* * * (Chinese words) Detailed data.

* * * The Book of Songs, National Style, Chu Ci and Li Sao. They are all regarded as the source of the development of China's poetry. It had a profound influence on later China literature. Later generations used it to refer to literature in general, occupying a leading position in the literary world or leading in some way. Common sayings often refer to frivolous and bohemian behavior.

Basic introduction Chinese name: * * Pinyin: fēnɡ sāo Athena Chu: ㄈㄥㄙㄠ Category refers to the basic information, detailed explanation, meaning, source, examples, related information and basic information items of The Book of Songs, Songs of the South and Lisao * coquettish] Basic explanation/kl Style refers to the national style in The Book of Songs, and Sao refers to Li Sao written by Qu Yuan, which is regarded as a general term for literature by later generations. 2. It refers to the frivolous and dissolute behavior of women. Explain the meaning of 1 in detail. It refers to the national style in The Book of Songs and Li Sao in The Songs of Chu. Wind refers to the national wind in the Book of Songs, while Sao refers to Li Sao written by Qu Yuan, which is used as a general term for literature by later generations. Talented people come out of the country, and every leader has been working for hundreds of years. -Zhao Yi "On Poetry" Tang Zong Song Zu, slightly inferior to * * *. -* * * "Chun Xue in the Garden" and "Song Shu Xie Lingyun Biography": "At first, it was sad, and it was different from its ancestors." Tang Jiadao's poem "lixi dialect comes from Shu" says: "Since then, the style of ci has been almost coquettish." On the second poem of Qing Dynasty: "I have worked hard for ten years to copy the Han and Wei Dynasties, but I don't know why I am far from coquettish." 2. Borrow poems. Tang Gao Shi's "Li Jiuri Banquet in Jingzhao Mansion" says: "The sunset urges calligraphy, and autumn brings * * *." Su Song Shunqin's poem "The Works of Appreciating Scholar by Bachelor": "There will be a cup banquet every day, and there is no leisure to sing." Jiang Guangci's "Young Prodigal Son" VIII: "It is also very interesting to write some calligraphy and painting in a scholar's home today and talk about it in a lecture hall tomorrow." 3, borrowing refers to literary talent and talent. The first fsa fold of Ghost Story by Zheng Guangzu in Yuan Dynasty: "He cares too much about self-promotion, but his heart is not satisfied. He made it up and sold it well, showing beauty and exaggerating talent. I'm going to get into the grammar here and see what I can do. " * * * The word "Qin Yuan Chun Xue": "Tang Zong Song Zu, a little inferior." 4. Romantic and dissolute. "The story of awakening marriage, a penny for a penny is a strange injustice": "Although the old man is * * *, he has to pretend to be an old man. How can he get what he wants? " Liang Ming Chen Yu's "Huansha Ji See the King": "I am a character, and I am most afraid of loneliness in the bridal chamber." 5, frivolous and dissolute. Especially the frivolous behavior of women. Mao Dun "Shake" me: "Sister Jinfeng has come to the front, with white lead powder on her face and scarlet lips, staring and twisting her waist." 6. refers to a dissolute person. Yu Girls' School: "He must be an old man to ask such a wind-induced question. Make a disgusting poem to deal with him. " 7. Jewish customs. Ming Cai Lu's Tale of Pearl Picking Medicine: "Only I love his wine glass, my son * * *." Yang Shuo's Harmony of Fire: "Every year on the Lantern Festival, when Yangko goes out, people can see him showing off in front of women like Sun Qiaojiao in Picking Jade Bracelet or the widow in Little Grave." The third time in A Dream of Red Mansions: "Slim figure, good physique." 8. It is said that the figure is handsome and beautiful. Ming unintentionally "The Engagement of the Goldfinch": "You are more handsome and more handsome. Chen Ping said that I am the most * * *, with new big pleats, soap robes and square towels floating around my eyes. " 9, scenery, brilliance. "Surprise at the Second Moment" Volume 19: "Flag and drum, high-headed, send the yamen to office. Sending China is like a fog at this time, good. " The first scene of Liyuan Opera "Chen San Wu Niang": "On Yuan, it's so beautiful, the lights are like flowers, and the moon is like gongs." 10, there are talented people in the Jiangshan generation, each relying on * * * for hundreds of years. -Zhao Yi's "On Poetry" originated from the word "* * *" mentioned in Wuyi Lane, which is generally considered to be a bad word. Especially when it is used to describe men and women, it is often associated with debauchery and frivolity, showing off beauty and so on. However, the word "* * *" originated from the Song Dynasty and was closely related to a former "resident" of Wuyi Lane in Nanjing. Many people's memories of Wuyi Lane come from Liu Yuxi, a great poet in the Tang Dynasty. "Rosefinch bridge weeds, Wuyi alley mouth sunset oblique. In the old society, Wang Xietang flew into the homes of ordinary people. " Now this poem is carved on a stone tablet with hairy grass on the left side of the alley Many people occasionally look at this monument when passing by, and think that the snacks in the Confucius Temple and the cruise ships on the Qinhuai River are far more attractive than the Millennium Gu Xiang. In essence, the history of the name "Wuyi Lane" has been around 2000 years. According to legend, Sun Quan's Wu Dong army, dressed in black uniforms, was stationed on the north bank of Qinhuai River to defend Kyoto. It was called "Wuyi Camp", which is the origin of Wuyi Lane. During the Eastern Jin Dynasty, Wuyi Lane became famous for helping Si Marui to establish Wang Dao, the prime minister of the Eastern Jin Dynasty, planning the battle of Feishui, and reviving Xie An, the prime minister of the Jin family. Its descendants lived here for nearly 300 years, leaving many ups and downs and unpredictable stories. According to legend, Xie Lingyun, the great-grandson of Xie An, started the school of landscape poetry, and his poems were very brilliant. The Biography of Xie Lingyun in Song Dynasty records: "From Han Dynasty to Wei Dynasty, for more than 400 years, I resigned as a talented person and changed my writing style three times ..." It means that in the past 400 years, although my style has been constantly changing, I still take Guo Feng in The Book of Songs and Li Sao in The Songs of the South as examples. Praise poem "comparable to * * *" means brilliant literary talent, which is a high reputation. Illustrate the Power of Media by contemporary Yin Qian: "Editing a unique plan is the most effective way to attract readers among the information with roughly the same content. We require editors to have basic knowledge of news gathering and editing, but they should not be too arrogant and too strong in winter. Our editors should have cultural literacy and the ability to express ideas. You have to have * * * and semi-quality cultivation; Clear-headed and broad-minded; There must be * * * willing to bear hardships and dare to fight. We are opposed to behind closed doors, but we do not exclude creative imagination. Our editors used rational reins to find a reliable direction for * * * and imagination, making boring words interesting, full of a life interest and noble temperament, and subtly affecting customers. " ("The Power of Media", the first edition of Taihai Press,/Zhu) Relevant information The word * * comes from The Book of Songs and Songs of the South, and in common sayings, the word * * is also often used to describe a person's frivolous behavior. This meaning has nothing to do with the Book of Songs and Songs of the South, but with illness. In modern Chinese, there are two meanings, one is positive, which describes a person's unique achievements in a certain field, such as "unique leadership * * *". , from China's classic poems The Book of Songs and Li Sao; Another meaning of * * * is somewhat negative. It describes that a person (usually a woman) is not well behaved in behavior and is not implicit in the expression of sexual orientation. The source of the latter meaning of * * * obviously has nothing to do with the elegant art such as The Book of Songs and Songs of the South, and it is hard for ordinary people to imagine that * * * with a little stylistic problem actually comes from the description of diseases. The Book of Songs is the first collection of poems in China, which collected poems from the early years of the Western Zhou Dynasty (1 1 century) to the middle of the Spring and Autumn Period (6th century BC) for about 500 years. Chu Ci is the first poetry anthology written by China. They are the brilliant crystallization of the northern Central Plains culture and the southern Chu culture in the pre-Qin period, respectively, and are the sources of the two fine traditions of realism and romanticism in the history of China's poetry. Therefore, in the history of China literature, "Feng" and "Sao" are often called "Sao" together. "* * *" has therefore become synonymous with literature. First, let's look at "Sao". As a document with a disease name, SAO was first seen in Shan Hai Jing Bei Shan Jing: "There are more fish in it, and its sound is like anger, but its food is not SAO." Only because of the loss of literature, primary school scholars have always lacked accurate annotations on SAO disease. Fortunately, many unearthed documents in modern times have given us a clear answer. For example, it is recorded in the Qin bamboo slips of Sleeping Tiger Land: "The princes don't treat Sao horses, and Sao horses are all beautiful ..." Here, "Sao horses" refer to horses suffering from Sao disease, and Sao horses are the pathogens of Sao diseases, which is actually Sao horses. The explanation that Sao disease is scabies is recorded more clearly in the Han bamboo slips unearthed in Zhangjiashan: "Sao itches and festers." Sao is scabies, and the most typical symptom is itching. Later, the meaning of Sao was gradually replaced by "Sao and scratch", and the word "itch" appeared, and the relationship between Sao and itch as words was gradually forgotten. "Sao" means scabies, which means itching, and the relationship between "wind" and itching is more obvious. There is also the word "rubella" in modern Chinese. Wind and Sao, as diseases, have an itchy symptom. When people itch, they can't help scratching. When they scratch, they pose and blink. Naturally, it won't look very serious, because the ancients emphasized people's posture, paying attention to people's sitting and standing, and they can't move, but people who move don't conform to traditional etiquette. Gradually, people will use body language when scratching.