Poems about Jing Ge Ma Tie

Xin Qiji, a poet in the Southern Song Dynasty, wrote this poem with deep anxiety and indignation. In the first part, he praised Sun Quan, who established hegemony in Jingkou, and Liu Yu, who led the northern expedition and annexed Land Rover, and said that he would make contributions to the country like them. In the second part, he satirized Liu Yilong and showed his position and attitude of resolutely opposing gold but going astray. Romance is always blown away by wind and rain. Grass trees in the sunset, ordinary alleys, where human slaves once lived. In those days, Jin Ge was an iron horse and swallowed Wan Li like a tiger. The Yuan family was careless, so they sealed the wolf and lived in a professional place, which made them retreat in a panic. Forty-three years later, he watched Yangzhou Road on fire. Looking back, there is a crow club drum under the beaver temple. Who can ask, Lian Po is still alive when he is old? Throughout the ages, it is difficult to find a hero like Sun Quan. In those days, the dance pavilion and singing platform were still there, but with the passage of time, those heroes no longer exist. The setting sun shines on the grassy ordinary alley. People say that this is the place where Emperor Wu of Song once lived. Looking back, how powerful he was when he led the Northern Expedition and recovered lost ground! However, Liu Yilong, the son of Emperor Wu of Song, was overjoyed and rushed to the Northern Expedition. Instead, Emperor Tuoba Tao of the Northern Wei Dynasty took the opportunity to send troops to the south and returned to the north bank of the Yangtze River, where he was hit hard by his opponent. I have been back to the south for 43 years. When I looked at the Central Plains, I still remembered the scene of war on Yangzhou Road. How can I turn back? At that time, there were people offering sacrifices outside Tuoba Tao's palace, and crows pecked at the sacrifices. People only regard him as a god. Creative background: Yong Yule's "Looking Back at the Gubei Pavilion in Jingkou" was written in the first year of Song Ningzong Jubilee (1205), and Xin Qiji was 66 years old. At that time, Han Biaozhou was in power and was actively planning the Northern Expedition. Xin Qiji, who has been idle for a long time, was used as a messenger of peace in eastern Zhejiang the year before last. At the beginning of this spring, he was appointed as the magistrate of Zhenjiang, guarding Jingkou, an important place for river defense. On the surface, but on the other hand, he is clearly aware of the sinister political struggle and the loneliness of his own situation, and finds it difficult to make a difference. Xin Qiji supported the decision of the Northern Expedition to resist gold, but he was worried about the aggression of Han Biaozhou. He thought that we should make full preparations and never rush into it, otherwise it would be inevitable to repeat the same mistakes and make the Northern Expedition fail again. Xin Qiji's opinion did not attract the attention of the authorities in the Southern Song Dynasty. Once, I looked up and recalled the past, and my heart was surging, so I wrote this excellent poem. Appreciation: The title of this poem is "Gubeiting in Jingkou remembers the past". Jingkou is an important town established by Sun Quan, Emperor Wu of the Three Kingdoms. It was once the capital and the place where Emperor Wu of the Song Dynasty grew up. Facing the splendid scenery and remembering the heroes in history, people like Xin Qiji deserve it. "Jiangshan" is a sense of reality, taking care of the topic of "Gubei Pavilion in Jingkou". The author stood on the Gubei Pavilion and looked at the mountains in front of him. In his mind, there are heroes who have been all-powerful in this land for thousands of years. His first thought was Sun Quan, the emperor of Wu during the Three Kingdoms period. He has a grand plan to unify the Central Plains. Before moving the capital to Jianye, in the 14th year of Jian 'an (2009), Beijing was built in Jingkou. Defeated the army of Cao Cao, an invader from the north, and defended the country. But nowadays, heroes like Sun Quan are nowhere to be found. When the poet started writing, he expressed the feeling that there were still no heroes and successors. Later, "dancing in the pavilion, singing in Taichung, and the wind and rain always blow away" was based on the previous sentence by by going up one flight of stairs. Not only can I never find a hero like Sun Quan again, but even the "Dancing in the Pavilion" he created in those days can't be found. All of them have been "blown away by the rain" without any trace. In the next three sentences, the poet thought of the second historical figure, Emperor Wu of Song related to Jingkou. When writing about Sun Quan, think of his achievements first, and then look for his bones. When writing Emperor Wu of Song, his legacy will remind him of his achievements. Then in the last three sentences, he recalled the achievements of Emperor Wu of Song. Emperor Wu of the Han Dynasty took Jingkou as the basic point to pacify civil strife and replace the Eastern Jin regime. He made two northern expeditions, destroyed Southern Yan and the later Qin Dynasty, recovered Luoyang and Chang 'an, and almost restored the Central Plains. The author admires the achievements of Emperor Wu of Song. The last three sentences express the poet's infinite admiration. The historical sites of heroes like Emperor Wu of Song can't be found now, only "Coagulation Grass Tree, Ordinary Alley". In the first movie, these words borrowed ancient meanings to express today's feelings, but they are more revealing. In the following films, the author reveals the historical significance and realistic feelings through allusions, which is more profound and hidden. Three sentences in Yuan Jia Cao Cao allude to reality with ancient events. He has the ambition to restore Henan. " He failed in three northern expeditions, especially in the 27th year of Yuanjia (450). Before the war, he was very excited to hear about Wang, Chen's plans for the Northern Expedition, and said, "Wen said that this makes people feel that wolves live in a professional place." "There are wolves living in professional places" means that the Northern Expedition will win. Compared with the military strength of the north and the south, the north is not dominant. If we can plan properly and think twice before acting, we can win the battle and recover some lost ground. Without Song Like Wendi's eagerness to do things, the soldiers were lit up. As a result, not only did it fail to win the expected victory, but it led to Tuoba Tao's massive invasion of the Northern Wei Dynasty and the collapse of the national situation. This historical fact provided a thought-provoking historical lesson for the reality at that time, and sharply reminded the rulers of the Southern Song Dynasty to learn from their predecessors and their own historical lessons. From the beginning of "forty-three years, distant memory, a fire on the road in Yangzhou", the words have changed from nostalgia to today, which is related to the current anti-gold situation and expresses feelings. The author recalls that 43 years ago, people in the north rebelled against foreign rule and participated in the war-torn struggle against gold in northern Yangzhou. Later, they crossed Huainan and wanted to rely on national strength. Unexpectedly, the Southern Song Dynasty court was groggy and powerless, which made his hero useless. Now he has become an old man, but his ambition is still hard to be rewarded. Xin Qiji's recollection of the past made him feel at a loss about his life experience. The "looking back" in the next three sentences should continue, from recalling the past to writing the real scene in front of you. What is worth discussing here is that beaver was the emperor of the Northern Wei Dynasty, and it had been 700 to 800 years in the Southern Song Dynasty, and the people in the North worshipped it as a god. I can't bear to look back on the "Beaver Yangzhou Road". Xin Qiji used the word "beaver" to refer to Yan Yanliang, the gold owner. Forty-three years ago, Yan Yanliang sent troops to invade the south, taking Yangzhou as the crossing base, stationed on Guabu Mountain where the Beaver Temple was located, and strictly supervised the nomads crossing the river. Taking the past as a metaphor, the beaver naturally became the shadow of Yan Yanliang. Now, "under the Beaver Temple, there is a piece of land. At that time, the people in the enemy-occupied areas waged an indomitable struggle with foreign rulers, and smoke was everywhere. But now that the Central Plains has been calm, the people in the occupied areas have been content with foreign rule, and it is really sad that they should pay homage to foreign monarchs. It is unbearable to look back on the past, but it is also unbearable to witness the facts in front of you. It is urgent to tell the rulers of the Southern Song Dynasty to recover lost territory. If we drag on, the people's hearts will gradually lose, and the Central Plains will not be regained. This canon is very apt and rich in connotation. First, express your determination. Just like Lian Po who served Zhao, he was loyal to the court. As long as he is put into use, he will do his best and rush to the battlefield to resist gold and kill the enemy at any time. Second, he can show his ability. Although he is old, he is as strong as Lian Po in those days, and he can be the coach of the Northern Expedition. The third is to express their worries. Lian Po had made great contributions to Zhao, but he was victimized by traitors and left his hometown. Although he is willing to serve his country, he has no choice but to serve it. The poet was worried that he might make the same mistake again, but the court rejected it and didn't believe it, so he couldn't display it and his ambition could not be realized. Xin Qiji's worries are not groundless. Sure enough, Han Biaozhou and his gang didn't take his advice, became suspicious of him and dismissed him in the name of "improper employment". Xin Qiji's desire to contribute to the great cause of restoration once again failed. Although there are many allusions in this poem, it is applied seamlessly and appropriately. Their role in language art is not directly described and narrated. As far as this word is concerned, the use of allusions is mostly Xin Qiji's shortcoming, but it reflects his special achievements in language art.