How to make poster fonts? How to design font posters

How to make the artistic words on the poster

1. Method

1. Draw it by hand and then use a pen to trace the path and fill it with color in Illustrator. etc.;

2. Use the fonts in the font library and then convert the text to curves to adjust the details;

3. Add filters and other common effects in photoshop, such as flame characters, metal characters, etc.

2. Posters

1. The name poster originated in Shanghai and is a common method of publicity. In the old days, posters were used for performances such as plays and movies, or for events such as football games. People in Shanghai usually call professional theater performances "Hai", and those who engage in professional theater performances are called "Xiahai". It is a publicity and customer-attracting poster that provides information about a play and performance. Perhaps because of this, people call it a "poster." Formal posters usually include the nature of the event, the organizer, time, location, etc.

2. Poster design is one of the forms of visual communication. Through the composition of the layout, people's attention can be conveyed in the first time. Attracting eyes and getting instant stimulation requires designers to perfectly combine pictures, text, color, space and other elements to display promotional information to people in an appropriate form. How to write POP poster fonts? Poster art fonts are practical fonts that have been artistically processed. The fonts are eye-catching, beautiful, and easy to recognize. They are an indispensable tool for publicity and education, such as banners, blackboards, wall posters, venue layouts, exhibitions, As well as product packaging and decoration, all kinds of advertisements, newspapers, magazines and book bindings are inseparable from fonts. How to write fonts 1. Checking: Determine the font size and shape according to the needs of the application scenario. 2. Layout: Understand the organizational structure and basic stroke characteristics of fonts. 3. Top skeleton: Use a single line to draw the glyph. The pen should be light and the handwriting should be light. 4. Outline the glyphs: The strokes should be unified and drawn according to the position of the skeleton. 5. Color filling: Choose the color according to your needs. When filling color, generally draw the outline first and then fill in the middle. The general font changes are roughly as follows: 1. Stroke changes: change the thickness of the strokes to obtain changes; or change the shape of the strokes to obtain changes. The shape changes of the strokes generally include sharp, round, square and curved. 2. Automorphic change: This is to change the shape of the font, which can be written as long, flat, round, trapezoid, rhombus, etc. 3. Structural changes: Consciously exaggerate, reduce and shift certain strokes to obtain novel effects. 4. Image: Decorate corresponding fonts based on the actual image of certain objects. 5. Three-dimensional: Use perspective to draw a three-dimensional sense of space. How to design font posters? Since it is a font poster, we must first have a font design. When designing the font, we need to properly consider the possibility of application in the layout. In the case we will analyze it in detail; the second step is usually the effect of the font. Adjusting or adding a sense of form is mainly to consider the performance of the font as the main body in the poster; the last step really comes down to how to combine the font with the text group to present the layout in a suitable composition. Let’s start the first practical case directly and take a look at the basic information first. This poster takes "space" as its theme. The artist wants to express the concept of "if space is a blank piece of paper". Based on this concept, we tried the design of the font part. The first one we try is a simpler basic glyph. The concept based on white paper is also a relatively normal way to start, with straightforward expression without modification. Therefore, we made basic fonts that are relatively regular and orderly. In addition, regular fonts are easier to use when arranging the layout. Students with poor foundation can consider referring to commonly used title words. It doesn't matter if they are at the bottom, as long as they are reasonable. When making basic glyphs, we generally need to pay attention to two parts. One is the thickness setting of the strokes. The conventional rule is based on visual balance, we set the vertical pen to be slightly thicker and the horizontal pen to be relatively thin; if there are angled strokes, we need to adjust the thickness appropriately to make the overall coordination. The second problem is the structural problem. What we do here is a complete ordering process, physically aligning the font strokes around them.

In the overall layout construction, in order to echo the font and theme, the combination of two red circles and the addition of seal elements were introduced. In fact, it is all to enrich the details and overall hierarchical relationship of the layout. As a conscience tutorial, we must give another case! ~ Let’s do a new case, the theme is “Sound Prism”, which is an art project in a sensory laboratory. Let's first build a basic glyph. At this time, we didn't think too much about the expression of the theme.

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