What if the chorus is out of tune?

Bao Yue: I'm not out of tune, but I run as soon as I sing. What should I do? Is there any way to train? Tenor: That's strange. Solo is out of tune, how can chorus keep up with everyone? You mean chasing that character? I've figured it out. Let's help you find a way. Flying freely: Teacher Tenor is right. Is it out of tune after the voice? Since you are not out of tune, there may be two reasons: one is that the main chord of the chorus you sing is a song you are familiar with, and the other is that you are unfamiliar with the chord of your own voice. I think it's best to practice mastering this song repeatedly after getting it. At the same time, when singing in chorus, you should listen to the string law of your own voice, sing along, and let your voice blend into the voice. This is my little experience. Cher: When I am training students to sing in chorus, some students in other parts will have similar situations. I think the main reason is that they are not familiar with this part of the melody, and then rarely participate in chorus training or pay attention to cultivating their ability to listen to other parts at the same time. As long as it is not an essential out-of-tune problem, pay more attention to training at ordinary times, and it will definitely change after a long time. I don't know if my humble opinion is correct. I hope teachers can correct me in time. Lz: After reading everyone's discussion, I want to express my personal views. This is not surprising. No matter who has not been trained in chorus, it is quite common that the chorus part (except the main melody) is out of tune. But the real chorus training is not what people usually think. Finding a multi-part chorus and singing it according to the score can improve it (in fact, it has some effect). Chorus training should do some exercises step by step, but it will improve faster. The simplest primary training is to play a tone on the piano, but the chorus members sing according to this tone: up three degrees, up four degrees, down three degrees, up five degrees and so on; Then, you can play a simple melody and let the chorus members sing the vice spin; Then let the chorus members separate the voices, find harmony with each other, and then listen to the beauty of harmony, thus gradually forming the habit of singing harmony and the ability to sing their own voices while listening to others' voices. There are many other methods, but this is basic, and neither a chorus singer nor a chorus trainer can try. Maybe it will help you. Night wind: I think the training method LZ said is very reasonable. As a solfeggio teacher, students often fall out of tune when singing a two-part solfeggio, and there has been no effective solution. Can this method also be used in two-part solfeggio training in solfeggio learning? In fact, I have used some of the methods you mentioned, but I always feel that the effect is not great. Clarinet: if it is four, it is generally easier to master the high and low notes, and the middle two notes are prone to accidents. If it's two voices, there should be no problem. If you have musical instruments at hand (piano is the best, of course, but electronic organ and guitar can also be used), you might as well practice some multi-voice songs and play chords frequently. Secondary sounds can be dealt with emphatically to deepen the experience. [I want to comment]