20 19 film reviews and selected film reviews of almost a comedy [five articles]

Almost comedic films were finally appreciated for their musical talents and gave Sun Tong a beautiful ending, but what about us in reality? I have prepared the following review articles about almost a comedy movie, hoping to help you.

Almost a comedy film review (1)

There is no sense of film more and more, which is a serious problem faced by many domestic films at present, whether you are a comedy, a romance, a gangster film, or a semi-comedy, a semi-love and a semi-gangster film.

Almost a comedy is similar in style to movies made by Twist FunAge, with obvious advantages: solid script, smooth performance, good conversion rate of lines, rich conflicts in a single segment or scene and full details. This is an outstanding achievement accumulated by stage art through on-site polishing again and again.

However, stage art is different from film. For example, as long as the time span and space transformation are involved, the paragraphs presented by stage art (such as the secret love in Peach Blossom Garden) are clearly cut into paragraphs with the screen as the unit. Since the development of film, with the discovery of montage and the integration of sound and painting concepts, it can use various editing methods to achieve its fluency and create a virtual sense of time and space continuity, which is incomparable to stage art.

The excellent scheduling of almost a comedy in a single scene, relying on the coincidence of the plot and the cognitive deviation between the characters, can repeatedly create suspense, such as the derailment of the opening and the cover-up of the paragraph, which can make people feel more and more novel in a scene or paragraph category without aesthetic fatigue. Even so, once you return to the overall drama conflict and image, you will suddenly find that the film has lost its "field" in the transition from scene to scene. The "domain" here is not only the transition between scenes, but also the montage effect and the richness of time and space brought by these scene changes. Moreover, the director of this film seems to know the advantages and disadvantages of the script very well, so he used some popular songs and music as the bedding for the transition. However, as a fast-paced light comedy, in order to keep the rhythm and laughter dense, he gave up the concept of time and space created by images and almost completely immersed in the dialogue and fine scheduling of small scenes.

Deleuze has an explanation when evaluating the Soviet school. He said: Montage is a process of "production", which produces the cells of the image and the meaning is generated inside the montage. This interior is an image "domain" formed by the collision between the lens and the scene.

Do you believe that movies can create a second creation? "The whole is reflected in each part, and each part or each spiral twist is producing a new whole." This is a re-creation caused by the chemical reaction between the internal image of the film and the resonance of the movie. However, a film almost like comedy seems to deprive this creation. It only produced half a film, not just half a comedy.

The film reviews close to comedy (2)

At the moment when Sun Tong collapsed in the corridor of the hospital, the camera swept the eyes of nurses and passers-by who were watching gossip from time to time, as if to say, "Oh, this man is sick." In this case, the embarrassing Sun Tong was completely portrayed as a rumoured loser.

But in fact, no one knows what kind of destruction he experienced. Forget where you read a sentence and never complain to others, because 70% people won't care about all your troubles, and the remaining 30% will be happy to hear it. Never expect anyone to really know and understand you.

The pain of adults can only be realized if they grit their teeth and swallow in their stomachs. After watching this movie, I have been thinking about Sun Tong's mother's words "I am your mother" and "It's your choice". It seems that mothers all over the world are particularly good at invisible manipulation and emotional kidnapping. Her most powerful weapon is the phrase "I am your mother". I am your mother, can I still hurt you? Everything I do is for myself, not all for your own good. After coercing you to go the way she chose, I finally threw you a sentence "This is your own choice" so that you could not resist her arrangement. The person who hurts you the most is always the person closest to you.

In fact, compared with Zheng Duoduo's love rat behavior or the two women he cheated, Sun Tong is the most annoying person. When you can't support the expectations of people around you, everyone will want to help you in their own way. But as we all know, every gift of fate has a price in the dark. Once you accept the help of others, you will carve up your share of life little by little. They are all members of your destiny's board of directors, and everyone has the right to demand your decision. This is the reason why Sun stepped into collapse. Weakness, compromise, incompetence. People are alive, who is not wholeheartedly good? But if you don't stand up with your own feet, you will always be a manipulated puppet.

Fortunately, the film was finally appreciated for its musical talent and gave Sun Tong a beautiful ending. But what about us in reality? Take an examination of the school, find a job, and finally get a job, but you have to be forced to date each other, find someone, and urge marriage, but will it be over when you get married? And having a baby, looking for a nanny, and having a child go to school just hope that we can really stand up and be adults.

The film review close to comedy (3)

There were many interesting moments in the movie, and everyone laughed. Perhaps there are people who resonate with me silently in those places where the real pain points are poked.

But this movie is too real. It is too difficult to be a good boy in an ordinary family.

When you are pessimistic, you will think that this society doesn't care what kind of person you are, whether you are kind, mean, enthusiastic or indifferent, and no one will care; Good girls and good boys who are gentle, kind and introverted, their silent efforts and persistence will not be noticed at all. Those who are duplicitous and mean stand on their parents' shoulders and strut proudly. Your teachers, your superiors, they don't want to know what kind of person you are.

I think I know Sun Tong too well. It's like being extremely disgusted and disgusted with some people, but you still have to laugh and laugh in front of them.

I think I envy Mo Mo too much. Who doesn't come from teenagers, who doesn't want to stick to it. I've changed. I began to compromise. I'm starting to give in I hope I can stick to my principles when I reach 30+.

I found the joys and sorrows of small people in the real world from movies. The reality is certainly more tragic. I told the dog that, in fact, when they broke up, it might all be over. The dog said, no, in reality, they may cheat Zheng Duoduo together.

Perhaps in reality, Sun Tong and Mo Mo will not meet, and one will lose his so-called dignity and become numb; People who often go on blind dates may find someone similar to them to make do with it. Zheng Duoduo married Gao Lu and continued to be his love rat comfortably. Gao Lu was kept in the dark, or a few years later planned a hotel to hook up with mistresses.

When I grow up, I understand how difficult it is to "love life after seeing through the essence of life".

Almost comedy movie reviews (4)

This is irony, a mirror, a kind of gray human communication, which exposes the ironic reality. This is a mirror. It is much better to recognize yourself early than to let others reveal your true colors.

Gao Fushuai was born in a wealthy family, and he was exposed to real social interpersonal communication since he was a child. However, he did not deal with interpersonal communication with a correct value, and used his unique power and wealth to play with all kinds of people in order to achieve a sense of psychological accomplishment and pleasure. Short and poor, trying to get rid of the dilemma of being born in a small city (partly because of my mother's compulsion), when these two characters are together, it is extremely reasonable and unreasonable that these two people can get along like brothers from the perspective of combining movies with reality.

These two personalities have formed a contract in the long-term running-in of students' and classmates' careers, which can give you what you want, but at the same time, it can control you and get what you want, which is reasonable. However, it is limited and controlled (often ending in coercion and temptation and unbearable heartbreak). It is unreasonable because it is difficult for two kinds of people to get along like this.

When you look at the world with a gray heart, everyone in this world is gray. You think you want to control the world, but you are actually controlled by this reality. When you hold the bottom line of human nature through gloom and be an upright person, you will find the bright spot of human nature, which takes time to experience and run in to remove the gray part of the mirror of human heart.

The film reviews close to comedy (5)

At the moment when the audience favors "cool movies", almost no comedy is a movie that can make the audience feel comfortable after watching it. It will even make your heart seem blocked by something, forget the joy brought to you an hour before the movie, and immerse yourself in those deja vu human struggles.

Almost a comedy is still suffocating, just like getting water from a donkey.

Sun Tong, the host, is most of us ordinary people. He worked hard to get into graduate school. He plans to stay in a strange big city to find a job after graduation, and his registered permanent residence is still in his hometown. His single mother pinned all her hopes on him, and his marriage, house and car killed his fate.

Although Zheng Duoduo in love rat is not rich and expensive, he can live a relatively easy life with his family resources and local hukou. He has a beautiful fiancee, but he is still always philandering, and the leaders in the unit are afraid of him. He is familiar with all kinds of worldly wisdom and hidden rules of this society, and he is good at using them as the biggest bargaining chip in his life. Sun Tong and Zheng Duoduo are brothers on the surface, but their relationship is actually unequal because of Sun Tong's demand for resources behind Zheng Duoduo. Although they are not serious, they are well aware of this subordinate relationship.

Mo Zi played by Ren Suxi is the other side of Zheng Duoduo. Although her name sounds like dating software, she has her own principles in love, career and life, which is rare in this era. She is an idealized character, and her personal design of "not lying" makes it possible for her to exist only in fictional stories. Mo Mo's idealization can be relied on. First of all, her ability is strong enough. Secondly, she is a local with a good family, which has inherent advantages over many peers who are struggling in the same city. In the relationship between Sun Tong and Mo Mo, Sun Tong is still relatively insecure, Mo Mo is independent enough, while Sun Tong is too dependent on others.

In the first 30 minutes of the movie, almost all the stories took place in the old houses of Sun Tong and Zheng Duoduo. Several houses and several characters came in and out, one after another. The film still keeps a few words and a joke when the plot goes crazy, contradictions intensify and lies and misunderstandings become more and more boring. The audience's emotions will continue to rise with the increase of information, and their understanding of the role will gradually deepen, waiting for the concentrated outbreak of contradictions with trepidation.

It is difficult to write such a scene, what is more difficult is to arrange and schedule the interlacing between characters, and what is more difficult is to present the whole scene perfectly on the screen at a fast pace.

Every line you see from the actors, their rhythm and mood are extremely accurate, and every appropriate response can not be completed simply by performance, but needs to be practiced again and again, and finally the smooth and high-energy dramatic effect presented in the first act of almost a comedy can be achieved. This high-energy antagonism runs through the whole movie until the last moment, like a heavy hammer falling. Its core is the struggle between the ugliness of reality and the beauty of ideal, and that man, representing us ordinary people, waddles about how to choose.

What is reality? The reality is a buddy who can make your job worry-free, help you solve your hukou, make your boss look at you with new eyes, and even mistakenly think that you two are having an affair. You should constantly anesthetize yourself to cater to him, be his cover when he cheats, be his wingman when he picks up girls, you can pick up what he doesn't want and use it, but you can't like a woman who just wants to have sex. The reality is an old mother who always shouts "for you" but never cares about what you want. She can sell the house in her hometown and make herself homeless to pay the down payment you don't want. She can pretend to be ill in public to force you to break up with the girlfriend you love but she doesn't like. While accusing you of being spineless, she made you listen to Zheng Duoduo. You are not a person, but an accessory. The reality is that your snobbish boss, a bystander, a second cousin of a more suitable doctor, an unreachable dream, and a fucking world tell you again and again that you must learn to compromise and be tactful!

But almost a comedy doesn't stop there. It directly tells you another more cruel reality. People living in this world always have to be "dogs". This is really sad and helpless, but what is even more frightening is that they try to deceive their hearts when they are dogs. Even in the end, they can stop caring about whether they are dogs or not, and they can wag their tails gradually and clearly to face the reality at an appropriate time! Of course, a movie can't fill the world with principles, but this movie at least praises principles, not thick and black, sophisticated, flattering, snobbish and cunning. The latter has become a basic attribute of success in many real lives, and everyone has become accustomed to it. When Sun Tong was at a loss and chose to be a dog, Zheng Duoduo patted his face and said, "You are mature." At that moment, I almost threw up, but how many people have we seen in our lives as a sign of maturity?