You know the movie in55! w！ "Terrier? What did their love teach you?

The film tells the love story of two smokers, Zhang Zhiming and Yu Chunjiao, in the back alley when smoking is banned in Hong Kong. This film won the "Best Screenplay" award in the 30th Hong Kong Film Awards. Zhiming and Chunjiao is a Hong Kong love film directed by Peng Haoxiang, written by Peng Haoxiang and Xiyin Mai, and starring Miriam Yeung and Shawn Yue. It was released on March 25th, 20th10.

"I'm n 55! w！” It means "I miss you! I miss you.

"I'm n 55! w！” If you need to look backwards, it will become "I miss you!" " I miss you, or I love you.

"I'm n 55! w！” The word "Xiao Qingxin" is a special flirting code in Xiao Qingxin's room. It seems that there are no related alphanumeric characters and symbols. In the Hong Kong film Zhiming and Chunjiao, Zhang Zhiming sent it to Yu Chunjiao in the form of short message, which became popular on the Internet completely.

This film is different from Marisol's love story, focusing on urban white-collar workers and showing their love problems.

1, "utilitarian love", professional men and women have experienced rich feelings and are confused about love. Fortification-utility-acceptance. (Similar to the love views of Jin Dong and Tang Jing in my first half of life).

2. "Sister-in-law Love": The hostess's parents failed in love but still yearned for love, giving personality; The man is cynical, and he is a boy who doesn't grow up. At first, they shared similar interests and attracted each other, but after a long time, contradictions will be exposed one after another. The man and the woman began to look at this love relationship from the perspective of adults, but in the end, love prevailed.

Because both men and women didn't think it over carefully, it happened that both sides encountered an emotional crisis, so they walked out of the crisis and chose to be together. This kind of love is unstable from the beginning. You can join the discussion of "Ex" (33 days of lovelorn love, the strategy of ex-3), but it is different from the development direction of these two works. What we want to show here is not "who has crossed who", but "who can't live without who".