The top ten domestic bad movies in the first half of the year: the big bodyguards all rely on Ada's support, and Bao Beier's remake of word of mouth collapsed

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In the first half of 200212002, many films with both word-of-mouth and box office were born in the domestic film market, which attracted audiences in cinemas, but also mixed with many bad films. Today, let's take stock of the bad films in the first half of 20021China.

Part 10: "The city that never sleeps"

The story happened in a retro hotel. Shi Yue, the hotel manager, is a very boring person who repeats the same job day after day.

This boring day was broken by an accident. Shiyue's life is broken by his wife's sudden pregnancy, an oolong trip, a mysterious visitor who suddenly visits, and a series of incredible things.

It seems that the film is quite attractive, but the feature film is not so good.

The introduction of the characters at the beginning of the film 15 minutes, and it took 25 minutes to get to the point.

Obviously, the director didn't do a good job of positioning the film, and the whole film jumped repeatedly between comedy sketches.

Only a few bags are still low-level jokes like homophonic stalks.

The most unacceptable thing about this film is that he promoted Shen Teng as the leading role at the beginning of its release.

With the popularity of Shen Teng, the audience all want to see this film.

But in fact, in this film, Shen Teng only appeared a few photos, which completely consumed the audience.

And it is said that the three directors and screenwriters of this film just spent two years discussing and writing this script.

But the final released works did not reflect their efforts.

Part IX: Sunshine Robber

The film gives people the impression that it is neither fish nor fowl, and there is no so-called focus.

But if you criticize him as a bad film, it is not true. After all, he can show his intention in the use of special effects in some shots.

The conclusion drawn from this is that people still have to do what they are good at.

Movies are designed to impress the audience, not themselves.

Song Jia in the movie cried her eyes out and was in great pain.

But it can't arouse the audience's * * * because his mood is too weak.

And Mary's character, whose mother was killed by a car, is a bit too conventional.

It is precisely because these things are too rough to support the following plot that everything is left aside.

What the director said was in the clouds and fog, and what the audience saw was also in the clouds and fog, and they simply couldn't understand what the director was trying to express.

The whole movie is like a patched-up plot, piece by piece, which looks like patched clothes from a distance.

This is one of the most fatal reasons why he is not loved by the audience: he lacks an emotional core that can impress the audience.

Part VIII: My Love

Many people went to see Greg Han Hsu Xu's film.

But in fact, not many people can watch the film from beginning to end.

The story is also a regular story of youth, an athlete and a campus goddess.

Only the goddess has a troubled family, and all this can only be saved by herself.

In order to catch up with the goddess, a man can be admitted to the same university, and a woman has a date, and it must be love rat, so she has to play with her feelings.

In order to help the girl vent her anger, the man found someone to beat her boyfriend.

After graduation, the man found a good job and a good rich second-generation girlfriend.

But at this time, he still couldn't forget the goddess and borrowed a friend's car to date her.

Even gave up her bright future for the hero to save the United States. In the end, the goddess did not throw herself at him, but gave the man an invitation when she got married.

The man confessed deeply to the goddess and then left smartly.

Maybe the screenwriter of this film doesn't know much about what young people think now.

They may think that girls will be immersed in this story of Mary Sue, but in fact, young people never think of themselves as characters in idol dramas.

Part VII: Big red envelopes

Perhaps the most puzzling thing about this film is that the director remakes his own film after four years, and the cast of this film basically reflects the quality of this film.

And his series of chaotic operations of withdrawing files and releasing files are basically engraved with the word "bad film" on his forehead.

He told the story that Chen Zhong, the sales manager played by Bao Beier, was cuckolded by his girlfriend.

He felt that he couldn't swallow this tone, so he found an actress and asked her to pretend that her girlfriend was angry with her ex.

In order to recover the money he gave to other people's followers over the years, he decided to hold a fake wedding.

Get back all the money I used to go out. At the end of the movie, it was really unexpected The ex-girlfriend found out that she still loves Chen Zhong.

At this time, the actress has also fallen in love with Chen Zhong.

In real life, if someone pretends to be a wedding to defraud a red envelope, it is estimated that everyone will become a street mouse.

And this film is not only not shameful, but also vaguely proud.

At the end of the movie, he publicly apologized to everyone, saying that he cheated on a red envelope in order to help his mother cure the disease, and then everyone was moved.

The film ended in a warm atmosphere, but we were speechless at the end sitting in front of the screen.

Forced sublimation is the most deadly thing. Without a solid emotional foundation, sublimation cannot make the audience sing a voice to it.

Part VI: Technical assistance

The story is summed up as a very cheerful and lively girl, Xiao Qiao, who meets a lonely and mentally ill good friend Weiyang.

And this best friend unknowingly stole her boyfriend who had been talking for ten years.

After being pried open, my best friend told the girl that men have no good things.

The boy found himself unconsciously in love with this little girl with a withdrawn personality.

In order to be with Weiyang, he decided to cancel the wedding with his fiancee Xiao Qiao.

At this time, Weiyang also found that he seemed to have passed his girlfriend's boyfriend, which was a very bad thing.

So she decided to break up with this boy, but she was lucky to be pregnant.

Coincidentally, she suffers from congenital heart disease, and if she wants to give birth to this child, she may lose her life.

When she got home, she found that her best friend couldn't accept the fact that her boyfriend had left her, and cut her wrist and committed suicide.

In order to completely solve the emotional problem between her and that boy, Weiyang decided to fly away.

It's just that she left the child, and she died because she wanted the child.

At the end of the movie, the boy took his daughter to play happily in the park.

Looking at the whole movie, it can only be described as speechless. Youth is not a simple moaning.

I also hope that these directors will stop making an issue of this painful literature.

The fifth part: The legend of Shaolin Temple.

Simon Debao, the innkeeper with no ambition, made his younger brother pretend to be a robber in order to make money, and then rescued himself to attract customers into the store.

However, the good times did not last long, and his deception was punctured by a mysterious monk.

Unfortunately, it's not just this one. He Xiao, the secretariat of Lingzhou, killed an imperial envoy and framed Debao in order to get the treasure map of Debao Store, and his son died.

In order to revenge, Debao began to practice, and the hidden conspiracy behind the incident was also uncovered.

A well-established story, coupled with the friendship between Dahongni and Ng Man Tat, should have a good result anyway.

However, the shortcomings of the film directly determine the quality of the film.

First of all, the scenery is simple. Although this is only an online movie, the intention is not reflected at all.

Secondly, the logical turn is blunt, and the reversal is inexplicable, without a trace of bedding.

One of the few highlights of this film may be Wang's performance.

Part IV: Legal Partners

At the beginning of the film's release, it attracted a lot of publicity in the circle, but this was only for the sake of the film producer Huang Jianxin, who did not guarantee the content of the story.

The film itself is a very cliche romantic comedy, and it became the lowest rated cinema film in Douban in less than a week.

The synopsis of the story is almost that Dabai, an international student, is about to be repatriated to China because of an accident, and his good friend Jintian already has a green card.

In order to stay, Jintian decided to marry his good friend, and then conducted a series of cat-and-mouse farce to deceive the visa officer.

However, their behavior made the audience uncomfortable, and they showed a dull impression on the understanding of same-sex groups, thinking that they were just "sissies" and "ostentatious".

And at the end of the movie, they found that this so-called marriage would affect their girlfriends, so they immediately broke up and turned to marry the opposite sex.

In the film, it is illegal for them to cheat the visa officer. They consume same-sex groups and remain silent about cheating. No wonder the film was ridiculed by the audience.

The third part: Sunshine Sisters Amoy

This is a remake of a Korean film directed by Bao Beier, whom we mentioned before. Obviously, Bao Beier never gave up his dream of directing.

Only this time, it didn't make the audience shine. The score of the original film is as high as 8.8, while this version is only 4.9, and it is still declining.

In this film, we can't see the director's innovation, the same beginning, the same plot, or even the same scenery and composition as the original.

You know, the most important thing in remake is to localize the original script and add your own understanding to it, which is not reflected in this film at all.

The second is his exaggerated filter. Every time he goes back to middle school, he is full of strange filters, which makes people feel that there is no sense of substitution.

In the end, I can only flinch from this adapted film.

I also hope that these directors can understand that adaptation is not just copying, but whether it can be combined with our reality or not should be considered.

The second part: "The True Three Kingdoms are Unique"

This is a movie that Louis Koo, Han Geng and Wang Kai can't shake.

The movie is based on the game of the same name, and it is reasonable to follow the plot of the game.

It's just that the director obviously didn't listen to the audience's suggestions. His story is based on the Romance of the Three Kingdoms. Everyone is familiar with the story of the Three Kingdoms. Why did he take the time to read it again?

Secondly, the special effects of the whole film are unqualified, especially the highlight of the whole film, Lu Bu, whose picture is so rough that you can't see the action of the task.

The story of Lyu3 bu4 and Diusim's emotional drama was caught off guard, and the ending was unexpected, which made the audience see it in a fog.

The movie can clearly see the passion of the game that the director wants to express, but the plot is completely untenable and has no support from the audience.

And the only thing that can be called impressive in this movie is Naza's face.

Part I: Fake bodyguards

People who have seen this film can hardly think of words to describe it, because it is really a long story.

The film tells the story of three travel agencies who mistakenly acted as bodyguards and fought bravely with the assassins on the way to escort Professor Chen.

The first half looked ok, and then the plot collapsed more and more. At the end of the duel, Wang Terry actually wore a pair of glasses similar to vr.

Then it was like hanging up, just using too much brain and passing out directly.

At this time, the heroine played by Ada actually cried directly, but before that, the director never told us that there was an emotional scene between the two.

So when we see Ada crying, we can't feel that kind of emotional voice, only inexplicable embarrassment.