On Luxun's Speech Draft

Lu Xun [1](1881.9.25—1936.1.19), originally named Zhou Zhangshou, later renamed Zhou Shuren, whose name was Yu Cai and Yu Ting, later changed to Yu Cai, a native of Shaoxing, Zhejiang. Lu Xun is a great proletarian writer, thinker and revolutionist, and he is the chief commander of China's cultural revolution. His works are mainly novels and essays, and his representative works include: novel collection Scream, Wandering, New Stories, prose collection Morning Flowers and Evening Picking Up (formerly known as "Reviving the Past"), vernacular novel Diary of a Madman, prose poetry collection Wild Grass in Hometown, essays collection Grave, Hot Wind, Huagaiji.

dozens of novels, essays, poems and essays by Mr. Lu Xun have been selected into Chinese textbooks for primary and secondary schools. (Among them, "Young Runtu" is lesson 17 in the first volume of the sixth grade of primary school), and the novels "Blessing" and "The True Story of Ah Q" have been adapted into movies. Lu Xun's museums and memorial halls have been established in Beijing, Shanghai, Guangzhou and Xiamen, and his works have been translated into more than 5 languages including English, Japanese, Russian, Spanish and French. Lu Xun fought all his life with a pen as a weapon and was known as the "national soul". On September 14th, 29, he was named as "one of the 1 hero models who made outstanding contributions to the founding of New China".

1. Look down at a thousand fingers and bow your head as a willing ox. (Lu Xun laughs at himself)

2. I send a message that I don't pay attention to Han Xing, and I recommend Xuanyuan with my blood. (Lu Xun's self-titled portrait)

3. I have a vast mind and even Guangyu, listening to thunder in a silent place. (Lu Xun Untitled)

4. In the blood, the grass is rich and strong, and the cold and frozen earth makes spring flowers. (Lu Xun Untitled)

5. Endure watching peers become new ghosts, and look for small poems in anger. (Lu Xun. "In Memory of Forgetting")

6. Ruthlessness may not be a real hero. How can Reiko not be a husband? (Lu Xun)

7. The brothers who robbed the waves are here, and when they meet, they laugh and forget the enmity. (Lu Xun's topic Sanyi Pagoda)

8. Is there any pride like the old days? Flowers bloom and fall for two reasons. (Lu Xun mourns Yang Quan)

9. The swan song of historians, leaving Sao without rhyme. (Lu Xun comments on Historical Records)

Remarks

1. Time is like water in a sponge. As long as you are willing to squeeze it, there is always some.

2. If you only read books, you will become a bookcase.

3. I seem to be a cow. I eat grass and milk and blood.

4. May all the young people in China get rid of the cold air, just go up, and don't have to listen to the words of self-destructors.

5. In fact, there is no road on the ground, and more people walk, so it becomes a road. ("Hometown")

6. Where is a genius? I spend all other people's coffee time at work.

7. Only the people's soul is valuable, and only when it is carried forward can China make real progress.

8. calm, brave, discerning and unselfish.

9. The harder it is, the more you have to do it. Reform has never been smooth sailing.

1. Our urgent task now is: first, to survive; second, to have enough food and clothing; third, to develop.

11. You must dare to face up to it. Only in this way can you dare to think, speak, do and act.

12. Those who used to be rich should be retro, those who are rich should maintain the status quo, and those who have not been rich should be innovative, so much so, much so!

13. Humans are never lonely, thinking that life is progressive and natural.

14. As long as it's always like this, it's a treasure ...

15. Facts are heartless things, which can smash empty words into pieces.

16. A lie written in ink can never hide the fact written in blood.

17. In fact, pioneers can easily become stumbling blocks.

18. There is no freedom if you are greedy for stability. If you want to be free, you have to go through some dangers. There are only two ways.

19. If you want to take care of everything, you can't do anything.

2. Time is life. Waste other people's time for no reason, in fact, it is tantamount to murder for money.

21. It is very bad to do something, no matter how big or small, without perseverance.

22. If the dead are not buried in the hearts of the living, they are really dead.

23. It's always harder to reform yourself than to forbid others to come.

24. As long as you can cultivate a flower, you might as well make rotten grass that will rot.

25. When I am silent, I feel full; I will open my mouth and feel empty at the same time.

26. The past life is dead. I am very happy about this death, because I know that it once lived.

27. The dead life is rotten. I have great joy in this rot, because I know that it is not empty.

28. But I am calm and happy. I will laugh and I will sing.

29. I love my weeds, but I hate the ground decorated with weeds.

3. When I am dust, you will see my smile!

31. If you don't break out in silence, you will perish in silence. (In Memory of Liu Hezhen)

32. Doubt is not a shortcoming. Always doubt, but don't judge, this is the shortcoming.

33. Entanglement is like a poisonous snake, and persistence is like a ghost. Intense fast, peaceful fast, even decadent fast.

34. Huge buildings are always stacked with one wood and one stone. Why don't we do this? I often do odd jobs, that's why.

35. I would rather fight openly with the enemy than be countered by my colleagues.

36. It is not total contempt to say that you despise someone. Only silence is the highest contempt-the highest contempt is silence, and even the eyes are not turned away.

37. Only when Kong Yiji comes can you laugh. ("Kong Yiji")

38. No matter whether he is alive or dead, only a revolutionary can give everyone happiness.

39. Everything needs to be studied before it can be understood.

4. If life is too comfortable, work will be tired by life.

41. Making a person's limited life more effective means prolonging his life.

42. I do dissect others from time to time, but more often I dissect myself mercilessly.

43. Go on the road of life. The future is far and dark. However, don't be afraid. Only those who are not afraid have a way.

44. The most painful thing in life is that there is no way to go after waking up.

45. Treat others with humility, and accept things with vanity.

46. Freedom can't be bought by money, but it can be sold for money.

47. Hope is attached to existence. Where there is existence, there is hope, and hope is light.

48. grieve for his misfortune, but anger him.

49. Tragedy destroys the valuable things in life, while comedy tears up the worthless things.

5. A great mind should show such a spirit-greet tragic bad luck with a smiling face and deal with all misfortunes with a hundred times of courage.

51. In the sports meeting, the winners are certainly respectable, but the competitors who are lagging behind but not running to the finish line and the spectators who are silent when they see such competitors are the backbone of China in the future. (Choose a few words by yourself ~ ~ ~ ~ ~)

His novels are about the ordinary life of ordinary people, with no bizarre stories and fascinating plots, but full of endless artistic charm. Where does this charm come from? It comes from his meticulous description of people and life and his incisive description of people's inner subtle psychology. When reading Lu Xun's novels, there is always a "joy of discovery". The picture is an ordinary picture and the characters are ordinary people, but in such an ordinary picture and ordinary people, we can always notice the characteristics that we don't usually notice and perceive the psychological activities of the people that we don't usually notice. It is precisely because of this meticulous description and incisive psychological portrayal that the artistic charm of Lu Xun's novels has the characteristics of being more mellow as time goes by. When we were young, we were not deeply involved in the world. The primary and middle school students in the north were not familiar with the local customs and customs described in the story, such as Luzhen and three pools mirroring the moon, and they did not have more personal experience of life. Lu Xun's novels entered our sensory world as a whole, but how rich the connotations are hidden in the characters and pictures we feel, we can't always feel that with the increase of our social experience and the deepening of our life experience, the connotations of these characters and pictures will continue to sprout from them. In order to reveal the different meanings of different life scenes and the fate of different characters, the structure of Lu Xun's novels is changeable, with almost one style and one writing style. Diary of a Madman is different from The True Story of Ah Q, Kong Yiji is different from White Light, Hometown is different from Blessing, and Lonely Man is different from Mourning for the Past. Not only the structural styles are different, but also the pitch rhythm is different. "Kong Yiji" is so simple and cold, while "Regret for the Past" is so tortuous and profound. Lu Xun's novels are novels and poems, with deep artistic conception, cold outside and hot inside, and his skill in using national languages has reached the level of perfection.