Argumentative essays on classical Chinese for middle school students

1. Argumentative essay on whether middle school students should learn ancient Chinese

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We often hear a saying that we should learn it as "modern people" Modern literature, modern Chinese language education should focus on "realistic application". Classical Chinese is no longer used, at least it was a written language hundreds of years ago. It is a backward or even obsolete language. Why should modern people continue to learn it? If they continue to learn it, they may be restricted. Confining, imprisoning or even poisoning is not conducive to application.

There is a simple cognitive logic hidden here: vernacular is equal to "modern", "progressive", "democracy" and "freedom", while classical Chinese is equal to "non-modern", "backward" and "obsolete" ”, “closed”, “imprisoned”. It contains a simple practical logic: whatever is used in modern life, just learn it directly. If it is not directly applied in modern life, you can simply abandon it and not learn it.

In fact, this simple cognitive logic of classical Chinese and vernacular Chinese has already existed in the first half of the 20th century. We should listen carefully to what Mr. Lin Yutang, who "has his feet on both Chinese and Western cultures," said. Let’s talk about it:

“The ancient Xuecheng was not free from illness, and modern people can never read ancient books alone. Needless to say, when they see ancient books, they regard them as drugs, which is a bit out of the sun. The suspicion of wild wind. If modern people can understand the past and present, why should they only read foreign books, speak foreign languages, sneeze in foreign languages, and spread foreign filth without reading "Historical Records" and "Hanshu". , "Zuo Zhuan" is not understood at all, isn't it also a foreign drug? There are also language gems. For primary and secondary school textbooks, it is advisable to choose both ancient and modern textbooks, and not to be biased towards one end of the spectrum, favoring the ancient at the expense of the present, or the modern at the expense of the ancient. The key is that the person who compiles the textbooks makes the right choice. "In ancient times, the purpose was deep and distant, but now, the purpose is to be intimate and lifelike. Both must be read and used together to achieve the wit and interest of the text." "If the Chinese language is to be elegant and robust, it must also have two sources: vernacular and classical Chinese." ( Both are in the language of Lin Yutang) Mr. Lin Yutang also said that the key to whether classical Chinese or vernacular Chinese is modern or conservative is not "zhihu" or "has", but whether the text is modern or Chen. If the text is a modern speech, even if it is interspersed with "Zhi Hu Zhe Ye", it will not be in the way or elegance. If the article is a statement, even if it is interspersed with "Mel Niba", it will still be nonsense. The reason is that one is real and the other is superficial. Therefore, Lin Yutang said that I would rather write "classical vernacular" (classical Chinese that is clear and clear, elegant and popular, concise and simple), rather than write "classical vernacular" (looks like vernacular, spoken, but is wordy, complicated, and confusing. not white).

Let’s think about it again. Even today, the spiritual magnanimity and cultural vision embodied in Sima Qian’s "Historical Records" are still broad and magnificent. The gaze, even today, is superb. The clumsiness of the Book of Songs, the elegance of Tang poetry, and the elegance of Song poetry have all become swan songs in the history of culture and literature. Can we say that the above are "non-modern", "conservative" and "closed"?

Classical Chinese poetry has a more edifying effect on students’ spirit and sense of language. Poems composed in classical Chinese by Qu Yuan, Sima Qian, Li Bai, Su Shi and other sages are splendid "spiritual lighthouses" that have illuminated for thousands of years and bathed people both ancient and modern. Their souls "traveled" the long spiritual journey through "classical Chinese". We today use "classical Chinese" to let students "follow the traces", which is to experience the students' spirit again and again. Continuous "walking through" and "experience" are the spiritual "accumulation", "spiritual memory" and "spiritual inheritance" of the nation! It is also the formation of language sense. Writer Li Jiye said in the 1940s: "For people who have read a little poetry, the emotions caused by orioles, swallows, doves, cuckoos and other birds are naturally completely different from those who have never read poetry. We have experienced the poet's Seeing all things with the eyes and hearing all sounds through the poet's ears seems to have an added sense. People who have never read poetry seem to be blind and deaf, and their life experience is naturally much poorer. "The poetry here refers to classical poetry. Such quantitative accumulation is the formation of the sense of language and the formation of spiritual temperament.

I'm afraid these are irreplaceable to simply learning vernacular poetry, right?

In addition, if we must follow the idea of ??"use whatever you learn; discard whatever you don't use" and continue to develop and carry out Chinese teaching, then should we in modern times put a large number of product manuals , market research reports, mobile phone text messages, QQ chat language, etc., should they be placed in Chinese textbooks? Because they are the most used today!

Lu Xun, Hu Shi, and Guo Moruo opposed classical Chinese mostly from the perspective of politics, ideology, and social change. However, their own literacy in classical Chinese was unusually strong as early as their teenage years. Therefore, no matter how vigorously they oppose classical Chinese when they become adults, the beneficial nourishment they have received from classical Chinese cannot be lost. Their own classical Chinese skills or cultural foundation will not be weakened by this. And if the "Chinese teachers" who were born in the 1950s, 1960s and 1970s have a very weak foundation in classical Chinese, but they follow the masters and agree in unison to "abolish classical Chinese", then we may "abolish classical Chinese". "Beacon of Chinese Culture", destroying the "cultural foundation" of several generations, and at the same time destroying the "vernacular foundation". Turning the "vernacular" of several generations into "duckweed"! This is not alarmist.

Because the writings of modern mainland literati are becoming "vulgar", and the language of the majority of teenagers is also experiencing a "junk" trend under the impact of "Internet language" and "commercial language" 2. The first time I read classical Chinese in junior high school Composition 600 Words

Since the fifth grade, I have tried to read ancient Chinese literature, such as "The Story of Peach Blossom Spring", "The Story of Yueyang Tower", the Yuan Dao chapter in "Wen Xin Diao Long", and some passages in "Tao Te Ching" , I can memorize them all, and some ancient poems and songs cannot be put down after reading them. I love reading ancient poems just like I write calligraphy. I can get carried away in reading and writing and be completely immersed in happiness. Classic ancient poems and essays are the essence of the Chinese nation. It is a cultural treasure that embodies the wisdom of countless ancient Chinese sages. I have benefited a lot from reading ancient texts and ancient poems. Like the poet Li Bai, "the five-flowered horse and the golden fur will be exchanged for fine wine." His poems are bold and uninhibited. The spirit and bearing are soaring. Du Fu's "The country is broken by the mountains and rivers, and the city is springy with deep grass and trees." After reading it, people can't help but think long and hard about it. Alas, letters from home are worth ten thousand pieces of gold. And Confucius said, "Learn and practice from time to time." ", "You can become a teacher by reviewing the past and learning the new", "If you are a person of three, you must have a teacher like me. Choose the good ones and follow them, and change the bad ones." These words let me appreciate life and gain insights while studying. Life, a sound personality, how to learn how to be an upright person, and fully enjoy the fullness and happiness of life. The five thousand years of history of the Chinese nation has left so many good proses. "The Story of Yueyang Tower" is an article that has been recited from ancient to modern times, and how many people I have recited it since childhood, and it is still catchy when I grow up. It can be called a masterpiece. When the scene of "Yueyang Tower" is written, dark clouds and continuous drizzle will make people sad and sad; when the spring is bright and the flowers and plants are fragrant, people will become happy and excited. , indulge in the scenery, it’s really wonderful! The author also draws on the benevolent hearts of ancient people to warn people to worry first and rejoice later, never forget the country, and always have a patriotic heart. Whenever I recite it, my heart is very intoxicated and intoxicated. Those who read ancient prose Another gain is that I often read the dictionary and count the strokes. I truly realize that the dictionary is the best teacher. Only by reading ancient Chinese, memorizing poems and looking up the dictionary can I learn more words and realize that many words have the wrong meaning. , many of them are polyphonic, and many have other meanings. I know that the dictionary covers the Chinese nation’s rich knowledge of astronomy, geography, and history. Looking up the dictionary has been of endless use to me throughout my life. By studying ancient Chinese, I gradually learned some methods. .As the saying goes: "Read a book a hundred times, and its meaning will appear by itself." Reading more, especially reciting it repeatedly, is a magic weapon for learning classical Chinese. When learning ancient Chinese, you should be cadenced, fast and slow, and have a sense of rhythm. The words, feelings, momentum and the meaning contained in the words cannot be read out at once, but can be gradually realized, comprehended and perceived through repeated reading. Therefore, I concluded that learning ancient Chinese requires mastering the basic knowledge structure , understand the correct meaning of ancient prose, read more, and read it familiarly. The feeling of reading ancient prose, poetry, and music is like walking on a mountain-shaded path, and the beautiful scenery that hits you is dizzying. Once upon a time, I sat alone at my desk, holding a book in my hand. Scroll through ancient poems and books, integrate myself into the Tang Dynasty and Song Dynasty thousands of years ago, watch the flowers bloom and fall, and the clouds roll and relax; once upon a time, I let my thoughts fly to the junction of water and sky in the south of the Yangtze River, listening to the fishing boats singing late, thinking about the midnight Is the bell ringing to welcome the passenger ship? Once upon a time, I also thought that if I read more and learn true skills, I should also look up to the sky and laugh out loud and go out, singing loudly that we are not Penghao people. I study ancient Chinese and ancient poetry as the best spiritual enjoyment. , just like tasting tea, the more you taste it, the more fragrant it becomes. 3. A 1500-word essay on my feelings about classical Chinese in junior high school

I like classical Chinese very much, and it can be said that I am obsessed with it.

I started to study ancient Chinese in depth when I was in the fifth grade. Before that, I had occasionally come into contact with ancient Chinese, but I did not study it in depth. When I picked up the Chinese language book and saw a text "Yang's Son", I was immediately attracted by the charm of ancient Chinese literature.

From that day on, I fell in love with ancient prose. Every day, whenever I had time, I would pick up ancient books and study them. Every time, I first think about the meaning of the ancient text. When I am sure of my idea, I take out the translation behind the ancient text and compare it with my own idea. If I think it is right, I will be very happy. If I think it is wrong, I will still Happy, I am happy that I have gained another piece of knowledge, and then I will firmly remember this knowledge point.

Once, I borrowed a set of books from the library corner in the class.

Among them, there is a book called "Laozi and Zhuangzi". When most students saw this book, they threw it away without a care, but when I saw this book, my eyes lit up and I immediately threw it away. I grabbed this book. When registering, I complained that the administrator was too slow and would delay my reading time.

I am like a hungry wolf, reading greedily. I am hungry and thirsty for knowledge. I savored this masterpiece carefully and felt the thinking space that the ancient prose brought to me, as if I was traveling in the sky of knowledge.

While turning the pages, I closed my eyes and carefully reviewed the ancient texts and knowledge I had just understood. I opened my eyes again and felt that it brought me more knowledge. The next ancient article... I found that the two great thinkers, Laozi and Zhuangzi, were constantly reflecting various "Tao". Although Laozi and Zhuangzi expressed "Tao" in different ways, Laozi used It is a direct narrative method, while Zhuangzi uses a borrowed narrative method, but they are all explaining the same truth. I also found that there are some contradictions between the words of Laozi and Zhuangzi. For example, Laozi believes that "all things in the world return to human beings", while Zhuangzi believes that "all things in the world return to nature." Although their views are different, their starting points are good. There are principles for all, so we can’t say which one is right and which one is wrong.

I hope that I can continue to learn longer, more difficult, and more awkward ancient Chinese prose in the future. This is my pursuit of knowledge and my hope for the future! I love ancient Chinese the most, because one word can express thousands of meanings, which makes me feel colorful and interesting. While thinking about ancient Chinese, I can also exercise my thinking ability. Although ancient Chinese characters have few words, their meanings are very insightful. Our ancient Chinese characters are concise, clear, very concise, thought-provoking, and profound. 4. A classical Chinese composition seeking full marks in the high school entrance examination

1. The Death of Red Rabbit In 221 AD, the twenty-sixth year of Jiang Xinjie's founding, Guan Yu fled to Maicheng, was defeated and captured, refused to surrender, and was killed by Sun Quan.

His mount, a red rabbit horse, was given to Ma Zhong by Sun Quan. One day, Ma Zhong wrote: Chi Tu Ma has been on a hunger strike for several days and will die soon.

Sun Quan was shocked and urgently visited Bo Xi, a famous scholar from Jiangdong. This person is a descendant of Bole, and people say he is proficient in horse language.

Ma Zhong led Bo Xi back to his home and went to the trough, where he saw the red rabbit horse lying on the ground, neighing mournfully. Everyone was puzzled, but Bo Xi knew it.

Bo Xi dismissed everyone, stroked his back and sighed: "In the past, Cao Cao said in "The Turtle is Longevity": 'The old man is in trouble, and his ambition is a thousand miles. In his old age, a martyr is full of ambition.'

"I know in my heart that you miss General Guan's kindness and want to take advantage of it. However, when Lu Fengxian died in Baimenlou, I didn't see you so dependent. Why do you commit suicide today? Isn't it a failure of your ambition?" He hissed sadly and sighed: "I have heard: 'When a bird is about to die, its song is sad; when a man is about to die, his words are also kind."

'I am lucky enough to meet you now, and I can speak from the bottom of my heart. Tell me. I was born in Xiliang and was captured by Dong Zhuo. This man was domineering and killed the young emperor. He was actually a Han thief. I deeply hate him."

Bo Xi nodded and said, "Later. After hearing Li Ru's suggestion, he gave the king to Lü Bu. Lü Bu was the most brave general in the world, and everyone said: "Lü Bu is among men, and the red rabbit is among horses." Chi Tu Ma sighed and said: "The public statement is wrong. Lu Bu is the most untrustworthy person. He killed Ding Yuan for glory, assassinated Dong Zhuo for beauty, surrendered to Liu Bei and captured his Xuzhou, married Yuan Shu and beheaded his envoy.

"No one can stand without faith". It is really a great shame of my life to be named as such a person without integrity! Later, I returned to Cao Cao. Although his subordinates were as fierce as the clouds, no one could call me a hero. I am afraid that in this life I will only be humiliated at the hands of slaves and die in a stable.

Cao Cao later gave me to General Guan; I saw his bravery in front of Hulao Pass and his kindness on the White Gate Tower. I have admired you for a long time. General Guan was also very happy to see me and thanked Cao Cao.

When Cao Cao asked why, General Guan replied: "I know that this horse can travel a thousand miles in a day. I am lucky to get it now. It will be like this in the future." You can find out your brother's whereabouts in a day.

As the saying goes: "The birds fly with the phoenix, and the people are virtuous and high-quality." Dare I not repay him with death? " Bo was delighted to hear this and sighed: "Everyone says that General Guan is a man of integrity. What I heard today is that it is true. Shu Qi's high righteousness. Jade can be broken but its whiteness cannot be damaged; bamboo can be broken but its knots cannot be damaged.

A scholar dies for his confidant, and a man survives because of his integrity. How can I live in this world by eating Wu millet? After saying this, he fell down and died. Boxi burst into tears and said, "Things are like this, how can people be embarrassed?" " Later, it was reported to Sun Quan.

Quan also cried when he heard it: "I didn't know that Yun Chang was so honest. Now that this loyal and righteous man has been harmed by me, how can I see the common people in the world? " Later, Sun Quan passed the decree and buried Guan Yu and his son together with the red rabbit and horse. Comments: This article is an on-the-spot essay on the topic of "Integrity" in 2001. The author is a Nanjing examinee.

This article is exciting to read. It's amazing. First, the story is novel.

The author is familiar with the story of the Three Kingdoms and has compiled a touching story about Chi Tu Ma's death for integrity. Second, it has a rich imagination.

The article personifies the red rabbit horse, allowing it to show praise and criticism of Guan Yu, Dong Zhuo, and Lu Bu in its dialogue with Boxi, realizing the theme of "true heroes must be honest"; and using "birds" The couplet "Follow the phoenix and soar far away, and the company of virtuous and high-quality people" and the sentence "Things are like this, how can people be embarrassed" express the ambition of choosing good things in life and adhering to integrity, which makes the purpose of the article even higher. The third is language. Sophisticated.

The whole text uses simple classical Chinese in the style of "Three Kingdoms", which is comprehensive and clear, with high literary talent and no leakage. This kind of sophisticated language skills is difficult for ordinary candidates to match. 2 . Turning point Geng Liang (Beijing candidate 2003) once heard that the eagle and vulture are originally from the same family, and their name is Falcon. They hunt in the wilds every day.

There is a severe drought in the year, and the grass and trees. When they are all dead, the roe deer and rabbits race to death, and the falcons fight against the sky, migrate to the Hongmeng, and seek the tops of the mountains; or they gather their wings and feathers and flutter away at the dust, preferring to bury their flesh in the carrion.

The former is proud and turns into an eagle, while the latter is called a vulture with contempt. When I heard this, I said: The year of severe drought is the turning point for the Falcon clan.

At this time, the future will be different if we have different aspirations. No matter how you belong, it is only determined by your will.

The secret of turning everything in the world is not just this one case. In the vast universe, have you ever seen a clear spring blocked by a big stone?

Those who choose to retreat will be hidden in the shade of rocks and escaping in forest depressions, and will not be known in the world, and will become rotten for a long time; those who choose to advance will be fearless when encountering obstacles, and will be attacked by millions of people. , It turned into a deep valley and the rapids stopped the boat. Did you also see the wind blocking the cliff?

The wind turned and scattered outside the mountains, becoming invisible for a moment. And disappear; those who choose to advance, continue to grind for hundreds of millions of years, and then they will be covered by the flying sand of the red desert. However, the appearance of things depends on the turning point.

And the history of Qing Dynasty. Above all, those who have made great achievements have always had to take turns. He was tortured but refused to give up, and he resolutely chose life under the heavy humiliation. He ended up with a splendid song and a rhymeless show, which made later generations of scholars sigh with admiration. , the sword is pointed at the Central Plains, and the victory is endless.

Although the big plan was defeated in Jieting, Yi did not choose to retreat, and he went out again and again, and finally gained the reputation of being exhausted. From this, it is a turning point. , Most of them are obstacles.

Those who have great ambitions and do not give up can turn into heroes. Those who hesitate and return after small setbacks will be countless in a thousand years, and their names will be remembered. We know that when a squirrel is galloping in a vast wilderness, some of them will fall into the dust and mud. Those who choose to lose their will will die, while those who choose to rise up will gain a lot. When an ape climbs a cliff, some of them will lose their hands and have their arms broken. Those who are discouraged will perish, but those who choose to fight will gain magical skills.

There must be those who stand in the wind and rain; those who choose to be content and live in a cave, closed in and ignorant for the rest of their lives; those who choose to stand proudly and wander along, waiting for the rainbow to be like a painting, and then climb up Smooth journey and refreshing breeze. Tao Qian chose to live in seclusion and give up his glory instead of fighting for rice, so "Return to Come" has been passed down through the ages. Unyielding in the face of swords and halberds, Wen Tianxiang chose to die in his country and gave up his official title, and his burning eyes and heart will shine in history forever.

Yu Yousui sighed and said: In the right turning place, where to go, everyone has his own wish, and it cannot be forced. However, spreading his righteousness to the world and spreading his fame to future generations cannot be unafraid of dangers and perseverance. The only one who is angry! Comments In terms of specific content and writing skills, this article can be said to have an extraordinary beginning by quoting legends; it is based on "ambition" to make an argument, which is of far-reaching significance; it explores the depth and breadth of the story; it concludes cleverly and the theme is clear.

5. Suitable for quoting ancient poems in junior high school compositions. Can anyone provide some ancient poems suitable for quoting in junior high school essays?

Digital Poetry: Once you go two or three miles away, there are four or five houses in Yancun. There are six or seven pavilions, eighty or ninety. Branches of flowers. Chanting the goose, King Luo Bin, goose, goose, goose, singing to the sky, white hair floating on the green water, anthurium stirring the clear waves. Chanting the willow, He Zhizhang, jasper made up a tree high, with thousands of green silk ribbons hanging down. I don’t know who the thin leaves are. Cut out? The spring breeze in February is like scissors. Climbing to the stork tower, Wang Zhihuan, the white sun is all over the mountain, and the Yellow River flows into the sea. If you want to see a thousand miles away, go to the next level. At spring dawn, Meng Haoran sleeps in spring without realizing it, and he hears the singing of birds everywhere. At night, the sound of wind and rain comes, and the flowers fall. How much do you know? Liangzhou Poem by Wang Han A luminous cup of grape wine. If you want to drink, you will be reminded to play the pipa immediately. Lord Don’t laugh while you are lying drunk on the battlefield. How many times have you fought in ancient times? Chile Song Northern Dynasties folk song Chile Chuan, at the foot of the Yin Mountain, the sky is like a dome, covering the four fields. The sky is blue, the fields are vast, the wind blows the grass and cattle and sheep are low. The Furong Tower sends King Changling of Xinjian off to Wu in the cold and rainy night, and sends him off at Pingming Visitors are solitary in Chu Mountain. Relatives and friends in Luoyang are asking each other, a piece of ice heart is in a jade pot. Liangzhou Ci King Zhihuan Far up the Yellow River among the white clouds, an isolated city Wanren Mountain. Why should the Qiang flute blame the willows, the spring breeze does not pass through Yumen Pass. Changling, the king of Chu, left the Qin Dynasty and the bright moon was Han Dynasty. Pass, the people from the long march of thousands of miles have not returned. But the flying generals of Longcheng are here, and they will not teach Huma to cross the Yin Mountain. King Luchai Weikong saw no one in the empty mountain, but heard the sound of people's voices. Returning to the scene into the deep forest, the light shines on the moss again. Farewell Yuan The second envoy, Wang Wei of Anxi, sent the morning rain and light dust to Weicheng, and the guest house was green and the willows were new. He advised you to drink another glass of wine, and there was no old friend when you left Yangguan in the west. On September 9th, I recalled that my brother Wang Wei from Shandong was alone in a foreign land as a stranger. Every time During the festive season, I miss my family even more. I know from afar that my brothers have climbed to a high place and planted dogwood trees everywhere. One of them is missing. In the quiet night, I think about the bright moonlight in front of Li Bai's bed. I suspect it is frost on the ground. I look up at the bright moon and lower my head to think about my hometown. Gu Langyue's luggage is white and he didn't know the moon when he was young. Made of a white jade plate. I also suspected that the mirror of Yao was flying in the blue clouds. I looked at the Lushan Waterfall and Li Bai. The sun was shining on the incense burner and the purple smoke was burning. I saw the waterfall hanging in front of the river in the distance. The water flowed down three thousand feet. It was suspected that the Milky Way was setting in the sky. I gave Wang Lun Li Bai and Li Bai to ride a boat. When I was about to leave, I suddenly heard singing on the shore. The water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's sending my love. The Yellow Crane Tower sends Meng Haoran to Guangling, Li Bai's old friend, to bid farewell to the Yellow Crane Tower in the west. Fireworks descend to Yangzhou in March. The shadow of the solitary sail in the distance is gone in the blue sky. Only the Yangtze River can be seen flowing in the sky. Li Bai left Baidi City early and said goodbye to Baidi among the colorful clouds. Thousands of miles of rivers and mountains are returned in one day. The apes on both sides of the bank can't stop crying, and the boat has passed the Ten Thousand Mountains. Looking at Tianmen Mountain, Li Baibai Gate interrupts the Chu River and opens to the east with clear water. It flows back to the north. The green mountains on both sides of the bank face each other, and a lonely sail comes to the horizon. Farewell to Dong Dagao, thousands of miles away, the yellow clouds are shining brightly in the daytime, and the north wind is blowing the wild geese and the snow is falling. Don’t worry, you have no friends in the road ahead. Who in the world does not know you? Du Fu's quatrain: Two orioles sing in the green willows, and a row of egrets ascend to the blue sky. The window contains Qianqiu snow in the Xiling Mountains, and a boat thousands of miles away from Dongwu is moored at the door. A happy rain on a spring night. Du Fu knows the season when it rains, and spring will happen. Sneak into the night with the wind, moistening things silently . The clouds are all dark on the wild paths, and the fire on the river boat is only bright. At dawn, I look at the red wet place, and the flowers are heavy on the official city. Quatrains Du Fu Chiri The river and mountains are beautiful, and the spring breeze is fragrant. Swallows fly in the mud, and the sand is warm for sleeping mandarin ducks. Walking alone by the river looking for it Flowers stand in front of Du Fu's Huangshi Pagoda in the east of the river. The spring light is lazy and leans on the breeze. A cluster of peach blossoms blooms without an owner. Lovely crimson and light red. Night mooring on the maple bridge. Zhang Jiyue falls, crows cry and the sky is filled with frost. The river maple and fishing fire are opposite to melancholy. Outside Gusu City. Hanshan Temple, the midnight bell rings for the passenger ship. The wanderer chants the thread in the hands of the loving mother in Mengjiao, and the wanderer wears the clothes. Before leaving, I am afraid of returning late. Whoever speaks of the heart of an inch of grass will be rewarded with three spring rays. Jiang Xue Liu Zong Yuan Qianshan Birds fly away, and all traces of people disappear. A lone boat and a man with a coir raincoat fishing alone in the snow on the cold river. The fisherman Zhang Zhi and the egret fly in front of Xisai Mountain. The peach blossoms and the flowing water are full of mandarin fish. Green bamboo hats and green coir raincoats, there is no drizzle in the slanting wind. Must return. Under the fortress, the black geese are flying high in Qulu Lun Yue, and Shan Yu is escaping at night. I want to drive the Qingqi away, but the heavy snow is full of bow and knife. Looking at the Dongting Liu Yuxi Lake, the light of the autumn moon is harmonious, and there is no windshield on the lake surface that has not been polished. Looking at the mountains and rivers of Dongting in the distance Emerald, there is a green snail in the silver plate. Liu Yuxi's nine-bend Yellow River has thousands of miles of sand, and the waves and winds are blowing from the end of the world. Now we go straight up to the Milky Way, and we go to the home of the Morning Glory and the Weaver Girl. We are blessed with ancient grass to bid farewell to Bai Juyi's departure from the original grass. The glory of the year is withered. The wild fires are not exhausted, but the spring breeze blows again. The distant fragrance invades the ancient road, and the clear green connects the desolate city. I send the king and grandson away again, and the luxuriant flowers are full of farewell. On the pond, Bai Juyi's little boy holds a small boat and secretly picks white lotus. I don't understand. Hidden traces, duckweeds bloom together. Recalling the beauty of Jiangnan, Bai Juyi once knew the scenery well. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. How can we not recall Jiangnan? Children's Fishing Hu Linneng A child with unkempt hair learns fishing, sitting sideways on a raspberry table with grass reflected in it

Body. Passers-by asked and waved from a distance, fearing that the fish would be frightened. At noon, the pity farmer Li Shen was hoeing, and sweat dripped from the soil. Who knew that every grain of the meal was hard work. The seeker did not meet Jia Dao. Songxia asked the boy , Master Yan went to collect medicine. Only in this mountain, the cloud depths are unknown. The stone path is sloping up the Hanshan Mountain in the distance of Du Mu. There are people living in the white clouds. I parked my car and sat in the maple forest at night. The frost leaves are as red as the flowers in February. Qingming Du Mu Qingming It’s raining heavily during the season, and people on the road are dying. May I ask where the restaurant is? The shepherd boy points to Xinghua Village in the distance. In the spring of the south of the Yangtze River, the orioles are singing thousands of miles away, reflecting the red green, and the wine flags are blowing in the mountains and rivers of the water village. There are four hundred and eighty temples in the Southern Dynasties, and there are many towers in the mist and rain. The first volume of Chinese language for elementary school, ancient poetry recitation and painting, Song Dynasty Anonymous The water is silent. Spring has gone, the flowers are still there, and the birds are not surprised when people come. The grass in the Tang Dynasty and Bai Juyi leave the original grass, and it withers and blooms every year. The wildfires are not burned out, but they grow again when the spring breeze blows. A fisherman on the river, Song Fanzhong, is surrounded by people coming and going on the river, but love The sea bass is beautiful. You look at a boat, which is in and out of the storm. Sitting alone on Jingting Mountain in the Tang Dynasty, Li Bai, all the birds are flying high, and the lonely cloud is alone. Looking at each other, there is only Jingting Mountain. Lu Chai, King of Tang Dynasty, Weikong Mountain has no one, but Hear the sound of someone's voice. Return to the deep forest and shine again on the moss. Wang Wei of the Tang Dynasty in the Bamboo Pavilion sits alone in the secluded bamboo, playing the piano and roaring again. People in the deep forest do not know that the bright moon comes to shine. The king of the Tang Dynasty climbs the stork tower and the white sun falls on the mountain. , the Yellow River flows into the sea. If you want to see a thousand miles away, go to the next level. Liu Changqing, the owner of Tang Dynasty, who stayed at Furong Mountain during the snow. At dusk, the mountains are far away, and the weather is cold and the white house is poor. He heard dogs barking at Chaimen, and returned home on a snowy night. Li Shenchun, Tang Dynasty, who pitied farmers Sow one grain of millet and harvest ten thousand grains in autumn. There is no idle land all over the world, and farmers still starve to death. It is noon when Li Shen of Tang Dynasty was hoeing, sweat dripping from the soil. Who knows that every grain of rice on the plate is hard work. Overnight in a mountain temple Li Bai of the Tang Dynasty had a dangerous tower hundreds of feet high, and could pick the stars with his hands. He dared not speak loudly for fear of frightening the heavens. Walking on the Ancient Moon. Li Bai of the Tang Dynasty did not know the moon when he was a child, and called it a white jade plate. He also suspected that the mirror from the Yao table was flying in the blue clouds. Plum Blossoms. There are several plum blossoms in the corner of Wang Anshi's wall in the Song Dynasty. Ling Han blooms alone. I know it's not snow in the distance because there is a faint fragrance. Snow on the river. Liu Zongyuan of the Tang Dynasty. Birds fly away on thousands of mountains and all traces of people are gone. A man with a lone boat and a coir is fishing alone in the cold river. Snow. Quiet night, I think about the bright moonlight in front of Li Bai's bed in the Tang Dynasty. I suspect it is frost on the ground. I look up at the bright moon and lower my head to think about my hometown. The second volume of the Chinese language for primary school, an ancient poem, "Ode to the Willow" by He Zhizhang of the Tang Dynasty. The jasper is made up to a tree height, and thousands of green silk ribbons are hanging down. I don't know how fine it is. Who cuts out the leaves? The spring breeze in February is like scissors. Walking alone by the river, I look for flowers from Tang Dynasty, Du Fu and Huang Si's family.