Huainan Li Jiaming calligraphy

20 13-04- 1 1 16:37

The name Li Jiaming was first famous not for his calligraphy, but for his articles. Once I saw a speech article signed by Li Jiaming in the fourth edition of Huainan Daily, and I immediately remembered this name. At that time, I just transferred from the following enterprise to my present unit, and engaged in social education in Gugou Township, Panji. One day, I came back to the city from the countryside and happened to meet Li Jiaming on the bus. Because we went back to the city together, we chatted as soon as we talked, and he quickly guessed my name. I didn't know he was a calligrapher. I thought he was an amateur writer like me.

Later, our unit often held calligraphy exhibitions, and Li See Jiaming's name was always available. At this time, I realized that he was a calligrapher, and he was an accomplished calligrapher in our city and even in the whole province, only occasionally writing articles. I believe that if Li Jiaming didn't engage in calligraphy, he would be able to write famous articles, because he is a smart man with very good understanding. I have always believed that all art is the result of enlightenment. Consciousness and epiphany are both a word "enlightenment". The size of a person's artistic achievements is ultimately the result of enlightenment. If he realizes the true meaning of art, he can become an artist. If he didn't realize the true meaning of art, he would work harder and be a craftsman at most. Li Jiaming plays table tennis very well. Playing table tennis also requires understanding. Art and sports are interlinked.

I have known Mr. Jia Ming for more than 20 years, but we haven't had much contact. I used to just nod my head when I met occasionally. Sometimes we talked for work, but we didn't have a deep friendship. Later, we moved to the office upstairs, upstairs and downstairs, where we had more contact and learned more. He is still so low-key, just doing his own thing and never showing himself. I once went to the Provincial Federation of Literary and Art Circles to attend a theoretical research class for young and middle-aged people in Anhui. During this period, a friend invited me to dinner, and I brought some recently arranged magazines with me. The back cover of this magazine is printed with Mr. Jia Ming's calligraphy works. During the dinner, an editor friend who works in the Provincial Evening News saw it and said that the handwriting was good. She asked me if I could help her get one. After I came back from Hefei, I went to see Mr. Jia Ming immediately, and Mr. Jia Ming wrote it for me soon. After receiving Mr. Jia Ming's calligraphy, my friend called and said that he liked it very much.

I am basically a layman in calligraphy. I really can't say anything about Mr. Jia Ming's calligraphy except that I like it. But people who know Mr Jia Ming say that Li Jiaming is a great calligrapher and has the opportunity to collect more of his words. His calligraphy has a lot of room for appreciation.

Mr Jia Ming never regards himself as an artist. I ask him for words, or someone else asks me for words. He always gives me what I want. Ask him to write, he never procrastinates, writes quickly, and always says, what do you think? Do you like it? If you don't like to throw it. Sometimes I find too much, and I feel a little embarrassed myself. He always said, nothing, just let me know if you need it. In recent issues, I edited Huainan Literature and Art and asked him to write a title for each issue. Every time I just send a headline message to his mobile phone, he will write it to me quickly as long as he doesn't travel. Since the use of Mr. Jia Ming's famous calligraphy, people who read magazines say that Huainan literature and art are more classy and more cultured than before.

Although Mr. Jia Ming is a deputy county-level leading cadre, this position is the dream of many people in our small city, but Mr. Jia Ming never pretends to be an official. He always gives the impression of elegance. I think this feeling must be good for his calligraphy creation.

(The author is the executive editor of Huainan Literature and Art, a national first-class writer. )

Mr. Gao's old bookstore micro-signal book 1970 13

Books are floating all over the world, and Mo Bao is a thousand years old.

Author: Cheng.

Teacher Li Jiaming, I have read Li Jiaming's official script, so let's start from ancient times. Personally, I think that its official script comes from a variety of official scripts, not only the changes of official scripts, but also the overall tone is biased towards the style of ritual monuments and other monuments. On the lines of strokes, it is only refined by pieces like Zhang Qian, which is scattered but not chaotic in structure and full of ethereal beauty. The most prominent part of Li Jiaming official script is the change of characters. On the basis of official script, it combines the same elements in lines and letters to achieve such a change effect. There are many inscriptions in Han Li, and their changes often have many different styles, and the combination of inscriptions is often the place to test calligraphers. I think Mr. Li Jiaming has done a good job on this point. Combined with his research on traditional calligraphy, the combination of inscriptions and inscriptions has formed a powerful calligraphy research.

Teacher Li Jiaming, his cursive script, and the calligraphy style of the two kings also have characteristics on the lines. There are also some calligraphy meanings of Song people. Teacher Li Jiaming's cursive script is not as obvious as the traditional cursive script. But as a reader, I can still find the core of his cursive conflict. He used cursive to solve the conflict in several ways to express his imagination. The development of his cursive conflict is the opening and line of lines, and the opening of lines has led to the changes of knot writing and cursive techniques, so the cursive techniques of some of his words often have strange structures in the whole work, and he is deeply fascinated by this line. He has some skillful control skills on lines, adjusting the multi-directional direction of lines. His usual scheduling method is to flip the pen, and this conflict is realized by using the side of the word potential and the side of the stroke. I think these are all technical means that everyone can perceive. Besides, I saw Mr. Li Jiaming's works in the back, and I also saw Mr. Li Jiaming's research spirit on other inscriptions. I think this is also the direction of his future research on other fonts. I believe there will be a broader development space in the future calligraphy art road!

Mr. Gao's old bookstore micro-signal book 1970 13