How to write your own scenery in classical Chinese

1. Ask for your own classical Chinese writing about scenery

The best ancient Chinese writing about scenery is Shui Jing Zhu! For example, the scenery of the Three Gorges is described in it: since the Three Gorges is 7 miles long, the two sides of the strait are connected with mountains, and there is no vacancy.

the rocks are stacked one after another, hiding the sky from the sun, and it never stops at midnight.

Although riding on the royal wind (riding a horse and driving a long wind). Not by illness.

in spring and winter. Then, the green pool is turbulent, the reflection is clear, and the mountain is offered (the top of the mountain). There are many strange cypresses, hanging springs and waterfalls, and flying gargles (flowing). It is clear and glorious, and it is very interesting.

at the beginning of every sunny day, the frost falls, the forest is cold and the mountains are quiet, and the tall apes often sing. It is a kind of (continuous) sadness, and the empty valley resounds, and the sorrow turns for a long time.

Therefore, the fisherman sang, "The Wuxia Gorge in the Three Gorges of Badong is long, and the apes sing three times and get stuck in their clothes". There is also "Shui Jing Zhu He Shui Meng Men Shan": the river is wide, the shore is deep, the cliff is back to defend, and the boulder is in danger, if it falls back.

Yang Zhi's "Luoyang Galand Ji Yongning Temple": The golden plate dazzles the sun, shines on Yun Biao, and Baoduo contains wind, which resounds out of the sky; Singing and admiring is really miraculous. Bai Juyi's "Lushan Caotang": One lodging is peaceful, and two lodging is pleasant. After three nights, it suddenly drops, but I don't know why.

/There is a waterfall in the east of the hall. The water is suspended for three feet, and it flows down the steps and corners, and falls into the stone canal. The faint dawn is like practicing colors, and at night it is like playing the piano. Liu Zongyuan's Eight Notes of Yongzhou: Travels of the Beginning of the Western Hills Banquet, Notes of the Cobalt Tantan, Notes of the West Hill of the Cobalt Tantan, Notes of Xiaoshi Pond, Notes of the Stone Canal, Notes of the Stone Jian, Notes of the Little Rock Mountain, Notes of Yuan Family's Thirst Liu Zongyuan's Travels of the Beginning of the Western Hills Banquet: The trend of its competition is abrupt. It's blue and dazzling, and it looks like the sky outside.

then I know that it is unique from the mountains, and it is not the same as Pei * (Tulou). Liu Zongyuan's "Notes on the West Hill of Cobalt Tantan": The sudden anger of its stones subsided, and those who came out of the soil and fought for the strangeness were almost countless.

if the horses and cattle drink in the stream, they will fall down with each other. Those who rush to the top of the column are like bears climbing on the mountain. /If you lie on the pillow, it will be cold and cold, with your eyes, with your ears, with your mind, with your mind, and with your mind.

Liu Zongyuan's The Story of Xiaoshi Pond: There are hundreds of fish in the pond, and all of them have no place to swim. The sun is clear, the shadow is on the stone, and it is motionless; You are far away, and the exchanges are sudden, like enjoying the tourists.

Wang Anshi's "A Journey to Baochan Mountain": If the foreigners are close, there will be many tourists; The risks are far away, and the ones that arrive are few; However, the extraordinary view is often that the risks are far away and people are rare; Therefore, those who have no will can't come. Tao Yuanming's Peach Blossom Garden, Wang Bo's Preface to Tengwang Pavilion, Fan Zhongyan's Yueyang Tower, Ouyang Xiu's Drunken Pavilion, Li Gefei's Notes on Luoyang Famous Gardens, and Chao Buzhi's Notes on Traveling to the North Mountain in New Town: In September, Gao Lu invited me, the mountains were clear and the moon was bright, and the stars were shining, which made me feel at home.

Su Shi's Pre-Red Cliff Fu and Post-Red Cliff Fu, Li Xiaoguang's Ten Notes on the Wild Mountain and the View of Liang Shi: The moon is gone, and the white clouds are coming like water. The wind blows the oak chestnut onto the tile, turns to the hut under the rock, comes out from the collar, hits the leaves on the ground, and turns around, almost without the sound of stone.

Liu Ji's Qing Feng Ge Ji, Tang Shunzhi's Zhu Xi Ji, Yuan Hongdao's Travel Notes of Manjing, Wang Zhi's Travel Notes of Donglin, Xu Xiake's Diary of Traveling to Hengshan Mountain, Diary of Traveling to Mount Tai, Diary of Traveling to Lanxi, and Tan Yuanchun's Record of Traveling to Wulongtan again are almost the same. Personally, I think that writing scenery in ancient Chinese is still Notes on Water Classics. Su Shi once said, "I am happy today, and I have read the Water Classics many times." 2. Ask for your own classical Chinese writing about scenery

The best ancient Chinese writing about scenery is Shui Jing Zhu!

The scenery of the Three Gorges is described in it:

From the 7-mile Three Gorges, there are mountains on both sides, with no gaps. Heavy rocks overlap, hiding the sky from the sun, and it will not stop at midnight <: ; Noon, midnight), no sunrise (sunshine) month. As for Xiashui Xiangling (the water rises on the hillside). Although riding the royal wind (riding a horse and driving a long wind). Not by illness. In spring and winter. Then, the green pool is turbulent, the reflection is clear, and the mountain is offered (the top of the mountain). There are many strange cypresses, hanging springs and waterfalls, and flying gargles (flowing). It is clear and glorious, and it is very interesting. At the beginning of every sunny day, the frost is shining, the forest is cold and the water is cold, and there are often high apes singing. It is a kind of (continuous) sadness, and the empty valley resounds, and the sorrow turns for a long time. Therefore, the fisherman sang: "The Wuxia Gorge of the Three Gorges in Badong is long, and the apes sing three times to touch their clothes."

There is also "Shui Jing Zhu He Shui Meng Men Shan":

The river is wide, the shore is deep, the cliff falls back to defend, and the boulder is in danger, if it falls back.

Yang Zhi's "Luoyang Galand Ji Yongning Temple":

The golden plate dazzles the sun, shines on Yun Biao, and Baoduo contains wind, which resounds out of the sky; Singing and admiring is really miraculous.

Bai Juyi's "Lushan Caotang":

One lodging is peaceful, and two lodging is pleasant. After three nights, it drops suddenly, but I don't know why.

/There is a waterfall in the east of the hall. The water is suspended for three feet, and it flows down the steps and corners, and falls into the stone canal. The faint dawn is like practicing colors, and at night it is like playing the piano.

Liu Zongyuan's Eight Notes on Yongzhou: Travel Notes on the Beginning of Xishan Banquet, Travel Notes on the West Hill of Cobalt Tantan, Xiaoshi Pond, Shi Qu Ji, Shi Jian Ji, Xiao Shicheng Shan Ji and Yuan Jiake Ji

Liu Zongyuan's Travel Notes on the Beginning of Xishan Banquet:

It's blue and dazzling, and it looks like the sky outside. Then I know that it is a unique mountain, not like Pei * (Tulou).

Liu Zongyuan's "The Hill in the West of Cobalt Tantan":

The sudden anger of its stones has subsided, and there are countless people who have come out of the soil and fought for strangeness. Those who are tired of each other are like cows and horses drinking in a stream; Those who rush to the top of the column are like bears climbing on the mountain. /If you lie on the pillow, it will be cold and cold, with your eyes, with your ears, with your mind, with your mind, and with your mind.

Liu Zongyuan's The Story of Xiaoshi Pond:

There are hundreds of fish in the pond, and they all swim in the air. The sun is clear, the shadow is on the stone, and it is motionless; You are far away, and the exchanges are sudden, like enjoying the tourists.

Wang Anshi's Travel to Baochan Mountain:

If you are near, there will be many tourists; The risks are far away, and the ones that arrive are few; However, the extraordinary view is often that the risks are far away and people are rare; Therefore, those who have no will can't come.

Tao Yuanming's Peach Blossom Garden

Wang Bo's Preface to the Tengwang Pavilion

Fan Zhongyan's Yueyang Tower

Ouyang Xiu's Zuiweng Pavilion

Li Gefei's Notes on the Famous Gardens in Luoyang

Chao Buzhi's Notes on a New Town Traveling to the North Mountain:

In September.

Su Shi's Pre-Red Cliff Fu and Post-Red Cliff Fu

Li Xiaoguang's Ten Notes on the Wild Mountain and Viewing Liang Shi:

The moon is gone, and the white clouds are coming like water. The wind blows the oak chestnut onto the tile, turns to the hut under the rock, comes out from the collar, hits the leaves on the ground, and turns around, almost without the sound of stone.

Liu Ji's Diary of Qingfeng Pavilion

Tang Shunzhi's Story of Zhuxi

Yuan Hongdao's Travels of Manjing

Wang Zhi's Story of Traveling to Donglin Mountain

Xu Xiake's Diary of Traveling to Mount Hengshan, Diary of Traveling to Mount Taihua, Diary of Traveling to Mountain Yandang and Traveling to Lanxi

Tan Yuanchun's Su Shi once said, "I am happy today, and I have read the Water Classics many times." 3. How to write classical Chinese scenery by yourself

1. A well-written composition with outstanding key points and details often does not depend on how many scenes you list in the article, nor on whether each scene you choose can arouse the reader's interest.

However, no matter how many scenes you write, one must be the focus of the article. You can describe it in descriptive language or outline the characteristics of the scenery in a simple way to impress people. There are three mistakes in writing landscape composition. First, it is written as a "running account", just like some travel notes, which seem to write a lot of scenic spots, but each scenic spot is brushed aside, and one of them is not well selected for specific description; Second, although the scenery written has background introduction or detailed description, it seems a bit like a dragonfly, and it is bypassed after touching it; Third, the detailed arrangement of the article is unreasonable. At the beginning, the introduction of the cause part is too long, but the middle part of the article is not well developed. The 6-word article has written 3 words and has not yet written the key points.

2. Highlight the specific features or characteristics of the scene. This refers to the characteristics and characteristics of the scene, and also refers to writing the differences between this thing and other things. Only in this way can readers be deeply impressed, but there is still a premise here, that is, after grasping the characteristics of the scenery, we should make a specific description, and we can't take it lightly.

in describing the procedure, we should make full use of rhetorical devices such as metaphor and personification. Accurate and accurate use of rhetorical devices helps to write the scenery more vividly, truly and touching.

3. Scenes blend together, and a single description of scenery is lyrical. No matter how beautiful the scenery is, it can't infect readers, leaving them with beautiful psychological enjoyment. Therefore, the author should integrate his own real feelings while writing the scenery, so that readers can not only "see" the beautiful scenery, but also feel the feelings and thoughts that the author wants to express. A single composition of scenery writing for the sake of scenery writing can't be a good article that makes readers feel emotional, which requires us to naturally integrate our emotions when writing articles and scenery writing, and express our emotions with the help of the description of scenery.

4. In the description of scenery, the activities of people or animals should be written. If the scenery is "static" in the writing of scenery, then an excellent writing of scenery can not be separated from "movement". The "movement" here includes the activities, play, frolicking, running, foraging and jumping of animals corresponding to the scenery. When a writing of scenery combines the activities of people and animals with those of others, Therefore, when students describe the scenery, they can appropriately choose the activities of people and animals as a foil, and the article will become more readable. 4. How to write an ancient prose about scenery

The selected text in Unit 6, Volume 2, Grade 8, People's Education Edition, mainly focuses on ancient prose about scenery.

some express broad-mindedness, some express complacency, and some express leisure. The scenery recorded is different, and the writing mood is different, but they are all famous articles that express feelings and express feelings through scenery. We can learn some skills of writing scenery from them. This paper focuses on the analysis of Travel Notes of Manjing as an example.

first, grasp the characteristics of scenery to write scenery (seasonal). We usually hear this sentence a lot, but its real application scope refers to the description of natural scenery. How to grasp the characteristics of scenery to write is mainly to have a position before writing and find out when the natural scenery you want to write is? Where is the scene? What are the characteristics? Then write around this feature, and naturally grasp the characteristics of the scenery. For example, in the second paragraph of Travel Notes of Manjing, the scenery of Manjing in early spring is described in detail, and the seasonal characteristics of early spring can be well grasped when writing, that is, "warm at first, cold at first" and "everything recovers". Among them, one of the "earth paste is slightly moist" is really wonderful when you think about it carefully, because it is used in early spring. For another example, in the sentence "Ice skin begins to thaw", first of all, the word "ice skin" refers to the frozen surface, but the author uses the word "ice skin" to describe "ice", which also implies that the ice is not thick. In early spring, it is understandable that the temperature is low at night, but this ice must not be thick. Look at the author's sentence about water, "The waves are bright at first sight, and the scales and waves are layered, and the bottom is clear". In the early spring, the ice surface melted, and the water waves began to shine, which reappeared the recovery of water. In addition, when the water was frozen in winter, all kinds of suspended substances in the water began to precipitate. Since the ice surface melted in the early spring, the water naturally became "clear". Looking at the sentences about wicker, the sentence "Will be comfortable but not comfortable" vividly depicts the state of wicker when it just sprouted, and this state is also a unique sight in early spring, and there is also "shallow". The author uses "shallow" to compare wheat seedlings and write their shapes realistically. The word "inch" also reflects "early spring"

It can be seen that when writing natural scenery, we can better grasp the characteristics of natural scenery before writing. When writing natural scenery, on the one hand, we can consider the season, on the other hand, we can also write according to the unique climate characteristics, such as "rainy day", "sunshine", "snow" and "wind". Second, we should pay attention to the order of writing scenes. We need to pay attention to a certain order, as well as writing scenes. How to determine the order of writing scenes, we can write according to the observer's observation order, which is simple, consistent with ordinary people's thinking and easier to grasp.

For example, in the second paragraph of "Travel Notes of Manjing", after the author "reaches Manjing", the first thing that comes into view is of course the full view of the well that the author can see. Therefore, when writing, the author first briefly outlines the whole view with the words "high willows sandwiched by dikes, the earth and paste are slightly moist, and it is wide at first sight", and the following scenery description is a partial scenery. The author began to write from the "ice" until he looked into the distance, and the water in the distance followed by the "mountain", so the author wrote about the "mountain" again. However, this "mountain" is in the distance after all, so the author can only describe it as a whole. Even if we followed the author at that time, we would naturally look back after seeing the mountain. Therefore, the author wrote about the wicker and the wheat field around us. These are a very natural observation process. When writing, following the logic of ordinary people's observation can make readers read clearly without being messy.

When writing natural scenery, we must pay attention to the order of writing. When writing, we can first present the scenes we want to write in our minds, and then write them in the order of observation. Another thing to pay attention to is that when writing, the distant scenery must be described as a whole, and the nearby scenery can be described in detail, which is logical. Third, linking natural scenery with people's activities, there are almost no articles that simply write about natural scenery, which is to write scenery for the sake of writing scenery, to write scenery or to express emotion, or to set off narrative, and so on.

If scenery writing is for lyricism, it should be linked with people's activities and simply describe natural scenery.