Joke Collection Website - Joke collection - Ask for some singing skills. Every time I sing something casually, I start to go out of tune in less than 2 or 3 sentences, which is outrageous at first.

Ask for some singing skills. Every time I sing something casually, I start to go out of tune in less than 2 or 3 sentences, which is outrageous at first.

I hope I can help you.

Singing should be able to express your feelings and feelings. Even with the same song, different performers may have different styles. There are as many singers as there are ways to express themselves.

Maybe your conditions are not ideal, but you should be brave enough to express your feelings and inner feelings. This should not be laughed at. People who laugh at others can only show that they don't understand your feelings and have no good qualities.

You should trust your feelings, grasp them, show them, conform to them, and think less of others as far as possible. You know, William Hung, who is on fire in the American draft, is simply a "tone deaf" and a "wrong person" ridiculed by the judges. What is the result? With his pure love, firm belief and self-confidence, he has achieved considerable success and won the re-examination and respect of many people who made fun of him. Wish you success!

The following are some singing skills that are more suitable for non-professionals and beginners for your reference.

Singing needs the support of breath, and the strength of this support comes from the muscles of the waist. The easiest way is to find the feeling of waist exertion when constipation occurs. In addition, singing needs a certain sound position. You can try humming first. Generally speaking, you hum this song first, and then sing the high notes with the feeling of humming and the strength of your waist.

The singer of this song has a dual role. First of all, you are the appreciator of the work. In this step, you need to have a good understanding of the meaning and central idea of the lyrics, and deeply understand the meaning and feelings of the lyricist and composer! Secondly, you are the expression of the work. Everyone knows this song through your singing. You need to fully express your feelings. Pay attention to the development of melody and the contrast of strength when singing. It is best to sing a curvy melody, just like when we are talking. And imitation is very effective. Listen, see and think more! ! !

First, breathe.

Speaking of this topic, I am a little confused, because it is the most difficult thing to express in words. I practiced bel canto for two years before singing, and I was deeply touched and helped me a lot. Generally, people who haven't studied vocal music have flat voices, so they pronounce them in their usual speaking position (voice). We call it "white", with no color and no filter. Below I will express the method of practicing Bel Canto.

Sound should be rooted in the lower abdomen. Imagine that sound passes through the back spine, to the back of the head, and to the back of the mouth. The whole sound should be upright and backward. Please find the feeling that you take a big bite of the apple, expose your upper teeth and make a "hmm" sound at the same time, and feel the position of the sound in the back of your mouth and the upper part of your nose. This is a * * * sound point of Bel Canto. Next, the breath sinks, the lower abdomen expands, and the lower abdomen exerts a little force. When the male voice is depressed by the Adam's apple, the female voice pays more attention to the position of the voice behind the head, and you will find that the voice is much louder than before. Practicing against the wall often helps to make sound, because leaning against the wall can touch your back and spine, which makes it easier for you to find the feeling. The sound of chest cavity can vibrate with the wall, which makes it easier for you to find the feeling of chest cavity. Starting with practicing "Mima" and gradually increasing it will help to practice high-pitched breath; Practice from high to low, and repeat it, and one day you will find the feeling. Bel canto pays attention to "transparency" and often imagines that his voice is erect, not flat; In addition, we also pay attention to the "* * * sound". After the sound passes through the chest or above, it will be round and full. To experience the * * * sound, you can do this: close your mouth and make a "hmm" sound, with a little affection. If "hmm" lasts longer, you will feel your head and chest vibrating. If you have a good breath, this * * * sound will add a lot of color to your voice. Listen carefully to some tall Americans, and you will know what a chest is (foreigners' chest structure is more likely to produce * * *).

In addition, I also want to mention the vital capacity. Singers need large lung capacity, such as some long and stuffy melodies. Don't be flushed and panting after singing. Lung capacity can only be maintained by regular exercise. Also, mastering certain skills can make up for some phenomena of insufficient vital capacity. First, practice breathing. A good vocal method can well control the flow of sound through your voice. For example, when you sing this sentence, "... I'm not afraid that you will betray me ...", a singer with unstable breath may suddenly sing the voice of "fear" through blasting, so that the breath with insufficient lung capacity can suddenly run away. If there is a long sentence that doesn't breathe, it's strange not to suffocate him. Singers with good breathing skills can control the flow of these sonic booms, and the microphone will not vibrate when singing. So I suggest that you put a candle in front of your mouth when practicing your voice, and try not to let the candle shake when practicing your voice! In this way, your qi will stay in your body for a long time. Think about whether to keep exhaling for a long time or not to hold your breath for a long time. Of course, this also requires the singer to relax and not be nervous. When you are nervous, your heart beats faster and your breathing is more unstable.

I can only say so much here, it depends on my feelings. However, I want to remind you that vocal music training is the basis of singing popular songs. Never use vocal music training to directly interpret pop songs, because it will be too artificial, and you will sing "nothing" like Yan Weiwen.

With regard to the use of voices in popular songs, my opinion is that it is ok to shout "broken" as long as it conforms to the artistic conception of songs, but these are absolutely forbidden in bel canto, so we should learn from each other's strong points, because we practice bel canto not for singing, but for singing well, just like practicing "Ma bu" or "Ma bu" or "Ma bu" or "Ma bu" or "Ma bu" in martial arts. Have you ever seen anyone squatting and fighting?

Some friends say this expression is difficult to understand. It is also an effective way for me to talk about who has penetrating breath in the hands of pop songs. It is easier to understand by feeling. Personally, I think that as a female singer, you should listen to "May" more, because she is naturally transparent. Male singers should ponder "Man Wenjun" more. He really sings by breathing. In addition, Jacky Cheung has a good atmosphere, but Man Wenjun is more suitable for teaching.

Second, high notes.

This is my friend's favorite question, in their words, because the treble is "enough to drag", hehe! Thirdly, good singing skills should be integrated in many aspects, and it cannot be said that the higher the tenor, the better the singing skills. Indeed, a good tenor can add to the climax of the song, but advise friends not to just know the value of tenor and ignore the bass. In fact, a full bass is also very infectious.

When singing high notes, the breath must be based on the lower abdomen and Tian Dan, and the "Tian Dan breath" emphasized in Beijing dialect also refers to this vocal position.

Looking for feelings 1: What would you do if you were a girl and suddenly there was a mouse on your shoe? It is estimated that there will be a long sound of "ah ~" and a phoneme of "falsetto". When you are calm, you can look at "ah ~" and most of them will never "ah" again. Why? Because at the moment when you are frightened, your lower abdomen is tense. Think about the feeling of being scared. Are your muscles tense? It is precisely because of this foundation, coupled with strong airflow (which can be understood as the breath of singing), that the voice is not high. So you can understand the feeling of soaring high notes as "tension" and "cheer up" Remember that everything is based on the lower abdomen. Singing high notes is not to lift your head up and down, but to move your center of gravity down and feel a rebound.

Feeling 2: Have you ever seen a rubber hose? What should I do if I want the water in the pipeline to skyrocket further? Tighten the front end of the water pipe, the gap becomes smaller, the pressure increases, and the water flows farther. Actually, high notes don't have to be big. Some singers are very loud when they sing high notes. We say that they are singing with strength and vital capacity, not with breath and skill. Imagine the faucet theory, and you should be able to realize some truth.

Feeling 3: There is a big stone on the ground. Lift it. As soon as you bend down, count: "One, two, three, go …". I think you must have used the word "go". I won't say much, just feel what's heavy around me ... hehe! These are just some ways I created to make you feel the breath. They are informal, but very effective.

I also want to tell you that the ability to express high notes is related to your own voice conditions. If your voice is naturally high, that is a great advantage. For example, "Sun Nan" is a typical treble, and the treble interpretation will not be so laborious. A singer with poor voice condition relies on a lot of breath and methods, but whether the voice condition is good or not, the voice is sung through breath, just like a cigarette passing through a filter. If the voice is filtered, it will be more beautiful.

In addition, I also tell you a psychological method. Imagine that you are singing in the face of the vast sea when you are in high notes, and you can't see the sea and the sky on the side. Isn't this scenery worth shouting?

Third, the method of exercising vital capacity

There are many reasons for the decline of vital capacity test value year after year, among which the main reasons are: lack of effective physical exercise methods and insufficient physical exercise time. There are many ways to exercise vital capacity. There are three ways.

Method 1: Do some bare-handed exercises such as chest enlargement and arm vibration regularly.

Method 2: Endurance running practice, pay attention to regular running and breathing coordination, appropriate distance and unfavorable intensity.

Method 3: Practice diving or swimming. In the water, you should not only keep paddling, but also overcome the resistance of water to breathing. It is a good way to exercise and improve vital capacity.

There are many ways to improve vital capacity through exercise: playing football, playing basketball, running back and so on. It should be noted that no matter which method you choose, you must persevere and practice frequently to be effective.

The mechanism of these exercises is to increase the strength of respiratory muscles, improve the elasticity of lungs, increase and deepen the depth of breathing, improve and improve the efficiency and function of lung breathing, so as to achieve the purpose of improving the detection value of vital capacity.

Pronunciation characteristics of popular singing methods

After introducing the vocal law of vocal art, let's talk about the vocal characteristics of popular singing. In this regard, we should consider the following aspects. First, people who hold popular singing methods should understand and be familiar with the general principles of scientific vocal methods, strive to change their spontaneous vocal habits, and put their accustomed vocal methods into the track of scientific vocal. Secondly, starting from the scientific vocal law of * * *, I try to find a basis for the vocal personality of popular singing. In other words, every time you sing a song, you should find the rationality for the singing of popular songs from the aspects of pronunciation, singing position and breath flow. Change the habit of simple imitation or blind use of sound, from perceptual use of sound to rational use of sound Thirdly, popular singing, whether scientific or not, has long formed a genre of using sound, which has been accepted by most amateur vocal music lovers. Because of its popularity, popularity and unique singing personality, it also occupies a place in various competitions and professional vocal music fields. Therefore, it is undeniable that this kind of singing method must have its uniqueness and should attract the attention of our vocal music community. Let's talk about some personal views on the vocal characteristics of popular singing.

Breathing is fundamental.

"Qi is the foundation of sound" and "Breathing is the driving force of singing". As one of the vocal singing arts, popular singing is also inseparable from the support of breath. The application of breath in popular singing is more unique when it is combined with song emotion and song style.

[Expression of Breathing]

Different songs contain different emotions. Popular singing pays great attention to the strengthening and externalization of song emotion, and the use of breath is the key. For example, when expressing very sad and deep emotions, the vocal cords are intentionally not completely closed, resulting in a hoarse voice like air leakage, and this hoarse and low voice color is exaggerated and externalized, so that the audience (audience) can truly feel this emotion. This sentence in the song Mother by Candlelight: 4406 10 123222, in which the words "mouth" and "pharynx" can be sung in a hoarse voice to show that the protagonist can't control his emotions, thus enhancing the appeal of the voice. Another example is strong lyricism. When expressing a pursuit and memory of good feelings, the use of breath should be gentle and even, and form the best coordination with the vocal cords. This kind of voice is soft and mellow, and the control and application of breathing embodies the vocal skills. For example, you can use this method to sing songs such as "The Curved Moon", "The Sound of the Waves Still" and "Flowers Through the Moon". In addition, when expressing intense and rude emotions, the depth and intensity of breathing must be strengthened to form a strong tension at the waist diaphragm, so that the voice will be explosive and emit a voice color almost like crying. For example, two episodes in the movie "Red Sorghum": Sister, Go Forward Boldly, Good Wine Songs, etc. The melody in these two songs has been relegated to a secondary position, and the expression of emotions is almost natural, which is the second breathing state when you are nervous and excited during physical labor. As for cheerful and relaxed emotions, it is required that the flow of breath should be light and smooth, not too deep, and no stronger strength is needed, such as "Tell You Gently" and "Chashan Love Song".

[About "Singing in the Air"]

Another feature of breathing in popular singing is the use of "air singing", which not only enriches the expressive force of popular singing, but also adds new expressive means to vocal music art.

"Air vocal singing" is a style that combines air and sound without following the rules of vocal production. The normal vocal law requires that when the breath vibrates the vocal cords, the two vocal cords should be closed to produce sound, which is relatively strong and loud, while "air vocal singing" means deliberately not closing the vocal cords completely and letting air flow through the vocal cords that are not fully vibrated. In this kind of sound, due to the obvious sound of airflow, the color of the sound is slightly dim, illusory and even hoarse. This kind of voice is more natural and friendly, especially infectious. Li Guyi has made great achievements in the application of "singing in the air", and her singing of "Hometown Love" (episode of TV series "Legend of Three Gorges") and "Glory" episode of the movie "Little Flower" left a deep impression on people.

2. Motion state of vocal organs

[vocal cords]

In popular singing, the main function of vocal cords is pronunciation, that is, when air vibrates two vocal cords, they are closed and make sound. However, in order to express a special feeling of the song, or to express a special style charm of the song, when the air vibrates the vocal cords, two vocal cords can close one part, leaving the other part unclosed, resulting in air leakage. At this time, the function of vocal cords is not only to pronounce, but also to express emotion or style charm. As mentioned in the previous section "Air Singing".

[throat and soft palate]

In the singing cavity, the laryngopharyngeal cavity is dominant. Laryngopharyngeal cavity plays an important role in the production of pop songs. This is because the voice of the laryngopharyngeal cavity is natural and simple, with strong plasticity, and the voice application of popular singing pays more attention to natural or semi-natural voice characteristics. In other words, in popular singing, the throat cavity is bigger than the female voice. Some songs with deep feelings are louder than those with cheerful feelings. The former is like Good Life and Peace and Applause; The latter is like "Tell You Gently" and "Picking Betel Nuts". In addition, the opening and closing state of the laryngopharyngeal cavity varies with the singing style and music genre.

The state of soft palate is closely related to the opening and closing of larynx and pharynx. Only when the throat cavity is open can the state of soft palate be required. Pop singing does not need to intentionally raise the soft palate to create high vibration. Anyone who has studied vocal music will use the soft palate flexibly and skillfully to express his voice quality, protect his vocal cords and throat, and at the same time enhance the expressive power of songs.

The flexible use of the soft palate has the following situations: when singing with strong voice, the soft palate can naturally rise with the opening of the throat; When singing high notes, the soft palate can also be raised appropriately. This can decompose the impact of some strong airflow on vocal cords and larynx, expand the vibration range and reduce the pressure on larynx. However, the focus of * * * should not be entirely on the convex soft palate. This is because after the soft palate is lifted, the color of the high * * * curve is different from that of the larynx. If you sing in a high position, you will lose the voice characteristics of popular singing. Therefore, even if the soft palate is raised, it can only be borrowed skillfully, and the position of the laryngopharyngeal cavity leading the singing should be retained. For example, in "Ask a Thousand Times" (the theme song of the TV series "Beijingers in new york"), the tenor reaches BB2, and it is quite difficult to sing it in a popular way with real voice, but if you sing it in a little tenor, coupled with the organic cooperation of breath, the tenor will be better. Liu Huan's singing achieved the best results, which not only kept the style of popular singing, but also showed the color and emotion of high notes, showing his profound foundation in using vocal methods and his grasp of the difficult skills of popular singing. The flexible use of soft palate is also reflected in popular songs with strong lyricism. Lyric songs pay attention to the softness, roundness, relaxation and smoothness of the voice, and do not need to tighten the throat forcibly, but should be relaxed to form a hollow shape. At this point, if the soft palate is lifted, the sound will be controlled in the soft palate and pharynx, so that the breath will flow evenly, and the sound will inevitably appear lyrical color. Of course, it depends on the lyrics and music style. Love songs are softer and mellow. Songs that praise the motherland and miss the hometown are deeply respected, so the state of the soft palate can be fine-tuned to show the difference in sound and color.

3. Features of language

The language in popular songs is based on simplicity. It is closely related to social life. Many songs directly reflect the lives, thoughts and feelings of people at different levels in social life, and most of them appear in a plain and straightforward way, generally without much modification. Recently, there have been prose-like or even completely colloquial lyrics, which have added a new style to the singing art of popular songs. However, most of the lyrics are still relatively standardized.

Articulation is one of the most important features of pop songs. Among the popular songs in China, Putonghua is the mainstream of popular singing, including songs written by the mainland, some songs from Hong Kong and Taiwan and original Cantonese songs sung in Putonghua. When singing Chinese mainland's songs, the pronunciation is mostly standardized, emphasizing the process of "pronouncing words, echoing and receiving sounds", and the words are clear and round, without affectation. Cantonese songs should have a strong southern style, but the language barrier is also difficult for mainland audiences to accept, so some people translate Cantonese into Mandarin to sing. However, due to different language families and different pronunciation rules, it is still difficult to achieve the effect of Cantonese singing.

This shows the importance of language to popular singing. Clear articulation and accurate intonation are important features of popular singing. There are also some singers who have studied Bel Canto, who often don't pay attention to the intensity of articulation, or are not used to biting prefixes (initials), but pay too much attention to the effect of pursuing sound. Therefore, when singing popular songs, I feel that the style is not strong, the charm is insufficient, and even the appeal of the songs is greatly weakened.

The lyrics of popular songs are generally more lively and colloquial. Even poetic and meaningful songs are portrayed and pursued from the overall atmosphere of the song, and the lyrics themselves are as colloquial and lively as possible, so we should pay attention to the linguistic nature of the lyrics. Many excellent pop songs express rich artistic conception and atmosphere, but the lyrics are still very easy to understand and not deliberately carved. For example, the lyrics of "Curved Moon" say: "In the distant night sky, there is a curved moon, and under the curved moon is a curved bridge. There is a boat by the bridge, which is leisurely and carefree. It is Gillian's childhood ... "; Another example is The Sound of the Waves Still: "Take away a fishing fire, let it warm my eyes, leave a true feeling, and let it dock at Fengqiao. I reluctantly alienated that feeling, only to find that it came back to you years later ... "The lyrics of these two songs are recognized as excellent works with high literary taste. They can be said to be poetic language and oral expression. There are many lyrics with certain artistic skills in popular songs. In addition, there are some lyrics that are honest and plain, and don't even pay attention to rhythm and rhyme. Without the help of music, it is simply talking. Of course, due to the nonstandard creation of pop songs and strong sense of self-participation, all kinds of creative phenomena are extremely inclusive. However, the creation of pop songs should still pursue a kind of taste and taste in order to improve the quality of creation and contribute more and better works to the masses.

Based on the colloquial and daily features of the lyrics of popular songs, we should show the linguistic features of the lyrics in the singing of popular songs. For example, the logical stress and emotional stress of lyrics, the cohesion and pause between sentences, the distinctness and accuracy of tone, coherence and integrity should be expressed by grasping the language characteristics.

Singers without professional training can improve their singing level through correct methods. Introduce some methods to you, hoping to help you:

Basic methods of practicing vocal music

First, skills

1, experience the chest * * * sound: slightly open your mouth, relax your throat, close the glottis (vocal cords), and make a sound like a goldfish spitting bubbles. Or hum in a low voice and feel the vibration of your chest.

2. Lower the position of the larynx: (ditto); Relax your throat.

3, bite the bullet: the so-called bite the bullet, is to open the upper and lower teeth (molars). Give your mouth * * *, leave room, and touch the position of your big teeth in front of your ears with your hands to see if they are open. Then pronounce some vowels, such as "A". Feel the change in your voice.

4. Lift the zygomatic muscles; Speak with a smile, your mouth slightly upturned, and feel your nose open at the same time. Try to see if the sound is clearer.

5, quite soft; Yawn, long whistle.

Note: When speaking loudly, paying attention to the above conditions will improve your voice. Remember, you must "relax yourself", don't overdo it, and don't just pay attention to the form of pronunciation and forget the content of the speech.

Second, the problem of breath.

Pronunciation "vibration, vibration" breath, to make the voice loud and full of gas, it is necessary to have a full breath. Take a deep breath. Persevere and keep a certain breathing pressure at all times. Usually you can do more deep breathing and slow breathing exercises. It's best to stand up first when practicing speaking, so it's easy to find the breathing state. If you want to sit, sit up straight and lean forward slightly.

When using breath, don't be discouraged, release it slowly in the above breathing pressure, and be good at using it to keep the pressure balance between the chest, abdomen and lips.

Third, the sound line problem.

Our pronunciation has an imperceptible line, such as whistling, which is very loud. The reason lies in smooth breathing, concentrated voice and smooth passage. It's the same when talking. Try to let your breath run through, and let the breathing sound come out along the longitudinal line inside the mouth as much as possible. Only in this way can the voice be concentrated and loud.

Let's talk about the basic methods of singing first:

First, posture

1, the body should be straight; 2, the center of gravity should be stable; 3, the upper chest should be opened; 4, the shoulders should be loose; 5, the face is natural; 6. Cheerful;

Second, breathing ... (there are many ways to breathe ... we should change our style)

1, clavicle breathing; 2, chest breathing; 3. Abdominal breathing method 4. Thoracoabdominal combined breathing method

(Generally, Bel Canto in China is adopted. The fourth method: combining breathing with chest and abdomen loss ... is more casual. )

How to practice breathing:

(1) It can be divided into silent breathing exercises: 1, fast breathing and fast breathing; 2, fast suction and slow call; 3, slow suction and slow call;

(2) Vocal breathing practice: pause, Legato or pause combination practice.

First talk about how to make a sound when singing;

First, we should prevent the vocal cords from being impacted by excessive and violent breathing.

Second, we should prevent the vocal cords from being too loose, and don't actively close them to block the air.

Third, it is necessary to prevent the throat from being squeezed, stuck and pressed when the sound is started, so that the throat loses its elasticity.

When you start to speak, you must be natural, with a soft breath, open your throat, stabilize your throat, and the voice will flow. You yawn, put down your throat, and air blows through the glottis at the same time. At the same time, we should master the coordination speed of breath, vocal cords and * * * sounds.

Practice method of closed humming;

1, correct standing singing posture and positive and excited singing state.

2, inhale vertically with the nose and mouth, and the nostrils are excited to open. When humming, you should have a runny nose and be even. When you sigh gently from the nasal cavity, you must have a sense of sigh and patency. The diaphragm has its own support point.

3. When humming, your mouth seems to be closed, don't bite your upper and lower teeth, put your tongue flat, lick your tongue on your lower gum, and gently lift your breath when your throat sinks.

4. When humming, the sound is emitted from the top of the upper cover, and there is a slight vibration between the eyebrows and the depths of the nose, and each sound is emitted from the same position.

Finally, let's talk about popular singing:

Popular singing is also popular singing, which emphasizes the singer's own natural noise, not paying special attention to sound and volume, but emphasizing the rendering of emotions and attaching great importance to the expression of songs' feelings.

Singing requires clear articulation, smooth timbre and sincere expression, and sometimes it is sung in a low voice like spoken English. Sometimes they sing loudly and forcefully. It has a strong personality and the ability to express style. At the same time, it also pays great attention to the naturalization and life of singing. Singing with a microphone is also one of the characteristics of popular singing. It attaches great importance to the use skills of microphone and gives full play to the role of electroacoustic in amplifying volume and beautifying sound. In order to reduce the burden of singing, there are also some singing methods that combine national singing with bel canto. The former is like the new singing method of Japanese wave music. The latter is like bel canto in French ditty.

On the problem of prose singing;

First, we should fully understand the theme of the lyrics. For example, Dear Mother of the Party is a kind of deep gratitude and eulogy. When singing this song, you should ask yourself to show your feelings for your mother. Another example is "Running with the Bull", the theme is obviously an understanding of life, and the lyricist has been able to bear and let go of everything in life, so when singing this song, we should fully embody "chic", be bold and unrestrained, and don't care. If you can't let it go, you can't express the emotion of the song.

Second, the so-called music is composed of four factors: pitch, rhythm, timbre and strength. Your singing is dull, that is, you don't integrate the factor of "strength". This should be handled by yourself on the basis of understanding the lyrics. Take Dear Mom at the Party as an example, the first narration must be gentle. With the continuous escalation of narrative, people's emotions will enter the climax of gratitude, and the following sentence "dear mother of the party" will be expressed with very full emotions and strong volume. In this way, the melody line will be smooth, and your "insipid" problem will be solved.