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Which of the following movies can reflect the dressing feelings of an open beauty at that time?
Shanghai Dafeng Cotton Mill in the early 1980s. A Xiang, a female worker from the countryside, heard that Shanghai girls have the habit of wearing beautiful clothes in competitions. This habit is called "cutting clothes" and "cutting skirts", so she asked Xiao Suzuki, a self-employed seller of clothes, to buy beautiful red silk skirts to wear on her body to resist the ridicule of female workers for being a countryman.
Tao Xinger, a model worker, likes this red dress very much and quietly tries to compete with herself. A Xiang found Tao very beautiful in a red dress and invited her to the park to "cut the skirt". However, the shift supervisor didn't like the red skirt with the shoulders off, so Tao Xinger quietly added a white-collar subsidy to this red skirt. As a result, it was stolen by chefs with too many girlfriends. ?
With the encouragement of her peers, Tao Xinger finally came to the park with the women workers. She plucked up her courage, walked alone in the wall of people in full view, boldly compared with all kinds of colorful dresses, and "cut" all beautiful dresses out of the water. Starting from "cutting skirts", Tao felt relaxed and began to realize the bondage of old ideas to himself.
Introduction:
In order to improve his position, A Xiang in the film pretends that his brother is in Hong Kong, buys clothes and socks from Suzuki, calling them Hong Kong goods, and then sells them to female workers at low prices. A Xiang couldn't make up the deficit when she was paid, so she had to sell her clothes to Suzuki.
When the director on duty asked A Xiang on behalf of the organization, A Xiang burst into tears, saying that he just wanted to spend money to buy an equal position, and he couldn't stand being laughed at as a countryman. A Xiang, Tao Wei, redeemed her clothes, while Ge Jia reprimanded the female workers who laughed at A Xiang. At the team meeting to help educate A Xiang not to look down on herself, Tao Xinger unexpectedly reviewed her weakness of not admitting her guilt publicly. She finally understood that young people in the 1980s should live more boldly and sincerely.
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