Selected works of calligraphy in national exhibition

There are many excellent calligraphy works that have entered everyone's life through national exhibitions. What kind of exquisite calligraphy art are these excellent calligraphy works? The following is a selection of calligraphy works of the National Exhibition that I have compiled for you. I hope it works for you!

Appreciation of Calligraphy Works in National Exhibition

Selected Pictures Exhibition of China's Calligraphy Works 1

Selected pictures of calligraphy works in the national exhibition 2

Selected pictures of calligraphy works in the national exhibition 3

Selected calligraphy works of the national exhibition Figure 4

Three realms of calligraphy creation

Successful careers and university questioners have experienced three realms:? The west wind withered the green trees last night. A person in a tall building can see the end of the world. ? So is this first place. ? I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq. ? So is this second environment. ? In the crowd, I searched for her again and again in vain. When I suddenly turned my head, I found her there, dimly lit. ? So is this third place. These three realms are three sentences in Wang Guowei's "thorns on earth", a great scholar in the late Qing Dynasty. Here he quotes an old saying. Is his image really bad? Become a big business, a college questioner? The three realms that must be passed through can also be said to be a trilogy of artistic creation. Calligraphy art creation is similar.

The realm of calligraphy creation can also be described by three:

Looking around, deliberately seeking truth from facts

After focusing on the artistic experience of predecessors and extensively studying the Expo, calligraphers are most concerned about and most distressed about seeking calligraphy language to express their image temperament. He wants to create ideal calligraphy works, and often finds his way out between the gaps of various styles of ancient excellent calligraphy works, looking for styles and techniques to express his temperament. Taking the creation of regular script as an example, he wants to create a work that shows solemn and fair content. At this time, Yan Zhenqing's works "Portrait of Dong Fangshuo" and "Yanshi Temple Monument" may first appear in his mind. It may be followed by works such as Manjusri Prajna Sutra and Lv Wang Table in the Northern Qi Dynasty. The works of Su Dongpo in Song Dynasty, Ye Luchu in Yuan Dynasty, He Zizhen in Qing Dynasty, Qian Nanyuan, Weng Tonghe and others will naturally come to the screen of his thinking in images. These various calligraphy works under the majestic banner inspire people to forge ahead, enlighten and inspire his calligraphy inspiration, and induce the pen in his hand to pursue a vigorous style. The works produced at this time may be brand-new regular script works based on Yan's artistic style. This kind of work is neither Yan nor a big platter of Yan style, but another branch of Yan calligraphy school. If he wants to create fresh, beautiful and free-and-easy regular script, perhaps he can roam in the artistic styles of Wang Xizhi, Wang Xianzhi, Zhi Yong, Yu Shinan, Ou Yangxun, Chu Suiliang and Pei Shouzhen. The works of Evonne, Li Jianzhong, Zhang Jizhi and Zhao Mengfu will also have a beneficial influence on him. By the time he spent a lot of money dyeing Han, he might not know Jin and Tang Dynasties, regardless of Song and Yuan Dynasties.

In this realm, on the one hand, the creator bears a heavy traditional burden, strives to pursue the meaning of the post and the ancient meaning, and pursues the origin of the pen, and the pen is not empty; On the other hand, we constantly analyze, synthesize, select and capture ancient methods, find our own calligraphy vocabulary, and find ourselves in style and charm. This is a painful and long process. Many calligraphers should find themselves more proficient in calligraphy in the first world. They are very confused, very lost, miss each other very much, and try their best to get out of their own way. They sometimes have a little understanding and are full of confidence; Sometimes I am confused, disheartened and at a loss. This is also the difficulty of this realm. Most of the great calligraphers in ancient China found their way out in this realm. Miffy Pro-word 、? Word set? It is a model of entering the first realm. In the Qing Dynasty, the formation of He Zizhen's regular script style was also in this realm. Yu Youren, a master of modern calligraphy? Write twenty articles at dusk against the inscription. Hard work, tears wet the pillow every night? A poem is a portrayal of his hardships in entering the first realm of calligraphy creation. His unique regular script works are a milestone for his calligraphy art creation to enter the first realm.

Break through tradition and constantly deny yourself.

Traditional statutes and procedures not only set an example for calligraphers' beauty, but also restricted the expression of calligraphers' personality. A wise calligrapher? They are all ancient people. Where do you care about me? Sigh (Mr. Liu Zidu speaks Mr. He Bozhen's language) naturally arises. Thus, a new process and a new realm of self-seeking, self-improvement and breaking through the stereotypes of the ancients began. This is the most difficult realm in calligraphy creation.

Mr. Li Luogong once said: Life can't kick down the ladder, but art must kick down the ladder? Kick off the bridge? Only in this way can we create new epoch-making works of art? Kick off the bridge? Is the process of denying and breaking through the ancients. All creative calligraphers in ancient times were right? Kick off the bridge? Good player. Wang Xizhi's running script and cursive script got rid of the rules of official script and regular script since Wei and Jin Dynasties, and his brushwork was smooth and coherent, with lines and lines revealing ease and tranquility. Is it actually for the previous generation of calligraphy? Kick off the bridge? . Wang Xizhi is a master of calligraphy innovation in the Eastern Jin Dynasty. Mi Fei in Song Dynasty? Pro-word 、? Word set? After that, work hard? Brush words? His works, such as Poems on the Upstairs with Multiple Scenes, are his artistic achievements in breaking through the barriers of the ancients, seeking himself and perfecting himself. Zheng Banqiao in Qing Dynasty? Six and a half books? It is also the product of breaking traditional logic and pursuing self. In the late Ming and early Qing Dynasties, Ni, Huang Daozhou, Wang Juesi and other masters also sought to embody their own calligraphy consciousness. Admittedly, they found a self different from the ancients and tried to improve it.

In other words, in this realm, calligraphers should not only break through and deny the ancients, but also constantly deny themselves and the self bearing the traditional burden. Mr. Yu Youren's early calligraphy has both Zhao Mengfu's brushwork and Zheng Banqiao's brushwork and figure potential, which shows that he is looking for his own calligraphy language. After that, I found a way out in Weibei and continued to find my own calligraphy language. It was not until the works such as Tourists' Ink Edge appeared that he found the language of his calligraphy and a broad, strong and masculine self. But after all, he is an enterprising master of calligraphy. He finds his way out in cursive script and his own language. In a large number of ancient cursive works? Is it accurate? 、? Beautiful? 、? Easy to know? 、? Easy to write? After screening the standards, he first found the calligraphy language that was connected with the ancients. Then he refined and sublimated in the beauty of cursive brushwork, character style and verve, and finally formed his own unique cursive style around the age of 60, which was praised by calligraphers at home and abroad? Longing for the sage? .

The experience of calligraphers in past dynasties tells us that the rise of a generation of calligraphers should not only dare to break through the tradition after inheriting it, but also dare to constantly deny and break through the self and improve the new self on a new basis. To this end, we should have the spirit pointed out by Wang Guowei: I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq. ?

I forgot all my feelings.

? Zhang Xu handed down three cups of grass, and before he took off his hat and showed his head to the maharaja, he threw the paper like a cloud. ? Zhang Xu entered the best realm of calligraphy creation. The change of everything in the world is gratifying, one in the book? . Because of this, his calligraphy has achieved success? Change or ghost, no clue? The highest realm. When it comes to flowers, it's really a beautiful place to forget your hands and laws. Pure innocence and nature. ? Books draw for the heart? This is the most perfect embodiment. Huai Su also entered this state, he? There are dozens of powder wall corridors, full of enthusiasm. Suddenly called three or five times, the wall is full of words? . ? Chi Hao suddenly rushed to the front of the ink column, and the room was full of people. . He entered the role of forgetting me. ? The pen only looks at the induced current, and the word is afraid of dragons? . ? Drunk letters come in two or three lines, and you won't write when you wake up? . ? Mutual affinity becomes strange, and grotesque becomes appropriate. Everyone wants to know the secret, but Huai Su didn't know it at first? . Huai Su didn't say that he would write a book only if he was really drunk, but he described Huai Su's infatuation when he was interested in pen and ink, which is the best realm of creation and forgetting traditional methods and self.

When you are infatuated with calligraphy, the third realm is conceived in your pen. When you enter the third world. Forget everything when you are in love? Sometimes, you may not understand what you are doing, let alone that you have entered the best realm of artistic creation. Isn't that how saints, immortals, demons, fanatics, freaks and nerds are born? The Monkey King thought he was still a monkey in Huaguoshan when he finally achieved a positive result after 81 difficulties. Monkeys become buddhas, so do artistic creation.