Appreciation of Tang Poetry "Feelings of Encounter"

Appreciation of Tang Poems from "Twelve Poems on Encounters" 1

"One of Twelve Poems on Encounters"

Tang Dynasty: Zhang Jiuling

Orchid leaves are lush in spring, and Osmanthus flowers are bright and clear in autumn.

It is a festive season to be happy with this business.

Who knows that those who live in the forest will feel happy when they hear the wind and sit there.

Plants and trees have their own intentions, so why ask for beauty!

Translation and annotations

Translation

The orchids in spring are covered with green leaves, and the osmanthus in autumn is bright and fresh.

The vitality of the world's vegetation naturally conforms to the beautiful seasons.

Who would have thought that an expert who lives in seclusion in the mountains and forests would be filled with joy when he smells the fragrance.

The fragrance of plants and trees comes from nature, so how can they beg viewers to climb up and down!

Notes

Lan: This refers to blue grass. Wei Rui: The branches and leaves are lush and draped

Guihua: Osmanthus, "Hua" is the same as "Flower".

Business: full of vitality

Self: naturally. Festival: a beautiful season

Forest Dweller: Hermit in the mountains

Sitting: Therefore

Intention: Nature

Beauty: Referring to the forest Those who live in the mountains and forests are masters and hermits

Smell the wind: smell the fragrance.

Sitting: Because.

Wei (wei) Rui (rui): The branches and leaves are lush and draped.

Notes

Wei Rui (wēi ruí): the appearance of lush vegetation and leaves. Bright: This describes the crystal clear and bright osmanthus stamens.

Xinxin: The vegetation is lush and full of life. Business: Vibrant. From: each. Er: So.

Forest dweller: A person who lives in the mountains and forests refers to a hermit. Wenfeng: refers to the fashion of admiring Langui Fangjie. Sitting: Therefore.

Original heart: the roots and heart (stems) of plants and trees, referring to nature.

Appreciation

In the late Kaiyuan period (713-741), Emperor Xuanzong of the Tang Dynasty indulged in sex, treacherous and dictatorial power, and the government became increasingly dark. In order to persuade Xuanzong to work hard to govern, Zhang Jiuling once wrote "Qianqiu Golden Mirror Record", which specifically discussed the historical lessons of the rise and fall of previous generations' governance, and presented it to Xuanzong as a birthday gift to the emperor. Emperor Xuanzong of the Tang Dynasty was displeased, and coupled with Li Linfu's slander and exclusion, Zhang Jiuling was finally demoted to the position of governor of Jing. After being demoted, he wrote "Twelve Poems on Encounters", using metaphorical techniques to express his steadfast and noble character and express his worries about being excluded. This is the first one.

At the beginning of the poem, neat couplets are used to highlight two elegant plants - spring orchid and autumn osmanthus. In Qu Yuan's "Nine Songs: Ritual Soul", there is a sentence: "Spring orchids and autumn chrysanthemums will last forever and will last forever." Zhang Jiuling is from Qujiang, Guangdong. There are many osmanthus in the land, so he uses the local materials and replaces the autumn chrysanthemum with the autumn osmanthus, which is based on the past but not the past. Orchid and osmanthus hold up their leaves, and osmanthus holds up its flowers. This is due to the relationship between the couplets, and the meanings of each other are revealed. In fact, each of them includes flowers and leaves, and generally refers to the whole plant. Orchid is described as "褳褤", which means lush and luxuriant. The word "褳褤" points out that the orchid grass blooms in spring and has unlimited vitality. Osmanthus is described as bright and clean. The osmanthus leaves are dark green and the osmanthus flowers are bright yellow. When contrasted with each other, it naturally feels bright and clean. The word "bright" succinctly highlights Qiu Gui's elegant characteristics.

The first four sentences of the poem say that orchids and osmanthus, these "gentlemen of plants and trees", will thrive and be full of vitality as long as the time is right. The orchid leaves are luxuriant in the spring breeze, and the osmanthus flowers are even more "bright" and beautiful under the bright moon of mid-autumn. Chunlan, Autumn and Gui are flourishing in business, and they also bring glory to the season. Spring and autumn become beautiful seasons because of orchids and Gui.

This not only contains the simple historical materialist thought, but also illustrates the objective dialectics that the times create heroes and heroes become stronger; it also expresses the idea that true sages and lofty ideals can only display their talents and ambitions in an era of political enlightenment, and reveals their own views on the times. The desire to "encounter time" again.

The last four sentences of the poem use the social effect of the fragrant fragrance of spring orchids and autumn osmanthus to euphemistically explain that one's pursuit of beauty and purity is not to seek recognition from others or to gain high fame; just like the fragrance of spring orchids and autumn osmanthus, it wins the hearts of hermits in the mountains and forests. The love of orchid and osmanthus is just an objective effect; in fact, the fragrance of orchid and cinnamon is not intended for people to pick it up and appreciate it, but purely out of their nature. The word "who knows" has an unexpected feeling for Lan Gui. The beauty smelled the fragrance of orchid cinnamon and fell in love with her. "Sitting" means deep and special. Expresses deep love. The change from no one to someone in poetry is a sudden change, and the poetry also makes waves because of it. The word "Wen Feng" comes from "Mencius: Jinxin Pian", which says: "Bo Yi and Liu Xia Hui are the teachers of saints for hundreds of generations. Therefore, those who hear Boyi's wind are stubborn and honest, and cowards are determined. If they hear Liu Xia Hui, The wind is a humble man, and a humble man is wide. He has been able to work hard for a hundred generations, and all those who have heard of it will be inspired by it." Zhang Jiuling effortlessly used the word "hearing the wind" in this chapter, and used it like this. Just right, used so naturally, and used in such a way that readers will not feel that he is using an allusion. This is also worth mentioning. The word "what to ask for" is used sharply and forcefully, which vividly expresses the poet's noble ambition and unwillingness to win fame cheaply.

This poem describes oneself as orchid and osmanthus, and uses the fragrance of orchid and osmanthus to describe one's own high aspirations and virtues, which makes people feel appropriate, natural, profound and thought-provoking.

Brief analysis

This poem was written when Zhang Jiuling was slandered and demoted as the governor of Jing. At the end of the Kaiyuan Dynasty, Emperor Xuanzong of the Tang Dynasty indulged in sex, neglected political affairs, and favored the benevolent Li Linfu and the professional The ingratiating Niu Xianke. Niu and Li formed a party, controlled the government, eliminated dissidents, and made the government more corrupt. Zhang Jiuling was very dissatisfied with this, so he used the traditional Bixing technique to express the meaning of the object and composed "Twelve Poems on Feelings of Encounter". The poet expresses his aspirations with objects, using the fragrant and clean quality of spring orchid and autumn osmanthus as a metaphor for his noble integrity; using the spring orchid and autumn osmanthus not to lose their fragrance and beauty due to no one to pick them, as a metaphor for his own purity and good conduct. Elegant feelings that don’t ask others to know.

At the beginning of the poem, a neat couplet is used, and the couplets of spring, orchid, autumn and laurel are used to highlight the characteristics of infinite vitality and elegance. Three or four sentences describe Lan Gui's qualities of being full of vitality but proud but not flattering, and not seeking to be known. The first half is written about Lan Gui, not about people. The fifth and sixth sentences use "who knows" to lead to the hermit in the mountains who is in the same tune as Lan Gui. The last two sentences highlight the feeling of inadvertently competing with things.

On the one hand, the whole poem expresses a calm, calm and detached mind, on the other hand, the worry, slander and fear of disaster are also clearly visible. The poem uses vegetation as a reference, and its purpose is profound. Behind the chanted objects, there is a philosophy of life. "Twelve Poems of Encounter" Tang Poetry Appreciation 2

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