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Modern Tragedy of Literati and Famous Prostitutes: Qi Tongwei and Gao
Qi Tongwei also lacks popularity. This point is obviously compared with Chen Yanshi in Old party member. Chen Yanshi is probably the person who hates Qi Tongwei the most. He is too dirty to eat at the same table.
A cadre lacks party spirit and popularity, and the rest can only be prisoners of rights and desires, as well as extremely feudal, naive and willful. -Qi Tongwei happens to be such a person.
He fell in love with Gao and ended in their own destruction, which can be regarded as a modern replica of literati and famous prostitutes, and tragedy is inevitable.
1. Relax and be gentle, and seek psychological compensation and psychological balance.
Gao is essentially a plaything in the male world and a tool used by businessmen to infiltrate senior officials, so she is not an ordinary woman or a real female entrepreneur. Her nature is equivalent to the stories of Green Pearl, Dixin, Li and Chen Yuanyuan. In a word, being domesticated and alienated is no different from a brothel woman or a social butterfly.
Qi Tongwei fell in love with Gao at first sight, mainly for psychological compensation. Qi Tongwei, who was in his prime in college, abandoned Chen Hai's sister and married Liang Lu, who was 10 years older than himself, because Liang Lu's father was the secretary of the Political and Legal Committee. This feeling of humiliation and the tragic fate of being a businessman and a rich man are easy to produce strong shouts and comfort each other.
In Qi Tongwei's view, compared with the intrigue and intrigue of officialdom, this humble confidant is pure and worthy of love and pursuit, compared with his wife whose heart is like a stake and her face is fading. So they have established sincere feelings and are even willing to suffer for Where Are You Going?
In other words, Qi Tongwei will meet Li and Sun instead of Gao; Even if you can't meet it, you will raise one yourself. -look at the high-ranking mistresses exposed in recent years, not all of them are physical relationships. Many people cried and said that there was "true feelings" between them. I'm afraid their "feelings" are first looking for elements of psychological compensation and psychological balance.
2. Lose physical chastity, but guard the chastity of love.
There is no essential difference between Qi Tongwei's Marriage without Love Foundation and Gao's Losing his virginity. This feeling of separation between body and mind is that I am eager to give my love to only one person, and it is not easy to die, so as to make up for my psychological defect on the issue of "chastity". Gao knew that Qi Tongwei had a wife, but he was determined to fall in love with her. He doesn't want any birthright, and he dare not expect it. This made Qi Tongwei sigh her "atmosphere". In fact, it is the outstanding performance of this kind of psychology.
There is a Han Aijie in Jin Ping Mei, which was first given by Ximen Qing as a gift to Zhai Qian, the housekeeper of the traitor Cai Jing, as a concubine. Later, after the fall of Cai Jing, Zhai Qian was expelled from the army, which made Han Aijie unable to continue living in Beijing and had to flee to Linqing with his parents. Because of lack of clothes and food, she became a prostitute with her mother. At this time, I met Ximen Qing's son-in-law Chen Jinglun. After several dew, Han Aijie really fell in love with Chen Jinglun. But not long after, Chen Jing was killed for having an affair with Chun Mei. Han Aijie cried her eyes out for Chen's economy and decided to hold a festival for Chen's economy. She has been advised to get married many times, so that she can have a living guarantee. She replied: "since the slave is him, even if his eyes are gouged out and his nose is broken, he still has to keep a festival and swear not to be unworthy of others." In order to refuse to remarry, he blinded himself and cut his hair for Nepal. He died of illness at the age of 32. Chen Jingji and Han Aijie didn't have a wedding, and they didn't even have a concubine, but Han was willing to keep a festival for one person, which was really puzzling to ordinary people, not to mention Chen Jingji, a pig and a dog!
There is probably only one explanation: love is only once, and I have already loved it, even if I experience a few more people. Even if the other person is a pig, a dog or wood. In the impermanent world, there is always one thing that needs to be adhered to, and that is love, and this is the only thing left. Therefore, I will not hesitate to die, even if there is still a way to go.
Therefore, from this perspective, Qi Tongwei finally committed suicide by swallowing a gun, which is both a "hero" and a double suicide.
3. Love stories between literati and famous prostitutes often have more vivid female images.
To tell the truth, there is no real woman and no real love in in the name of people.
Deputy Secretary Gao and his wife, Mr. Wu, are in a "strategic partnership". Without love, they can maintain the illusion of marriage. Mr. Wu's role is no different from that of Deputy Secretary Gao. It is the pursuit of rights and the face of the upper class that bind them tightly.
And Zhong can sit still at home, and often carry out "ideological and political education" with each other (note that I put quotation marks, which means superficial and wrong). Copying party constitution on their wedding night has a sense of absurdity.
Dakang Li and MC Jin, more is the kindness of husband and wife who have supported each other for 20 years, which adds a little human touch to the final parting ways. As for love, it disappeared many years ago.
Therefore, Gao He's love with Qi Tongwei can only be found out from the relationship between several main characters in the play.
In this kind of love story, the protagonist is often negative, weak and gloomy. On the contrary, the heroine has a distinct image and personality. They are active, bold and brave, and they are not shy when they meet the people they love. If you have read stories like Biography of Huo Xiaoyu and Biography of Liu Yi in the Tang Dynasty, Angry Chest of Du Shiniang in the Ming Dynasty, or The West Chamber and Susan. Heroines are generally versatile and dare to love and hate. That kind of passionate, active and straightforward love often makes the scribes squeezed by politics and life realize the sweetness of love.
Therefore, when Gao is good at mediating between the political and business circles with a long-sleeved posture, when she sings Shajiabang in the banquet hall, this female image is both stylized and three-dimensional. But after all, she is not a real Aqingsao, because the "first button" of her life was wrongly buckled, loved wrongly, wrongly, and then made mistakes again and again, and there was no turning back. For her, fate is a trap, and her unremitting struggle and persistence is an increasingly tight trap. Therefore, tragedy is inevitable.
Of course, I singled out Qi Tongwei and Gao's emotional drama for analysis, but I didn't express my regret that all shall be well, and I didn't agree with their relationship. Needless to say, Hou Liang Ping Zhong and MC Jin have no love. It's just that Qi Tongwei's understanding of love is at the same level as his political naivety. When he was the president of the student union in college, he basically stayed at the scholar level and even regressed.
In fact, China people's love psychology is extremely complicated. Compared with westerners, they are more inclined to pursue peaceful and profound acceptance and friendship, which is obviously moralized. What should they do in love? What not to do, what kind of ideas are right and what kind of ideas are wrong? We have clear requirements for ourselves. China people can easily distinguish between sex and affection, and often hear the argument that love is the product of "perception" and marriage is the product of "thinking", so that in real life, "love is on the left and marriage is on the right".
Marriage has the color of evolutionary selection, and the elimination rate will be high when conditions are poor. However, love in modern society is characterized by more randomness, discontinuity, uncertainty and lack of depth because of the expansion of communication. This is what we need to know clearly.
It can also be seen that the growth of people is a lifelong matter, and the understanding of love and marriage is also a lifelong matter.
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