What have you learned about the study and choice of harmonica?

1. Tone and performance are always inconsistent. MB's pear-wood lattice is both leaking and prone to rise, but it gives it a classic tone. . . . . .

2. When choosing a box, the smaller the speakers, the better, and the more speakers, the better.

3. When picking up the microphone, please don't hang it vertically and don't point it directly. Point at a 45-degree angle slightly off the center of the horn.

4. The commonly used tones are C, A, BB, G, EB and F. In fact, besides B and F#, other tones are quite common in the blues.

5. Overadjustment always contradicts the strong performance of blues. But after the technical improvement, the piano can be tuned more or less.

6. Technology, as long as it is sufficient, is not worth self-abuse for one or two so-called high-end skills that are rarely used (such as super-sucking and super-blowing).

7. The difficulty of learning harmonica is from difficult to easy, and the most difficult techniques are single tone, bending and vibrato. Those who neglect to practice these three things will go back to basic skills sooner or later.

8. Get into the habit of recording, and don't spoil your ears.

9. The most difficult part of harmonica is tone control. Let every sound sound reasonable, and the effect will not be produced until it is produced.

10. Bending sound is a technique that can never be practiced. There will always be someone who presses it more accurately, roundly, faster and smoother than you.

1 1. Before you get on the speed, ask yourself whether you have passed a single tone, and each tone can be clearly in place.

12. The piano must be deep, and the deeper the better. The purpose of practicing single notes is to achieve this.

Airflow efficiency is king.

14. Additional skills that the blues need to master, tongue blocking, octave octave.

15. When improvising, you should know how to shake according to the rhythm, so that your music has a sense of rhythm. Rhythm is king. You can play the blues with only two notes, as long as the rhythm is stacked.