Couplets about the Year of the Tiger

The couplets for the Year of the Tiger are as follows:

The roar of a tiger is heard far away by the wind, and the waves of a dragon are high. (It means a prosperous career and a bright future).

The tiger has two wings and the future is far ahead, and the country has a grand plan and a new career. (It is more suitable if there are children in the family who are admitted to college).

Thousands of industries in China are prosperous as the tiger leaps, and all the people rejoice in the prosperous spring. (Suitable for commercial facade use).

The tiger strides and gallops in full bloom, and the spring breeze unfolds the grand plan. (More suitable for young and middle-aged families whose careers are on the rise).

The spring scenery comes from the spirit of spring, and the tiger will show its power in the Year of the Tiger. (The only choice for successful people).

Chou leaves and Yin comes to a thousand miles of brocade, and the bulls rush and the tiger roars in the spring of Jiuzhou. (The most appropriate Spring Festival couplets).

The golden ox bids farewell to the new year, and the jade tiger welcomes the spring and all businesses are prosperous. (Very suitable for rural use).

The tiger leaps, the dragon leaps and flies, the flowers are bright, the willows are dark, and the spring is thick. (So ??classic).

The origin of couplets:

Couplets, also known as couplets, are couplets hung or pasted on walls and pillars. Its history has a long history, and its origin is closely related to the formation and development of parallel prose. Parallel prose was pioneered by Cao Zhi in the Han Dynasty, and matured to Liang Chen in the Southern Dynasty, reaching a high artistic level.

It is characterized by the use of occasional words and phrases, which are relative to each other, must have homophonic sounds to form a rhyme, and must use rhetoric to reach a distance. Some scholars say that couplets are the descendants of parallel prose, which is quite insightful.

The rhythmic poetry formed in the early Tang Dynasty has neat sentence patterns and is written in the same way as couplets. Rhythm and Fu that emerged after the Six Dynasties placed more emphasis on harmonious phonology and neat counterpoints. Many of the upper and lower sentences in these poems are themselves a couplet.

Whether it is a five-character verse or a seven-character verse, each poem has eight lines, of which the third and fourth lines, and the fifth and sixth lines must be opposite each other. This style of poetry has been used from the Tang Dynasty to the present. It has been used by people for thousands of years. Couplets are derived from the dual style represented by rhymed poetry. Therefore, it can also be said that couplets are derivatives of rhymed poems and rhymed poems in the early Tang Dynasty.