Translation and appreciation of Su Shi's original text in Dingfengbo

1. Original: Don't blame Yuanyang for embroidering clothes with a long belt and a light waist. Fortunately, I only want to swim and smelt. Where is the weeping Yang? It's a frivolous horse. It's a shame that the flowers have flown in spring. Broken string dust tube with crying makeup. I don't believe in coming back, but I look at it myself, afraid to see it, but I am ashamed of it because I am haggard.

2. Don't be surprised at the length of the mandarin duck I gave you. I am too weak to bear the demands of singing and dancing. The ungrateful people are only greedy to find flowers and ask for willows, where to go? Still having fun, pursuing debauchery and indulgence. Another miserable spring passed in sadness, and my heart was infinitely disappointed. The piano has not been played for a long time, the string has long been broken, the pipe has not been blown for a long time, and it has been covered with dust. These two things are accompanied by women's crying makeup. If you don't believe me, please come back and have a look. I'm afraid of meeting you, and my haggard face is quite ugly.

3. Appreciation: (1) The first film is old-fashioned, writing about the resentment and lovesickness of a geisha who lives alone in a boudoir. The first and second sentences write that a geisha defends herself and can't afford clothes embroidered with mandarin ducks. Geisha's emotional troubles and repressed pains are caused by the unfaithful man's prejudice against Geisha, which expresses the poet's pessimism about the inequality of human nature. "Don't be surprised" and "invincible" strongly reflect women's struggle. The third, fourth and fifth sentences are about the geisha's disclosure of the cheating man's behavior. At the place where "the weeping Yang is a horse", the ungrateful lang is still "wandering" and "frivolous". "Unfortunate love" is to disclose the unfaithful man's fickle feelings, and "wandering" is to disclose the unfaithful man's pleasure. "Greed" is to reveal the unfaithful man's pursuit of sensuality, while "frivolous" is to reveal the unfaithful man's indulgence and frivolity. The poet pointed out these disclosures in order to pursue women's equality and social psychological balance. This idea of fighting hard without compromising men is a manifestation of the poet's pursuit of human equality for women and the promotion of social progress.

(2) The next film is about hurting the present, and about the encounter, struggle and contradictory mentality of geisha after being left out in the cold. The first three sentences describe what happened to geisha after she was left out in the cold. "Flowers fade", "Flour flies" and "Spring is over" not only point out the time when they broke up, but also point out that their love has come to an end. What is hateful is that emotions are trapped in people's "broken strings", "dust pipes" and "crying makeup", which makes geisha cry and complain. This is accusation and resistance, and it is a precious awakening of women. Finally, I issued a call of self-confidence, not believing that the previous road was wrong, and firmly believing that the road I saw was going on. However, Geisha finally found out from the pain that the failure of the relationship between husband and wife would lead to a total loss of life, and Geisha had to compromise with the ungrateful man, suppressing her human equality and personal dignity. "Afraid to see" the ungrateful lang "moved by color", and pinned his hopes on Zhang Sheng's and Yingying's conscience discovery of "not being ashamed of being close to others, but being ashamed of being haggard for Lang". This kind of struggle, contradiction, compromise and conscience discovery reflects the ideological limitations of geisha and poets.

(3) The whole poem is written in the first person, telling the story of a geisha who was left out by her husband and fought for human equality. This is an outstanding representative of China Geisha's pursuit of personal freedom and dignity liberation in the Song Dynasty. The meaning of this word is to appeal to the world that the pursuit of women's equality and dignity is the eternal theme of human history and must be played for a long time.