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As a custom, couplets are an important part of China traditional culture. Then let me share some eight-character couplets with you.

Shanglian: Yurun

How to write eight-character couplets?

As a custom, couplets are an important part of China traditional culture. Then let me share some eight-character couplets with you.

Shanglian: Yurun

How to write eight-character couplets?

As a custom, couplets are an important part of China traditional culture. Then let me share some eight-character couplets with you.

Shanglian: Yurun Qian Shan Fangqun spits; Part two: people are happy and horses are like mountains and rivers.

Shanglian: I am willing to adjust the new currency rain with the wind; The second part: Chang 'an, Happiness on the Spot, Four Seasons.

Shanglian: the four modernizations of people's hearts and the unity of a hundred schools of thought; Bottom line: Yange is spring.

Part One: Clouds chanting sutras and the wind blowing smoothly; Bottom line: firecrackers sound the same as the old year.

The first part: colorful flowers are in full bloom; Bottom line: Look at Tianyu and Wan Li as jade.

Shanglian: Flowers bloom and fall, and bamboo reports peace; Bottom line: Meihua reports the Spring Festival alone.

Shanglian: Four seas, lakes and seas are integrated in the same spring; Bottom line: Happy people are warm as spring all year round.

Part 1: Laughing and dancing Dongfeng Songmei Jingxiu; Part II: One billion China has beautiful scenery.

Part I: It is pointed out that the mountains and rivers are full of spring; Bottom line: celebrate the New Year.

Part I: I like to touch the spring rain, peaches and plums; Bottom line: the great achievements of the Millennium are brilliant.

The first part: inspire the brilliance of the brush; Part II: Renewing the grand plan is world-famous.

Part one: colorful and idyllic; Bottom line: the purple gas is soaring, and the extremes of things will be reversed.

Shanglian: the motherland is prosperous and picturesque; Bottom line: the mountains and rivers in the painting are colorful.

Part I: The wind is sunny, and the sea is the same as spring; Bottom line: Outstanding people kiss in spring.

The first part: the east wind is mighty and the earth is full of spring; Bottom line: the branches of the plum magpie compete for spring.

The first part: Dongfeng reports good news and smiles at people; Bottom line: Chunyang is a well-off family.

Dual stages of couplets

The time span is pre-Qin, Han, Three Kingdoms, Jin, Southern and Northern Dynasties. In China's ancient poems, some neat antitheses appeared very early. Several ancient ballads that have been handed down to this day have already seen their origins. Such as "digging wells to drink water, ploughing fields to eat", "doing at sunrise and resting at sunset" and so on. In the pre-Qin and Han dynasties, antithetical sentences became more common. There have been some neat sentences in the hexagrams of the Book of Changes, such as: "Those who can see can be lame." "Sixty-three" and "Ascending to heaven first, then descending to earth" in Lu. The antithetical sentences in Ming Yi's hexagrams of Shangliu and Yi Zhuan are quite common, such as: "Looking up at astronomy, looking down at geography." "cohesive force declines", "simultaneous response, common aspiration, wet water and dry fire, clouds follow the dragon, wind follows the tiger" ... all according to their own categories. "Biography in classical Chinese.

There are many antithetical sentences in The Book of Songs in the Spring and Autumn Period. Liu said in the History of Parallel Prose in China: "The law of opposing ancient and modern times is almost perfect in the Book of Songs." He listed examples of correct name pairs, similar pairs, renju pairs, disyllabic pairs, overlapping pairs and disyllabic pairs. Such as: "Qing Er, leisurely in my heart." "Zhengfeng Ji Zi" "There are floating elements in the mountains and lotus flowers in the pond." There are many sentences in Zhengfengshan that are antithetical to Fu Su and Tao Te Ching. Liu Zeng said: "The arbitration method of Tao Te Ching has changed greatly. There are counterparties with serial numbers, uneven counterparties and segmented counterparties. Some people repeat their words. There are opponents. " "China Parallel Prose History" says, "Good words are not beautiful, but good words are not believed. Good people don't argue, and the debaters are bad. " Chapter eighty-one, "Independence remains unchanged, freedom is without danger." Chapter 22 re-examines the dialogues in hundred schools of thought's prose. Such as: "full loss, modest benefit." "Shangshu Wucheng" "Ride a fat horse and go into battle lightly." The Analects of Confucius Yong Ye and an upright man is open and poised, villains often share the same fate. The Analects of Confucius and so on. Cifu, which arose in the Han Dynasty, is a new style that pays attention to literary talent and rhythm. Duality, a rhetorical device with neat beauty, comparative beauty and beauty, has been widely and consciously used in the creation of Fu. For example, in Sima Xiangru's Zi Xufu, there is: "Drumming and making sounds; If the car follows the route, it will ride the team. "