches. 1976, here comes their chance. At the beginning, Shi He performed a cross talk sketch "Lin Hai Hong Ying", which was well received. In the same year, they meant that Heilongjiang participated in cultural performances all over the country. Because of his outstanding achievements, Jiang Kun was admitted by the Central Radio and Rap Troupe and was strongly recommended by Ma Ji. Since then, it has been smooth sailing, but Shi has gone back with the burden because his family has not changed, and joined the Heilongjiang Quyi Troupe.

But the 25-year-old Shi won her own wealth. It happened that in this Japanese alley, Shi gradually performed with his disciple Yu Shide, and Shi had already begun to write the actual theme of cross talk sketches. 198 1 year participated in the performance of China Northern Quyi Troupe, and jointly performed the crosstalk sketch "Mayor Hao", which won the first prize in one fell swoop. On 1984, Shi participated in the appraisal of cross talk sketches all over the country in Qingdao and performed a piece of "Treat each other with courage". The comic sketch praised the female secretary of a processing factory, bravely chose the evaluated technical engineer Lao Lei, and finally turned the factory into a profit.