What do you mean, alone?

One person said it was called stand-up crosstalk, two people said it to each other, and more than three people said it in groups. Stand-up crosstalk is a folk art form in which actors perform and tell jokes, which is developed on the basis of folk jokes. It not only has the characteristics of cross talk, but also inherits the artistic techniques of folk jokes, stories and storytelling.

Quyi nouns. Also known as single life, single spring, single joke. One of the forms of cross talk is that the actor tells jokes to the audience alone. Programs vary in length, ranging from "small jokes" of 20 to 30 minutes to "big jokes" of several days.

Stand-up crosstalk is a folk art form developed on the basis of folk jokes. It not only has the characteristics of cross talk, but also inherits the artistic techniques of folk jokes, stories and storytelling. It is full of stories and interesting, so it is widely circulated in society.

The representative of stand-up crosstalk:

Liu Baorui 19 15 was born in Beijing. Since childhood, my family was poor, and I studied under Shoufeng. At the age of thirteen, he studied crosstalk with Zhang Shouchen as his teacher. At the age of fourteen, he went to Tianjin and performed on the same stage with Ma, Li and others at the cross talk in Lianxing Teahouse. The sound broadcasting of radio stations began to emerge. 1940 Return to Beijing from Jinan,

He performed at the crosstalk meeting in Qi Ming Teahouse and gained a good reputation. Later, he went to Nanjing, Shanghai and other places to perform, and was known as the "stand-up king". In the late 1940s, I went to Hong Kong to perform and introduced crosstalk art to Hong Kong and Macao audiences for the first time. In the early days of liberation, he returned to Beijing to join China Quyi Troupe, and later transferred to China Radio and Rap Troupe as artistic director.

I study my business assiduously, dare to explore, learn from and absorb the advantages of sister arts such as one-man show, storytelling, film and drama, and boldly innovate and create, forming a unique artistic style with both voice, tolerance, emotion and spirit. One of Liu Baorui's representative works, Stand-up Crosstalk, was selected as a middle school Chinese textbook, and at the same time it was translated into English, French, Japanese and other languages and introduced abroad.

Ma, formerly known as Ma Guifu,1914-February 2003 1 1. Ma is a famous performing artist and crosstalk master deeply loved by the public. Master Ma has a solid artistic foundation and enjoys a good reputation. He is good at performing "Guankou" and Wen Zhuang jokes, and has performed more than 200 traditional cross talks. He created, adapted and performed sixty or seventy new crosstalk programs.

1947 boarded the Grand View Garden Theater in Tianjin, which was regarded as the entrance by the national rappers, and was very sought after by the audience. The following year, he came to Beijing for the third time, and performed in Huasheng Radio Teahouse Theatre, which caused an "atomic bomb explosion" sensation among folk art lovers with its unique style of Majia crosstalk. After the founding of People's Republic of China (PRC), Ma actively arranged new cross talks.

Degang Guo, born in Tianjin, 1973, loved folk art since childhood. At the age of eight, he joined the art world. First, I studied storyteller Gao Qinghai's storytelling, and then I studied crosstalk from the famous crosstalk artist Chang Baofeng. He has been instructed and taught by many crosstalk artists. During this period, I devoted myself to studying Peking Opera, Pingju Opera, Hebei Bangzi and other sister operas, and moved to Liyuan, where I also served as a bronze hammer for Arvin Chou He.

This has played a very important role in enriching their crosstalk performances. By drawing lessons from various art forms, he gradually formed his own performance style. At the end of 2005, under the interaction of the Internet and the media, Degang Guo took advantage of the trend and became one of the best young actors in the field of phonology with his years of tempering.