Joke Collection Website - Bulletin headlines - Beautiful print, brush, calligraphy and font works
Beautiful print, brush, calligraphy and font works
Excellent block letters calligraphy works appreciate beautiful and generous block letters, bit by bit, from beginning to end, square and square. To do this, you should persevere. It not only cultivates perseverance, but also exercises toughness. The whole document is written down one by one, which is both pleasing to the eye and elegant. The same is true of being a man. We should pay attention to the whole, insist on encouraging ourselves to be a person who likes writing for a long time, write word by word and walk steadily step by step. After a long journey, when you look back, you will find that it is like writing words, one stroke at a time, accumulating words and deeds every day, and finally getting the overall pleasant generosity and classics.
Exquisite block letters calligraphy pictures are also called. Real books? 、? Real books? 、? Regular script? . Font name. The transition from official script began in the late Eastern Han Dynasty, matured in Wei, Jin, Southern and Northern Dynasties, and reached its peak in the Tang Dynasty, and has been popular all over the country so far. The figure is square and the strokes are straight, so it can be used as a model, so it is called. Regular script prevailed in the Six Dynasties and reached its peak in the Tang Dynasty. This font is still the key for beginners to learn calligraphy.
The origin and changes of block letters were not called official script, official script and regular script in ancient times. Before the Tang Dynasty, what were the official books called? Official script? 、? Eight points? 、? Today? 、? Jin Li? . According to the examination, regular script was created by Wang Cizhong. Cai said: Shanggu Wang Cizhong changed the official script to regular script, and changed it from regular script to eight points. ? But the time when Wang was born is different in ancient legends. Zhang Huaiguan in the Tang Dynasty said that he was from the time of Qin Shihuang, Wang Kui thought he was from Zhangdi in the Han Dynasty, and Xiaoliangzi thought he was the spiritual emperor at the end of the Han Dynasty. Due to ominous ancient records, it is difficult to determine. According to inference, Wang was born in the Han Dynasty, but there is nothing to test in Wang Shu's block letters. It is still doubtful whether his printed letters are exactly the same as today. The earliest surviving block inscription in ancient times is Zhong You [y? (homophonic), so now printed calligraphy actually started in Zhong You. After Wang Xizhi (Shao Yi) of Jin Dynasty founded the big block letters, he studied big block letters from Mrs. Wei, and learned the calligraphy of Zhong You and Zhang Zhi, and improved them into big blocks with clear strokes and correct structure. At the same time, Wang also created a natural and fresh running script. Wonderful traces through the ages, the essence of ancient law, unparalleled. ? Wang Xizhi inherited Zhong You's calligraphy and improved it, which laid the foundation for China's regular script and running script, thus becoming a model of current regular script, running script and cursive script of Chinese characters. Since then, Wang Xianzhi (Amethyst) has been studying, improving and creating another normal style under the guidance of her father Xi, and created the so-called "non-line and non-grass". Break the body? , in the Tang Dynasty [Gu? N is homophonic with the crown] The book discusses:? What's more, knowing is far less than respecting talents?
Seal script developed greatly in the Tang Dynasty. In the early days, Ou Yangxun created another font with strong brushwork, clear strokes and compact structure. At the same time, Yu Shinan created a font with rigorous brushwork, bold brushwork, rounded strokes and neat structure, and a font with slim brushwork and neat structure, which was owned by Fiona Fang. The three of them are equally famous at the same time, which played an important role in the prosperity of the early Tang dynasty's big-block calligraphy.
In the middle Tang Dynasty, there were Li Yong and Yan Zhenqing. Yan first studied Chu Suiliang's calligraphy, and later imitated Mu Yurong's calligraphy in the Six Dynasties, making it a font with thick strokes and neat structure, which is unique and unique.
At the end of the Tang Dynasty, there were Sun and Liu Gongquan. Liu also takes the advantages of two-body style, and has the difference of clear face and sparse body.
In the Song Dynasty, there were also many calligraphers, such as Su Shi [sh? Homophonic similarity] (Su Dongpo), Huang Tingjian, Mi Fei [F? Homonyms include Fu], Cai Xiang, Fan Zhongyan, () and Yue Fei. Among them, Su Shi's calligraphy is the best, and his fonts are thick, dense and unique.
There were not many famous calligraphers in Yuan Dynasty, and Zhao Mengfu was the only one who was famous. Zhao likes Wang Xizhi's calligraphy very much. He copied many essays such as Le Yi Lun, Huang Ting Jing and Lanting Preface, and made great achievements. The book he wrote has exquisite strokes and correct structure, but it has the meaning of Zhong and Wang Bi.
There were many calligraphers in the Ming Dynasty, including Dong Qichang, Wen Zhiming and Zhu Yunming, but there were no unique creations. Among them, Dong is more prominent, and his calligraphy is in block letters, delicate and elegant, and he is in high spirits.
There are not many famous calligraphers in Qing Dynasty. At that time, everyone imitated the styles of Europe, Zhao and Dong, but there was no new creation. Only Long, Liu Yong, Yong Xun and Weng Tonghe have made achievements. At that time, because the inscriptions in the Tang Dynasty were damaged, they could not meet the needs of learning. Therefore, Deng, Bao and Kang Youwei strongly advocated learning from Wei Bei, but they made no new contribution to block letters in Qing Dynasty.
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