How to evaluate Miro's "White Background Painting I for a Hermit's Cell in 1968"

Painting on White Background for the Cell of a Recluse I, 1968, is part of a room-sized triptych. The painting on the left is 3.5 meters long. The incident took place on July 7, 2011, and was re-exhibited after eight days of restoration work, which was completed by the Tate under the direction of the Miró Foundation. The restoration probably only cost a few thousand pounds, so the ￡203,000 compensation paid by the British government is mostly depreciation. As the title of this work indicates, the acrylic on the canvas of this work is mostly white, with a black curve painted on it. Although the repair work covered up the damage, traces of the repairs are still visible.

After London, the Miro retrospective went to Barcelona and closed at the National Gallery of Art in Washington in August 2012. However, in Washington, the damaged painting was not exhibited.

Tate Modern receives approximately 5 million visitors each year. In October 2012, a 26-year-old man scrawled slogans on Mark Rothko's 1958 Seagram mural "Black on Maroon," which is in the Tate Collection. In December, Wlodzimierz Umaniec, a Polish vandal now living in the UK, was sentenced to two years in prison for damage.