Complete works of Chinese painting, flower and bird painting?

China's flower-and-bird painting is a specialized subject in China's traditional painting, a wonderful flower of China culture, a co

Complete works of Chinese painting, flower and bird painting?

China's flower-and-bird painting is a specialized subject in China's traditional painting, a wonderful flower of China culture, a concrete symbol of oriental civilization and the crystallization of China's wisdom. Let me recommend it for you, hoping to help you.

Appreciation of Chinese painting and flower-and-bird painting 1

Chinese painting and flower-and-bird painting II

Chinese painting and flower-and-bird painting works 3

Chinese painting and flower-and-bird painting works 4

Chinese painting and flower-and-bird painting works 5

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After Chinese painting and flower-and-bird painting, let's read the article about flower-and-bird painting!

Practice of flower-and-bird painting techniques

For the creation of freehand flower-and-bird painting, strengthening the practice of techniques, especially basic techniques, has always been classified as a metaphysical category. It seems that only good creativity and artistic conception, or only the author's emotional transcendence, can the work be vivid and can be called a good work. This truth is worthy of recognition, but if we examine the life experiences of painters, especially famous painters, we may have another level of recognition. The freehand brushwork of flower-and-bird painting focuses on highlighting the artistic conception produced by the picture. Proper use of pens and clever layout will surprise us. When looking at a good painting, I often wonder why the author uses so many pens, and how to add a point and subtract a point. The result can only be to admire the author's proficiency in skills and achieve arbitrary status; And when a picture is regrettable or always unsatisfactory, it also sighs for the author's neglect of technical practice. Mastering techniques is the premise of artistic conception expression. While pursuing artistic conception, masters also seek breakthroughs in techniques. Just like building a house, the most beautiful house is made of the most distinctive materials. Of course, these materials are not necessarily the most expensive and scarce, but they must be the best combination. In the practice of techniques, I think it can be carried out from the following two aspects.

1, copy, this seemingly old-fashioned way of learning should run through the whole artistic career. Of course, copying here is not the kind of copying for beginners, but a creative process. At present, there are many books about how to draw. These books will be classified by strokes to guide beginners, and even many people who draw well are tirelessly analyzing scrolls in a scientific way. It is true that our educational theory has been based on science, but as far as freehand brushwork is concerned, it is more like perceptual knowledge. If there is no emotional injection, it is like a baby facing the world, full of curiosity and only the most basic desires. Therefore, in copying famous works, we should have empathy. This kind of emotional injection is private and will be misunderstood by readers in many cases. But don't underestimate this misunderstanding. For the copyist, there is a valuable misunderstanding about the painting itself, which is why painters have different understandings of the same painting at different stages of life. This kind of emotional injection has formed a reinterpretation of the basic techniques, enriched the creative materials of the creators and formed a valuable copy.

2. Layout, freehand brushwork focuses on layout. A good layout interprets painting in time and space, which makes painting more meaningful than painting. As a technology, the practice of layout cannot be interrupted. Composition has always been the essence of traditional freehand brushwork flower-and-bird painting in China. From the traditional triangle composition to the triple composition to the triple composition, to the four-corner composition of Badashan people, to modern famous artists such as Pan Tianshou and Qi Baishi, the imagination of composition has made their painting style. For a person who is determined to be artistic, it is a shortcut to study the composition of famous artists in history and internalize it into his own painting.

Materialist dialectics holds that qualitative change is based on quantitative change. To realize one's own style and inject one's own emotional elements is inseparable from solid technique practice, and the key to realizing the transformation from "craftsman" to "home" on the road of painting is not the maximization of quantity, but the accumulation of high-quality quantity. On the road of art, you will often encounter the bottleneck of progress. When facing the bottleneck, you should look back to see whether your efforts are solid and whether your feelings are devoted.