At the peak of the Korean Wave

Korean wave, I don't know. Let's start with the Korean group I know.

From 2009, the Korean delegation entered what I think is the peak period, which lasted to 1 1 year. In these two years, its influence and status are unprecedented. Of course, it mainly depends on the four top groups (red, blue and pink V) that started from Dongshen and ended at a young age. Each group has millions of fans, and three of them are Asian-level kings.

If we only compare the top circles, there is not much difference in popularity and strength between the Korean Wave experienced by the landlord and the Korean Wave experienced by me. The main difference between the first generation of Korean Wave and the second generation of Korean Wave lies in the number of middle-class groups, and of course it can be said that it borrowed the light of a generation of predecessors. Because there are predecessors paving the way overseas, the second generation of intermediate groups can also make their debut overseas. Although these various groups may not be as perfect as the top groups, they are better than many. Suitable idols can be found in favorite places, and they have also set off a popularity boom in Asia, such as 2 1, crown, function, afternoon, flash group and little beast. It is rare for a generation to find a group that is not the top group but is quite popular overseas.

The strength of the second generation of Korean Wave can be seen from its onslaught on Japan. A generation of idols rarely debut overseas and rarely have an overseas agenda. The overseas trips of the second generation idols are very rich, even those in Japan, such as Shen Dong, Kara and Xinxin. To put it bluntly, it means that one generation cultivates land and the second generation makes money. Korean Wave does not dare to say anything about the general trend in Japan. At least it has a place and a considerable number of fans, which is enough to show the prosperity of the second generation.

If I have to talk about performances in Han Zong and Korea, I have nothing to say about Korean performances. There are plays every year, and there have been good plays in recent years, and of course there have been before. But Han Zong, I can only say that infinite challenges have changed Han Zong. Perhaps the love letter X-Man is more popular in China, but it must be said that the existence of infinite challenges is really epoch-making. Personally, I prefer the current variety shows, such as running men instead of picking. I compose this Theory of Three Represents, and there are many others, such as the birth of a family. Personally, I prefer this type.