Four-character official script calligraphy works

Lishu originated in the third century BC and matured at the peak of stone carving. It is a kind of character (font) evolved from the pre-seal script. Next, I bring you four-character official script calligraphy works. I hope you like them.

Four-character official script calligraphy works enjoy four-character official script calligraphy works pictures 1

Four-character official script calligraphy works Figure 2

Four-character official script calligraphy works Figure 3

Four-character official script calligraphy works Figure 4

Four-character official script calligraphy works Figure 5

Official script analysis

Lishu originated in the third century BC and matured at the peak of stone carving. It is a kind of character (font) evolved from the pre-seal script. There is no font that shows great confusion and complexity in concept and writing like Lishu. Of course, there is no font that is talked about by the world like Lishu: ancient, modern, Qin, fen, Zuo, Shi, Ba, Han Li, Kai, San, Cao, Wei, Li and so on. In this regard, commentators have no intention of finding fault with the definition of this concept. It must be noted that official script is a kind of practical writing from difficult to easy, from complicated to simple, and even evolved into practical writing. The book history summarizes this transformation process as? Change? . At the beginning of its formation, official script, as an auxiliary font of seal script, was instinctively transferred to the practical function of seal script. Sasuke slavery (not art but practice). In a word, official script is an eye-catching, standardized and rigid font unconsciously created by craftsmen under the patriarchal clan system, which can not be ignored. Chinese character complex? And its connection with the later transition to calligraphy entered the field of calligraphy art.

Throughout the official script, due to the limitation of practicality, its stippling is true, which may have a lot to do with the factors of inscriptions. The Qin and Han bamboo slips unearthed in modern times not only provide us with a blank supplement from seal script to Han tablet, but also enable us to see the earliest ink. Bamboo slips are still arranged on the smooth surface of bamboo slips with solid strokes, which gives us a message: official slips, like bamboo slips, are all Chinese characters copied by craftsmen in the order of technological manufacture with honest and almost ignorant irrational thinking. The interactive mode between reality and reality of Taiji images in Yi is a mode that contains the potential existence of heaven and earth and the mutual transformation and integration of time and space. Broken enlightenment? It has the infinite development possibility of beauty. The unity of opposites between truth and reality contained in the artistic image is the life behavior that works become art, and the stippling of official script is all true, lacking great ethereal spirit, which is the most fatal weakness of craftsmen's weak intellectual creation, which makes official script unable to enter the calligraphy art, and can only be patched up in an extremely limited font structure and adjusted to a limited extent. This weakness, only when calligraphy enters humanistic consciousness, can create the aesthetic dimension of the subject, condense the sports symbols abstracted from nature into artistic images and form the tension of life.

The reality of stippling in official script is tracing. What happened in the context of Chinese impressionism criticism of book history? Failure? Two words. The history of this book? Failure? It is a special vocabulary to evaluate the works of calligraphers with a certain level. It's hard to imagine how to judge the work of a writer who has no introduction. Failure? ! Besides? Failure? Is the whole work (different from literary terms) in the use of words and words of a certain level. In ancient times, it was difficult for people to use characters such as Jia, Jin, Zhuan, Li and Bird and Insect Books. Failure? Words should be judged, because the noumenon of these characters has been perfected on the road of practice, and the composition works that are not artistic but have the same relationship with handicrafts cannot be judged by the standards of artistic works. In other words, the revision and remolding of points, lines and surfaces by official script has reached the highest point of practical beauty. Only in this way, the question of whether official script can be regarded as art media has emerged, which will be analyzed point by point below.

All points of official script must be hidden in front. The front direction is arranged regularly according to the structure of each word. If there is a cross under the point, the front of the point is inclined to the right; Where is it? Small? In the example, the left point is upward to the left and the right point is upward to the right; ? Water? In the example, the layout of the middle point must be extended to the upper and lower points, and the front ends of the three points from top to bottom are more and more inclined. Official script? Key points? In the schema, we should pursue regularity and accuracy as much as possible, and the points and mouths should be clear, dignified and distinct. Where you succeed, you will be defeated. In this regard, "Eight Laws of Yongzi" says: The side can't be flat, but when the side is straight? In the following eight methods (see the general explanation of Han Xi's calligraphy), such as hide and seek, tadpole potential, chestnut spot, almond potential, willow potential and so on were invented. In fact, the main points of official script are very simple, nothing more than? Just right? For the ears, in this word? Water? The part and the lower part are just in different positions, just like moving an egg from A to B is still an egg. No matter "Eight Laws of Yongzi" or "Eight Laws", they are far from Mrs. Wei. If the summit falls, will it be as real as a collapse? The tension at this point has been summed up so profoundly. ? Falling rocks on the summit? Are there any rules and procedures? It has great tension and directionality, but there is no constant trajectory, that is, there is no old method in sports. Official script? Key points? The misunderstanding of predecessors is not only our accomplice, but also the guide to get us into a quagmire.

Kandinsky has an incisive analysis of the main points. A point is essentially the simplest shape. It is introverted, and it has never completely lost this feature? Even if its appearance is jagged. Point to the picture and let nature take its course. Therefore, it is essentially the most concise and stable declaration, which is simple, clear and quickly formed. ? ("point? Line? Face) Kang's Endurance and Right and Wrong? Let nature take its course This expression is consistent with China's traditional aesthetic view, which is a little formal and heavy. From the aesthetic point of view, the zigzag point has more infinite possibilities of beauty than the standard point, and its change is much richer and more wonderful than the regular point. In terms of universality, the tension of nonstandard points can invisibly create many different shapes of faces in aesthetic imagination, and combine them with lines that are not necessarily standardized to form multi-faceted faces that can be measured by logic and mathematics. The essence of official script is a masterpiece mechanically copied in the virtual aesthetic imagination, but it is only a failure of art, and its specific works are only detachable parts without visual tolerance in the aesthetic vision of the receiver. In the formulaic interpretation of stippling in official script, we will never find out about? Key points? The answer to art, as Kandinsky said, the new formula is an artistic image under the tension of vitality. In the warm embrace of official script, you can copy the same words in a few days. Some people say that this is calligraphy, but it is actually the passive enjoyment of lazy people. If you want to leave this chair, you must exercise and leave your warm arms. This tension-seeking movement needs to pay a certain price, which may be the life of the creator. In the development of official script, Deng, Jin Nong and He Ren are at best a group of lazy people. It is a tragedy for them or history that they sacrifice their own life value as the object of sacrifice to realize their pale artistic ideals. They failed to leave the warm embrace of the chair like Zhao, Yi Bingshou and Yu Youren, and completed the leap of artistic life. YiWen Zhao Qian Zhi, Yi Bingshou and Yu Youren's official script art level is not high.

For failure in the traditional sense (sawtooth, broken pen. ? Ink pig? It is only owned by people who have not started), and the theoretical circle has re-recognized it in the aesthetic view of time and space. The presentation of contemporary calligraphy practice images fully proves this point. Beauty is developing, all beauty is the beauty of living people, and the aesthetic view of society now is undoubtedly irrational. Failure in the traditional sense is not ugly or flawed today. On the contrary, it is a beautiful schematic symbol. "Official script" (traditional, shaped like Han Li, but the new official script after the transition is not exactly like this. How to mature is just that the interpreter can't face up to the theory and theoretical learning from the historical black hole.

Lines in the sense of space, the lines of official script are rigid parallel lines. Here, the author only makes a detailed analysis of the wave that marks the maturity of official script. It should be noted that the concept of official script here is accepted in the traditional practical writing system such as official script and bamboo slips, and the contemporary new official script is far from the traditional official script concept, which is a turn of calligraphy.

With the help of official script schema, it will greatly reduce the punchline of commentators. "Zhang Qianbei" is called the stern and muddy Gu Zhuo of the founder. In particular, the square shape of this stone tablet is completely different from the circular stone carvings such as Ode to Shimen, Cao Quanbei and Zhang Jingbei, so it has a unique style. The beginning and end of inscriptions are often represented by rigid Fang Bi, which is not to purify the beauty of nature, but the misunderstanding of the analogy of official script by later generations. Calligraphy is a linear art in abstract space. Fang Bi is a hard-pen official script, which has certain aesthetic value, but it is an artistic line. In calligraphy creation, Fang Bi's schema is even more precious if it is not intentional. For example, the northern monuments of Zhao, Yu Youren and Lu are in the grass; If Fang Bi did it on purpose, it was no different from writing calligraphy. You should know that calligraphy still has aesthetic value, but it is not calligraphy. In our life, if the creator wants to express the traditional lattice window, he can only express it with lines in a balanced range and imagine it. The balanced and rigid line pattern described by performers is definitely not a work of art. Only by incorporating other images that match it can we break this deadlock, enter the artistic territory and interpret an aesthetic situation. Interestingly, drawing a tree is enough to become a work of art without reorganization because of the change of branch space and rich interlacing. The qualitative difference between the above examples lies in sticking to the model or breaking it. The formation of Fang Bi must be? Describe it? , reflecting the theory of this book, Books, scattered? . (Cai Yong's On Pen)? Books, such as, books, texts, and records? . Zhang Huaiguan's book is broken? There is nothing in the world that is not cursive. . (Weng Fanggang's language) This in itself is a contempt and denial of descriptive Fang Bi.

Cao Quanbei is the representative of Li Shu's round pen, whose gorgeous appearance hides the natural tension that must be possessed as a calligraphy art work. The beauty of lines is even and pale, and the balance of structure is simple and clean, but it lacks the agitation and movement of the body. Horizontal is the pattern, vertical is also the pattern. With the pavilion style advocated by later generations? Eight methods? No one refused to prove this monument. In terms of the aesthetic value of calligraphy, Cao Quanbei can't be mentioned in the same breath as the inscriptions such as Shimen Ming, Er Cuan and Zhang Menglong that appeared after the official script moved abroad.

As a mythical symbol of the maturity of official script, Bo Zhen limited and prevented the popularity between words. The line of hiding the head and protecting the tail has formed a heavy feeling from the traditional values, but hiding the head and protecting the tail essentially cuts off the instinctive tension in the direction of the line. In a word, the absolutely hidden front and back of the urine book are the remaining parts that extend infinitely in a straight line. The emergence of cursive script is a complete betrayal and revolution to hide the head and protect the tail of the urine book, and no one has attacked the myth system of regular script more thoroughly than Zhang Ruitu. Zhao, Zheng Jiakou and Yu Youren. It also broke the eternal myth of hiding the head and protecting the tail. There should be no stereotype in artistic creation. When the creator appropriately expresses the beautiful situation to be conveyed by creating intelligent thinking, all his techniques and means are outside of art ... Take calligraphy as an example. When we appreciate a calligraphy work, who will pay attention to how the creator writes?

The wave of Lishu is S-shaped. Turn left 90? The body is flat. S-shaped rhythm can be regarded as the connection of two C-shapes. Huo Jiasi said in "Analysis of Beauty" that the wavy line with S rhythm is a basic line type suitable for painting internal structure in nature, and it has homology in biology and dynamics. For the lines that make up a work of art, these lines should be mixed and even matched with the opposite lines. I can call them simple lines, because some objects require this? . (Hogarth's analysis of beauty) The waves of official script are all single-dimensional S lines, which is a blunt procedure. On the other hand, in painting, the composition of long or horizontal banners in Chinese painting, the rhythm of S-shape changes at will, and the endpoint of S-shape can start from two corners or from the middle as an imaginary extension of the endpoint of S-shape. The complex change of its rhythm is randomly combined and adjusted by the creator's intellectual talent, just as the deformation of cosmic celestial bodies starts from the spiral wave of qi and moves in the form of waves. Moving? Instead of. Stagnation? . ? Sending a pen to Bo Bizhen is 30% more expensive. Why do you have to fight outside and be proud of Xu? . (Li Shimin's "Calligraphy Strategy") As you can imagine, this description is so embarrassing, and it has no originality. This is obviously a subconscious action game. To sum up, the horizontal paintings of Lishu are parallel in space, and the starting position of the endpoint is deliberately fixed. We might as well conclude that waves are just the breaking of the boundaries of straight lines by craftsmen, and they are also an original and practical presentation of low-level aesthetics under the limitations of the times.

The face of official script is the least worth mentioning. Interpreters of official scripts always avoid talking about their weaknesses. On the level of words, the official script is only based on the square, and the degree of expansion and contraction of stippling is extremely limited, which can be appreciated by most writers. Writing flat square characters is the simplest symbol form in existing calligraphy. The composition of official script is nothing more than overlapping words and ranking neatly. Mr. Zheng Songxian hit the nail on the head: But generally speaking, official script has stereotyped fonts, and the fonts are stereotyped and the brushwork is mostly square. It is quite difficult to change and innovate it. Because where can running script and cursive script be obtained? Move position? In terms of distribution, official script can't be the same as regular script. ? Therefore, there is no need for the commentator to say anything more.

From the above, we can see that official script, as a beautiful practical art, can never bring artistic beauty to it because of its strict regulations and its own limitations. It is just a typical practical art? As far as most beautiful arts are concerned, this is a truth that the ancients did not know, because any manual labor has traces of servility in the eyes of the ancients. In addition, the spiritual freedom of beautiful art forces them to live in a place where there is no universal and practical art as a single scale. (the art of beauty and the pure creativity of beauty and spirit) is creative rationality in a secret and advanced zone near the center of the soul. In this creative reason, intelligence, which is the only source of various forces of the soul, develops its activities and combines with various forces. Is this the transcendence of beautiful art over practical art? . (Jacques? Maritain's "Creative Intuition in Art and Poetry") Lishu is only a practical schema for writing Chinese characters before calligraphy. It only transmits the part that standardizes the lines of Chinese characters to the art of calligraphy, and its enlightenment function and value orientation are reflected in the multi-intersection and transition.

Learn official script

Official script is also called Zuo Shu and octagonal script. Zheng Heng's "Four-body Book Potential" says: The writer is the outstanding one. ? Xu Shen's Shuo Wen Jie Zi? Syria said:? Qin Tian's study of Confucian classics, excluding the old classics, was complicated in official and prison affairs. At the beginning, there were official documents to facilitate the agreement, and the ancient prose was therefore unique. ? In fact, official script is the simplicity and urgency of seal script.

Li Shu inherited seal brush and started grass. Lishu originated from the result of the war and flourished in the Han Dynasty. To the Eastern Han Dynasty, it was decorated with wave pickaxes, and there were the most inscriptions in this period, which formed the first peak of stone carving in China. Official script evolved from seal script, and some glyphs still have traces of seal script, but the pen was changed to fold and the pressing was frustrated, forming a unique brushwork of official script. Horizontal pick is the most distinctive brushwork of official script, which is often the main stroke of the whole word, and there is almost no tick in official script. There are two kinds of pens in official script: Fiona Fang pen and square pen. Li Shu's brushwork is most taboo to mix with Tang Kai's brushwork, and its strokes teach regular script to stretch more, and he wants to escape as much as possible.

Zhao Ming said slowly:? The writing direction of seal stroke is opposite, and it is divided into different parts. Its potential twists and turns are left and right, its shape is connected with bending and hook, and seal stroke has twists and turns. ? This paper summarizes the different characteristics of seal script.

Taking Han Yiying Monument as an example, this paper explains in detail the process of learning official script with a pen.

Recommended inscriptions in official script: Han stele: Yiying stele, Zhang Qianbei, Cao Quanbei, Shimen Song, Huashan Temple stele, Shi Chenbei, Liyi stele, and Xici Narrow. Han bamboo slips: Juyan Han bamboo slips and Wuwei Han bamboo slips. Li Qing: The works of Zheng Zhi, Jin Nong, Deng, Yi Bingshou and He can be used for reference.