Painter's stick figure

1, first of all, observation, first observe the appearance characteristics and expression characteristics of the characters, and then start work after observing clearly. Then frame the structure and determine the position and size of the characters drawn on the paper. The face of a character follows the law of "three courts and five eyes", that is, the length from the left hairline to the right hairline is five eyes, and the length from the chin to the forehead is three noses.

2. After the facial outline is drawn, you can depict the eyes, ears, nose and mouth. When portraying, pay attention to the expression of the characters. When the character makes this expression, what happens to his eyes, mouth and eyebrows?

3. When drawing lips, pay attention to the light and shade between the upper and lower lips and the change of corners of the mouth.

The nose is the most prominent part of the face, and its quality directly affects the sense of space in the picture. Therefore, we should pay attention to the connection between nose and face, including the performance of cartilage.

5, the depiction of the ear is more complicated, generally draw a rough outline, and then slowly add.

6, the eyes are focused on the grasp of the eyes, you don't draw vividly, just look at his eyes. Pay attention to the performance of the upper and lower eyes and face, as well as the distribution of eye muscles when painting.

7, eyebrows have a certain direction, do not go directly, eyebrows also need to be carefully portrayed.

How should painters draw stick figures?

The drawing method of stick figure is as follows:

Extended data

The stick figure is a kind of painting that extracts the most typical and prominent main features of the objective image through activities such as eye recognition, brain memory and handwriting, and shows generality, identifiability and schematic in a flat, stylized form and concise brushwork.

Stick figure refers to simplifying complex images, and physical structure is the most basic element of painting. All kinds of objects have their own unique composition, structure and proportional relationship. It is relatively simple to express two-dimensional plane structure with plane stick figures.

References:

Sogou encyclopedia-stick figure

How should children sketch characters?

Hello, it depends on the age of the child. If the child is 5~ 10 years old, it is not suitable to sketch directly with the child at this stage. It is more appropriate to start with some simple creative tools, such as oil pastels, watercolor pens, gouache pigments, colored chalk and so on.

To draw people, I suggest that children should be taught to draw the outline of people with lines first, and then learn to draw some details, such as facial features, clothes decoration and so on. If you want to train coloring, you can fill the color block with gouache paint for training.

If you are a child over 10, you can try sketching. Children can start training from short lines, construct outlines by arranging short lines and shape simple outlines, thus learning to sketch. The principle is the same. First train the outline to master the overall description, and then fill in the details. I hope it helps you. I am the raccoon teacher who draws Lala _ Drawing Lala Children's Art Class-the Internet art class that knows children best.

How to sketch a person's face?

There is an average proportion between all parts of the human body.

As long as you draw according to this ratio, you can basically draw a decent picture. Although everyone has individual differences.

But after knowing this average ratio, it will be more realistic to draw a sketch or a sketch of a real model. Picture sequence: 1, draw rectangle first, then draw rectangle first.

Then draw a line in the middle. 2. After the rectangle is divided into two, cover the pot and the bowl, and the basic face shape is completed.

3. Draw the basic organs of human face from bottom to top 3/3: Draw hairline from top to bottom 3/2: Draw eyebrow hair and upper part of ear from top to bottom 3/ 1: Lower part of nose and lower part of ear 4. Add other organs, and then add the remaining eyes, nose, mouth and ears. Do some characterization.

What's the matter? Does it look interesting? I won't say much about the proportion here, otherwise super simple will become super trouble.

You can practice different face shapes according to the above steps. (As long as it looks natural, others can be pursued less.) If you add some shadows at the end, it will be more like that.

5. Add a shadow. Finally, after adding shadows, the face looks more powerful. But in this step, you still need a model to observe the changes of light and shadow.

If you can find a model, that's the best. If there is no model, look in the mirror and draw a face to practice.

How to sketch a person's face?

1, the mouth is the part with the largest facial movement and the most obvious expression change.

The oral cavity is attached to a semi-cylinder composed of upper and lower jaws and teeth, and its shape is arc. The oral cavity consists of upper and lower lip, oral line, middle lip and chin lip groove. The upper and lower lips are two opposite W-shapes. The upper lip is long and the lip line is clear, protruding from the lower lip. There is an upper lip nodule in the center, which divides the upper lip in two.

People are located in the upper part of the tubercle line of the upper lip, that is, the groove between the nose and mouth. The structure of this part is from concave to convex, which makes its contrast change more prominent.

The lower lip changes gently, and the left and right labial nodules form two microprotrusions respectively. The mental labial groove is located in the lower center of the lower lip, which is an arc turning line formed by the protrusion of the bottom of the lip and the front of the mental bone.

The dark part of this part is the reason why the lips are upturned. 2. The mouth line is a wavy line formed after the upper and lower lips are closed, and the corners of the mouth are at both ends.

The change of mouth line is very complicated, which is composed of several factors, such as lip gap, projection formed by upper lip and structural transition. The facial expression muscles of the mouth are very developed, which makes the mouth line and corners of the mouth have rich changes, and is the main part of depicting the expression of characters.

The structure of the mouth is closely related to the muscles around the face, and the movement of the mouth brings a series of facial changes. Lip itself is red, and there is a certain color difference with other parts. Pay attention to these changes in light and shade during training.

3. The eye is the focus of portrait sketch, not only because the eye is the "window of the soul", but more importantly, the different materials that make up the eye and the complex structural changes of the eye. 4. The eye is located in the center of the face, and it is the organ with the most frequent movement among the five senses.

The structural direction of the eyes is just the opposite, which is more difficult to express. Therefore, it is very important to understand the structure of the eyes.

5. The eye consists of eyeball, upper eyelid, lower eyelid, orbit and lacrimal caruncle. The eyeball is spherical and embedded in the deeply depressed orbit of the skull. Only through the cracks formed by the upper and lower eyelids can we see the exposed part of the eyeball, that is, part of the white eyeball, iris and pupil.

Pay special attention to its subtle changes when expressing the eyeball. Its upper part has the shadow cast by the upper eyelid, and its lower part has the dark part formed by the structure of the sphere itself.

Iris is a complex dark transparent body with bright dots on the black pupil. 6. Eyelids and fissures are curved, and eyeballs are wrapped in two parts.

The upper eyelid is thicker and longer than the lower eyelid, and its position is also in the front, covering most of the eyeballs. Eyelashes grow radially on the upper eyelid and lower eyelid.

The upper eyelashes are thick, dense and long, which will affect the illumination of the eyeball. In the performance, we should portray these structural features of the eyes as much as possible, and pay special attention to the volume of the eyeball and the thickness of the eyelids.

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What are the skills of watercolor painting, especially painting people?

The basic techniques of watercolor painting are 1, dry painting and wet painting.

Using the method of layer coating to color the dry background color does not require penetration effect, and it can be easily colored repeatedly, which is easier to master and suitable for beginners to practice. Clear physical structure and rich color levels are the specialties of dry painting.

Dry coating method can be layered coating, color masking, color collection, dry pen and other specific methods. Layer coating: that is, dry coating, which is applied after the coloring is dry, and the layers of colors represent objects.

There are different levels of coloring in the picture, some places can be done at once, and some places need to be done twice, three times or even more, but it is not advisable to count too many times to avoid losing the transparency of color. It can not be ignored that the layers of paint overlap after work, so as to predict the mixing effect of revealing the background color in advance.

Mask: In fact, it is also a dry stacking method, and the area of mask color is larger. For example, if several colors in the picture are not uniform enough, you need to mask the colors once to make them uniform. If a piece of color is too warm, a layer of cool color will change its cold and warm properties.

The color of the cover should be bright Bo Tu, and it should be re-paved. Generally don't write back, otherwise the color will be dirty with the background color. This method is often used in the process of coloring and the final adjustment of the picture.

Color matching: dry color matching means that adjacent colors are painted from their sides after drying, and there is no infiltration between color blocks. Each color itself can also be wet coated to increase variation. This method is characterized by clear outline and bright colors.

Dry pen: the pen is less water and multi-colored, and it is easy to fly white when lifting the pen; Drawing quickly on rough paper full of water will also produce flying white. The method of dry pen is often used to show the effect of flash or softness.

Dry painting can't just write articles on the word "dry". The picture must still make people feel full of water and wet marks, so as to avoid the problem of dryness and boredom. Wet painting can be divided into wet stacking and wet color collection.

Wet overlapping: Wet or partially brush the drawing paper, dry it and then color it, and dry it and then overlap the colors. Proper control of moisture and time will make the effect naturally mellow.

Showing the rainy and foggy atmosphere and moist interest is its specialty, which is beyond the reach of some paintings. Wet color matching: this method is often used for color matching near the end of drying, with water color oozing, blurred boundaries and gradual transition of soft colors.

When collecting color, the water list should be used evenly, otherwise the water will rush to less places, which will easily lead to unnecessary water stains. Watercolor painting is mostly a combination of dry painting and wet painting. The picture with wet painting as the main part is dry painting, and the picture with dry painting as the main part also has wet painting. The combination of dry and wet painting is expressive, dense and dry, and interesting.

2. The mastery of moisture The application and mastery of moisture is one of the key points of watercolor techniques. Water has the characteristics of infiltration, flow and evaporation in the picture, so you should be familiar with "water-based" when painting watercolors.

Giving full play to the role of water is an important factor in watercolor painting. To master moisture, we should pay attention to time, air humidity and water absorption of drawing paper.

Time problem: grasp the time of wet coating. If the colors overlap too early and too wet, it is easy to lose their proper shape. If it is too late, the background color will dry, watercolor will not penetrate easily, and the connection will be stiff. Generally, when overlapping colors, the water content of the pen should be less and the colors should be more, which is convenient to grasp the modeling and make it penetrate.

If the overlapping color is light, wait until the background color is slightly dry before applying. The dryness and humidity of the air: You can realize that the water dries slowly indoors and evaporates more slowly when painting in wet, rainy and foggy weather outdoors.

In this case, draw less water; In a dry climate, water evaporates quickly, so use more water to speed up the painting of color matching. Drawing paper's water absorption degree: According to the paper's water absorption speed, master the water consumption accordingly. When the water absorption is slow, the water can be less, the paper is softer and absorbs water faster, so it is necessary to increase the water.

In addition, large-scale rendering of halo colors, such as sky, ground, still life, people background, etc., should use more water, and should use all water; Use less water to describe parts and details. 3. Compared with the techniques of oil painting and gouache painting, the most prominent feature of watercolor technique is the "blank space" method.

Some light and white parts need to be "left blank" when drawing dark colors. The transparency of watercolor pigments determines this painting technique. Light color cannot cover dark color, unlike gouache and oil painting, which can be covered with light color and white powder.

Pay attention to watercolor works, and you will find that almost every one uses the technique of "leaving blank". Proper and accurate blank or light color will enhance the vividness and expressiveness of the picture; On the other hand, improper blank space will easily lead to trivial and messy pictures.

Mark the blank with a pencil before coloring. When coloring, you should skillfully omit the key details, that is, dots and faces. In addition, where the contrast colors are adjacent, the other side should be empty and colored separately to maintain their uniqueness.

Some beginners leave unnecessary empty shapes and then paint colors along the outline. Some people leave empty places dead, too rigid, and lose vitality along the outline. Empty is accurate and vivid, and it is the embodiment of skilled skills.

Repeated practice in practice makes perfect. 4, brushwork brushwork is the method of using a pen.

The use of pens is closely related to the use of water and color. When painting, each stroke contains water and color, or water is less colorful, or color is more than water, or water color is moderate. When the pen moves on the paper, there will be traces, which is what we usually call "brush strokes" You can see the brushwork in painting from the brush strokes.

The thickness of the drawing paper, the hardness of the brush and the speed of the brush strokes vary greatly according to the structure of the object, which is a bit wired, rigid and thirsty. Starting from the shape and color of the object, use the pen properly to enhance the plasticity and vividness of the picture. Watercolor painting has a large painting area, and the brush strokes are hidden by the infiltration of water. It feels subtle to reset the color strokes when wet, and the strokes are clearly visible when painting is dry.

In the process of coloring, you can't leave the pen for a moment. The closer you get to finishing using the pen, the more important it is, and its brushstrokes are no longer covered and exposed to the viewer. The special technique of watercolor painting is to use special tools, materials and means to produce special effects.

Scraper method: Scraping with a common pencil sharpener in the order of coloring is a method of destroying paper and causing special effects. Before coloring, scrape the paper with a knife, light or heavy, wide or narrow, so that part of the paper is destroyed, and after coloring, an image heavier than the surrounding color appears.

This is because the shaving area has strong color absorption ability, so it becomes heavier. it ...