How to learn Beijing dialect can often be found in ancient songs.

Beijing opera pays great attention to basic skills. You should practice your voice every day, so that when you sing, you will be more expressive and penetrating, your voice will be more lively and your artistic vitality will last longer. It should be noted that the method should be scientific, the sound should not be stuck, the sound should have a fulcrum, and the breath comes from Tian Dan.

Beijing opera singing is also a kind of vocal music. Nothing special. It is nothing more than practicing vocal music every day, just like bel canto. It also includes technical specifications such as breath, * * singing and fulcrum. The so-called difference means that the pronunciation is different (the style needs of different majors and schools), and the requirements for Chinese rhyme are stricter.

The voices used in Beijing opera can be divided into original voice and falsetto voice, which are actually mixed voices, but the timbre is true and false. Merchants who use this timbre, such as Xu Sheng and Lao Dan, also use fake timbre, such as Tsing Yi, Copper Hammer and Xiao Sheng, but the timbre of each merchant is different.

Extended data:

First, the characteristics of Beijing dialect

High notes have the characteristics of high notes, but Beijing dialect is euphemistic and soft, which is obvious. For example, it is recorded in The Story of Mei Ying 'an that the gaudy drama sung by Chen Yuanyuan in the late Ming Dynasty is like this: with gaudy scenes and a silent tone, Chen Ji's mouth is like a cloud coming out of a hole, like a pearl on a plate, which makes people want to die.

"Yan vulgar drama" certainly belongs to Beijing. "Silence and laughter" and "Like a cloud coming out of a hole, like a bead moving around" are quite different from the high-spirited styles of "suppressing clouds with sound" and "singing voice". In addition, many words such as "one thing" and "one thing is like words" are used in the description of Beijing dialect, showing the slow and soft characteristics of Beijing dialect.

Second, falsetto skills

1, first find out the best part of your falsetto.

2, use the * * * voice part to switch between true and false sounds.

3, pay attention to the position of pitch, in the range of both true and false sounds, what sounds are good for falsetto, what sounds are good for falsetto, what words are good for falsetto and what words are good for falsetto.

4, don't sing too fragmented, too broken, the smoother the better.