Pictures of calligraphy works in block letters

Blockcase is a type of regular script font, which has a certain influence on the development of calligraphy fonts in my country. Nowadays, calligraphy fonts in block letters have a very high artistic style and charm. Below are pictures of calligraphy works in block letters that I compiled. Appreciation of classic calligraphy works in block script

Also known as "zhengshu", "zhenshu", and "regular script". Font name. It evolved from the official script and began in the late Eastern Han Dynasty. It matured during the Wei, Jin, Southern and Northern Dynasties, reached its peak in the Tang Dynasty, and is now popular throughout the country. The shape is square and the strokes are straight, which can be used as a model, hence the name. Regular script was popular in the Six Dynasties and reached its peak in the Tang Dynasty. This font is still the key to learning calligraphy for beginners.

Excellent calligraphy pictures in block letters

The block letters are beautiful and generous, bit by bit, One stroke at a time, from beginning to end, there is a beginning and an end, square and straight. To achieve this, the most important thing is persistence and perseverance. It not only cultivates perseverance, but also exercises resilience. The entire document is written down stroke by stroke, which is both pleasing to the eye and elegant. The same goes for being a human being. You must pay attention to the overall situation and encourage yourself for a long time to be a human being just like writing. Write every word seriously and walk step by step. After you have gone a long way, you will find that when you look back, Just like writing, the daily accumulation of every word and deed, every stroke, ultimately results in an overall pleasing generosity and classicness.

The Origin and Changes of Regular Script

In ancient times, there were no real scripts, regular scripts, or regular scripts. Before the Tang Dynasty, the correct script was called "official script", "eight points", "jinfenfen", and "jinli". According to the examination of regular script, it was Wang Cizhong who initiated it. Cai Xizong said: "Cizhong, the king of Shanggu, changed the official script into regular script, and then changed it into eight points from regular script." ?But there are different ancient legends about when the king was born. Zhang Huaiguan of the Tang Dynasty said that he was from the time of Qin Shihuang, Wang Min thought that he was from the time of Emperor Zhang of the Han Dynasty, and Xiao Ziliang was from the time of Emperor Ling of the late Han Dynasty. It is difficult to be sure because ancient records are ominous. It is now inferred that Wang was born in the Han Dynasty, but there is no actual evidence of the regular script written by Wang. It is still doubtful whether the regular script he wrote is exactly the same as today. The earliest extant block script inscriptions in ancient times were written by Zhong Yao [y?u is the same as you] (Yuan Chang) in the Wei Dynasty (the late Eastern Han Dynasty and the Three Kingdoms period), so the current block script calligraphy actually started with Zhong Yao. After the creation of block script, Wang Xizhi (Yishao) of the Jin Dynasty studied regular script with Mrs. Wei, and also studied calligraphy such as Zhong Yao and Zhang Zhi, thus improving it into a block script font with clear, round strokes and regular structure. At the same time, Wang also created a natural and fresh style of writing. The flowing and varied running script, Emperor Qianlong of the Qing Dynasty said: "It is a wonderful work through the ages, and the essence of regular calligraphy in ancient times has never been matched." ?Wang Xizhi inherited Zhong Yao's calligraphy and improved it, laying the foundation for our country's regular script and running script, thus becoming a model for the current standard, running and cursive scripts of Chinese characters. After that, Wang Xianzhi (Zijing) continued to study and improve under the guidance of his father Xizhi and another To create an orthodox style, and to create a so-called "broken body" that is neither practical nor cursive, Zhang Huaiguan of the Tang Dynasty [gu?n is the same as the crown] said in a letter: "The word "respects talents, has high vision, and is more open-minded than practicing cursive". Men?

Block script calligraphy developed greatly in the Tang Dynasty. In the early days, Ouyang Xun created another type of font with strong and bold strokes, clear and refreshing strokes, and dense and neat structure. At the same time, Yu Shinan created another Chu Suiliang also created a font with neat and neat strokes, strong strokes, round strokes, and a clear structure. Chu Suiliang also created a font with square and round strokes, thin and strong strokes, and a clear structure. The three of them were equally famous at the same time and played a major role in the prosperity of regular script calligraphy in the early Tang Dynasty.

In the middle of the Tang Dynasty, there were Li Yong, Yan Zhenqing and others. Yan first learned Chu Suiliang's calligraphy, and then imitated Mu Yurong's calligraphy in the Six Dynasties, thus transforming it into a font with thick and round strokes, strict and strong structure, creating a unique style and forming a new family.

At the end of the Tang Dynasty, there were Sun Guoting, Liu Gongquan and others. Liu absorbed the advantages of the European and Yan styles and used both square and round strokes to create a new type of font with a clear and vigorous brush surface and a clear structure.

There were also many calligraphers in the Song Dynasty, such as Su Shi [sh? is the same as si] (Su ??Dongpo), Huang Tingjian, Mi Fu [f? is the same as Fu], Cai Xiang, Fan Zhongyan, Zhao Gou (Song Gaozong), Among Yue Fei and others, the one with better calligraphy is Su Shi. His handwriting is also thick and thick, with dense structure, which is unique.

There were not many famous calligraphers in the Yuan Dynasty, and the only famous one was Zhao Mengfu. Zhao was very fond of Wang Xizhi's calligraphy. He repeatedly copied Yue Yi Lun, Huang Ting Jing, Lan Ting Preface and other calligraphy, with great results. The main calligraphy he wrote has beautiful strokes and correct structure, but has the charm of Wang Xizhi's brushwork.

There were many calligraphers in the Ming Dynasty, including Dong Qichang, Wen Zhengming, Zhu Yunming, etc., but they had no unique creations. Among them, Dong is the most outstanding, and his regular script font is handsome and elegant, with a cheerful structure.

There were not many famous calligraphers in the Qing Dynasty. At that time, everyone imitated Ou, Zhao, and Dong styles, but there was no new creation. Only Emperor Qianlong of the Qing Dynasty, Liu Yong, Yongxuan (Prince Cheng), Weng Tonghe, etc. made some achievements. At that time, many of the Jin and Tang steles were damaged and could not meet the needs of learning. Therefore, Deng Shiru, Bao Shichen, Kang Youwei, etc. vigorously advocated the study of Wei steles, resulting in no new contribution to the regular script calligraphy of the Qing Dynasty.