The Original Text and Appreciation of Sword Gate Li Deyu

There are hundreds of towering peaks, and the smoke is clearly visible.

If you go back to Japan, your sword will depend on heaven.

The rugged summer wall rises and the green gauze curtains are connected.

I think it's a dream of three knives, which is looming at present.

Among the poems about Jianmenguan, although this poem is not as popular as Lu You's Rain on Jianmenguan Road, it is also fresh and readable: it is not the rigor of Jianmenguan, but the grandeur of Jianmenguan Mountain. Then, with the help of the expressive and infectious pen of the author, we seem to have climbed to the top of Jianmen and enjoyed the magnificent scenery.

The first couplet is the artistic development of the majestic posture of Jianmen Mountain, which is located in the north of Sichuan and named after the cliff, the mosaic of two cliffs and the shape of Jianmen. During the Three Kingdoms period, Shu retired Jiang Wei to this place, refusing to accept Zhong Hui. Here, the "hundred lines hanging" points out that Jianmen Mountain was born, dominating one side and unattainable. It's just that it's unattainable. Looking up, I saw "haze smoke" everywhere, and the majestic posture of Jianmen Mountain was half hidden and half present in the haze smoke. "Blue smoke" means that Shan Lan is full of smoke. Liu Changqing's "Wang Longshan Huai Dao Shi Xu Fa Ling" has a cloud: "Lan Yan Waterfalls are like people, and they are empty all day." Yao He's "Sending the Lady Dowager to the City of * * * on Business" also says: "The water and gas are soft and the smoke is thick."

Zhuan Xu continued to show the majestic posture of Jianmen Mountain, but changed from "speaking with quality" to "speaking with comparison", showing the artistic skill of step-by-step deformation. "Returning to Japan" combines the meaning of Huai Nan Ming, Yang Lu's Returning to Japan and Li Bai's "Difficult Road to Shu", but it is high, such as on a tall banner, six dragons drive the sun, writing Jianmen Mountain and Heaven, which makes the beasts awe. Although "leaning on the heavenly sword" is an image inherited by poets in past dynasties, it vividly shows the majestic posture and momentum of Jianmen Mountain, and it is a wonderful metaphor with both form and spirit.

Couplets depict the overlapping mountain shapes and verdant mountains of Jianmen Mountain. "Overlap" means overlap. Xie Tiao's poem "Jingting Mountain" also has the phrase "The mountain is a hundred miles long, and the clouds are in harmony". There are seventy-two peaks in Jianmen Mountain, so you can see the mountains overlapping and patchwork, like a cliff with rosy clouds changing and a screen composed of green leaves. Describing Jianmen Peak with "Bi Xia" and "Cuiping" not only implies the scene of fog, Xia Wei and lush trees, but also makes readers see the grandeur beyond the grandeur.

The tail couplet was touched by the scene, and it suddenly occurred to me that the magnificent Jianmen Mountain, with strict law and discipline, was like a knife and axe, more like the legendary "three-knife dream", and it was shocked at the moment. "Three Knife Dreams" comes from Biography of Wang Zhuo in the Book of Jin. Wang Zhuo once "had a dream that he hung three knives on the beam of a sleeping house, and in an instant he benefited from another knife." Shocked, Zhuo regarded it as a bad omen. Li Yi, the main book, bowed to him and said, "The word' three knives' is a state word, which is beneficial to one. Is it beneficial to the Ming government? " Soon, "Guo moved to Yizhou as a secretariat." Later, this legend was often used as an allusion to the relocation of officials. Liu Zongyuan's poem Twelve Articles on Tuesday says: "Dreams are like three knives, and books are like five years." Seeking this poem, it is obviously the mountain peaks like swords that trigger the association of the author's "three knives dream", and the focus of triggering association is the indifference between real life and dreams. Judging from the choice of words and sentences, it shows the author's flexible conversion and application of allusions; From the perspective of lyrical freehand brushwork, it reveals that in the author's subconscious, there is a hidden worry that career promotion is unpredictable. Perhaps it can be said that it is this fascinating last stroke that makes the whole article unique in structure.