Where did the original version of Terry Lin Fireworks change?

Seeing my little sister in such a hurry, I will tell you mercifully (just kidding). The following is an article of my own, which may answer lz's doubts.

On Two Versions of Fireworks Easy to Cold by Jay Chou and Terry Lin

To tell the truth, I grew up listening to Jay's songs and received a little amateur music education. So I will express my humble opinion and throw a brick to attract jade.

This song is really well written. Zhou Fang can be said to be invincible in creation, especially in the classical aspect of the new China. Jay Chou is not a granddaddy, but also a landmark figure.

But as far as Dan is concerned, Terry Lin's interpretation (including arrangement) is indeed more artistic and sadder than Jay's. This song is originally sad, and it uses a lot of minor colors (minor is sad).

Arranging, Jay's rhythm is faster, with the famous folk guitar as the introduction. Later, the choir joined jazz drums, bass, a large number of split drums and a short rap. These elements will make music look exciting and exciting, which also represents western pop music. Although there are violins and wind instruments, they weigh less. (Compared with Terry Lin) And his unclear articulation will make the music look exciting. I think this is also a great invention of Jay Chou. ) It broke the clear pattern of clear pronunciation and mellow voice in traditional music, and for the first time, it cleverly gave up its desire and integrated into the Chinese style. It didn't sound clear, but it felt the emotion. But singing like this will lose the sense of space, sound and shock, as well as the feeling of going deep into the bone marrow and refreshing.

After listening to Terry Lin again, I began to use a hazy wind music or singing instrument in my arrangement, which is more vocal and ethereal than the tinkling guitar. Then there is the softness of Zhixuan+piano, which is not as strong as Jay's jazz rhythm. Piano is like water with priorities and ups and downs. When the chorus is mixed with stringed instruments, the intermission weakens the mood and makes people accompany it first. In this way, although Lin didn't sing, he still kept the singing and fluency of the music. In addition, the beautiful timbre of erhu and the prominent solo melody in minor are repeatedly rubbed into the harmony of many strings. All musical instruments, including Zhixuan, worked harder, and the piano became smoother, trying to integrate with Zhixuan and the strings. At this time, the emotional rendering gradually changed from strong to the strongest. At the strongest time, the speed slows down and the volume increases, and the piano. The whole song, with obvious artistic conception, is vivid in my mind, whether it's affectionate singing or winding path, and the song has ended in one go, leaving a silence. Terry Lin has a great voice, too. (The key is pronunciation and intonation, the conversion between true and false sounds, self-confidence, a sense of space, and the singing style of * * * are all places that distinguish Yucelen. ) It is really one of the best, and every emotional expression can't find any shortcomings, perfect. This is also the most successful place in this area. Lin's arrangement of this piece has no jazz drums or bass, and there is no symbolic element of pop music. I don't like the music like this before, because it's too old-fashioned, but it's really a masterpiece that this song can be arranged like this.

So I hope Terry Lin can sing all the Chinese songs of Jay Chou. I hope Jay can fulfill the dream of a fan.