Xin le Shao de cha Tao Xin le Shao

Before the Muramachi era, Xinle mainly fired bottles, pots, folding bowls and other agricultural tools and daily miscellaneous utensils. In the late Muromachi period, the tea business was booming, and the game of Xinle flask pot was taken by tea people, enabling them to step into the ranks of tea sets, and Xinle Shao gradually turned to burning tea sets. At first, the famous tea ceremony master Takeno was introduced into the tea ceremony, and there were "ghost barrels" and "squatting" pots. (ぉにぉけ, also written as "bucket of threads")—

It is blunt, just like a big bucket without a lid. It was originally used by peasant women to place hemp fibers and spools. Later, it was used as a water finger by the tea ceremony (an instrument for storing clear water on the tea table). During the astronomical and Hongzhi years (1532 ~ 1557), the famous ghost-fighting water finger held by Kuaixuanzai, a tea man, was of great value at that time. Loyal music is the most common one, and a few are the products of Yiga kiln (Figure 2). (ぅずくまる, also known as "residence")—

A small pot represented by Gu Xinle and Gu Yihe. It is shaped like a teapot and small, and the bottom is as big as a squat, hence the name. There are two kinds: a pot about 20 cm high, which is a kind of pot or tea storage altar used by farmers; 1 1, 12 cm high oil pot This was originally the sitting posture of farmers. They were all produced by local farmers as a sideline before the Muromachi era. Because of their loneliness, they were used as hanging flowers (flower pots on tea tables) or water fingers by later tea people. Its * * * is characterized by double mouths and fence-like repair and molding marks on the shoulders. Most of the "squatting" advocated by tea people are oil pots, especially those with strange shapes, dark brown blocks at the bottom and thick blue-yellow glaze from the mouth to the shoulders, which are sought after by tea people at all costs (Figure 3).

In the Taoshan era, teapots occupied the same position as teacups (wiping teapots) and teacups (see "Teapots" in China and Japan). Xinle Shao, which mainly focuses on pot products, can quickly upgrade its status. Tea people either visit Xinle for guidance, or take Xinle's land and burn it themselves in Kyoto and other places. Under the guidance of tea people, Xinle Shao was named after them: Shaoou Xinle, Li Xiu Xinle (also called "Zong Yi Xinle"), Zongdan Xinle Shao (customized by Qian Zongdan, the grandson of Morino), Yuanzhou Xinle, Kong Zhong Xinle, Renqing Xinle and the new recruit Wei Xinle (customized or made by Kyoto tea people during the celebration). But with the passage of time, most of the connotations of these names have been blurred. During the reign of Yuanhe and Kuanyong (16 15 ~ 1644), Xinle was also ordered by the Tokugawa shogunate to burn a teapot named "Xinxuan Pot" to pay tribute to the royal family and shogunate.