What do you mean by "bad habits"?

Basic explanation 1. [bad habits]: bad habits; Vulgarity II. [vulgar]: vulgar; Vulgarity and vulgar taste The so-called vulgarity refers to something that is false, rough, stupid, empty and disgusting, but many people actually think it is pure, elegant, wise or charming. The ten evils of China's calligraphy come from the same source, but they are not the same, which is determined by the layout of calligraphy and painting and the artistic objects. Calligraphy pays too much attention to the handed down of books, while painting is relatively "literary". The object of painting is life, which is the most profound experience of human material world and spiritual world. Of course, calligraphy should also pay attention to the author's spiritual world, but the performance of this spiritual world is forbearance, and its object is words. Therefore, painting constantly accepts new life and shows the footprints of human activities, including human spiritual activities. On the other hand, calligraphy should be pasted with archaic characters, lest it could not support the position of the ancients. Both painting and calligraphy pay attention to copying, but painting emphasizes sketching besides copying ancient classics. On the other hand, calligraphy has almost no life to write, and it is not shameful to copy it all your life. It can catch up with ancient times and even prehistoric times. Each has his own calligraphy style to show off his heritage, or he has been immersed in books all his life without realizing it, and calligraphy creation has almost become a wooden bridge. And so on. China's contemporary vulgar calligraphy books are full of troubles, and even more people are mixed in them, which makes people unbearable. Therefore, we choose important books and list ten categories: the first category of evil books and vulgar books. People in China believe that writing is the product of the totem of heaven and man. Calligraphy is not just writing with a brush, calligraphy culture is across the chest, and calligraphers should have respect for calligraphy. Xu Wei, a green vine, regarded calligraphy art creation as the expression of life all his life, and was unwilling to write words until he could not eat. On the contrary, the essential feature of popular calligraphy is contempt for calligraphy, which is just a tool to collect silver. People's vulgar words are self-vulgar, and common people can write them. People with character are the first, and people with beauty function are the second. No bones, no gas and no potential; Blood is blocked and the whole body is stiff; Flattery, slouches; The skin is colorless and the tendons are chaotic, which is a vulgar book. The reason why vulgar books are the first evil is because "there is only vulgarity, and vulgarity cannot be cured." Stick to the rules again. Regular script came into being and reached its peak, and its strict laws brought a thousand years of rope ink to the history of calligraphy. At the same time, this abuse is invincible. After the Song Dynasty, calligraphy gradually declined, talents were scarce and books became thinner and thinner. Those who are more pedantic have been imprisoned by law all their lives and become book slaves. Learning books lies in the law, but its beauty lies in people. You can never develop creatively by sticking to the rules. Words are like the dance of puppets. It is difficult to see the activities of flesh and blood except statutes. As we all know, Preface to Lanting Collection, Nephew Sacrifice and Cold Food Poetry are all specially created for calligraphy, and they will inevitably be smeared, modified or even misspelled, which is completely the natural expression of their inner world. Sticky books are dull, temperamental and rigid, lacking their own understanding. It is true that pen and ink are vulgar, after all, it is a vulgar book. These two evils are also. Three points are sluggish. The history of calligraphy tells us that Chinese characters are a process of continuous simplification. All this is true, from big seal to small seal, from small seal to official script. In its main part, calligraphy always keeps pace with the commonly used words of the times, even leading, such as "book" and "harmony" in cursive script, which has been simplified in ancient times. However, after the simplification of Chinese characters in contemporary calligraphy, there is still no calligrapher who writes simplified Chinese characters. Life is a book, and no one sighs for half a century. The master of calligraphy takes it as his duty to exclude modern calligraphy and those explorers, and intends to turn a blind eye forever. Since the writing tool brush has lost its practical value, calligraphy should play an artistic role. Calligraphy is the art of Chinese characters. We call for genius and bear the absence of history. Fourth, it is fake. Fake, not also. Fake books are just the lesser of the two evils of sticking to calligraphy, which is simply a playground for ignorant people outside calligraphy. I don't know pen and ink, I don't know how to press, I don't know how to turn, I don't know how to draw, and I see Sanskrit. Smear ink on paper at will, thinking it is calligraphy, gloating over the slender and feminine pen, and even ugly. Counterfeiters rely on the waist tags of senior officials and celebrities to blend in and out of the book world, and even deaf people pursue smelly feet and ask for high prices to add fuel to the fire. Although there are no book saints, masters and champions in today's book world, there is no shortage of experts, legalists and Fang Jia. Five wonderful books. When the Tang Dynasty ended as a historical stage, calligraphy actually faced serious problems. Seal script, running script, official script, cursive script and erasing script have reached their peak successively, in other words, this marks the end of China's classical calligraphy art. This statement is very uncomfortable-but it is the case. Running script Wang Xizhi, regular script Yan Zhenqing, cursive script Zhang Zhi, Han Li ... Calligraphers like other artists don't want to see this situation. Criticizing Su Shi's "stone crushing toad" and Huang Tingjian's "hanging snakes on trees" is not just a joke. It is a by-product of calligraphers' efforts to break through the shackles of respecting the law and get rid of embarrassing situations, and it is not a wonderful book. When it comes to Jin Nong's Lacquer Book and Zheng Xie's Six Books, Strange Books has gone to an extreme. Although there are records of Jin Nong and Zheng Xie in the history of calligraphy, there is no need for more lacquer books and Zheng Banqiao in calligraphy circle. People who don't know what to do fall in love at first sight, don't learn the time and creative spirit they already have, just look at the fur, learn strange words when they get started, and pick out ugly places in Xi Zhi. The so-called "learning from the East is effective" is also true. So far, there are no successful people on this road, let alone celebrities and everyone. Dental wisdom ranks sixth. This vulgar book is similar to a rigid book, but not the same. Since Li Shimin respected the king to the extreme, calligraphers have often taken the pursuit of Wang Xizhi as a slogan. Since Zhao Mengfu, the theories of Yan Style, Liu Ti Style, European Style and Style have been formed, which is the only way for Buddhism to become a calligrapher. It has always been a sign that calligraphers will eventually achieve positive results. It is not promising to pick up people's wisdom and pass it on with relish. It should be pointed out that before Yan, Liu, Ou and Zhao, or before the glory of regular script, Cai Yong, Zhang Zhi, Er Wang and Zhong You ... all of them were the main allies of a generation of heroes in the book world, and they all showed their elegance. Seven weak. Throughout the history of calligraphy, we will find that the brilliance of regular script, the brushwork of lifting and pressing, and the exaggeration of nodes occupy the stage, and the direct consequence of this abuse is "cowardice." Before the Song Dynasty, the works of famous calligraphers were vigorous and full, and they felt rich in content when copying. Su, Huang and Mi, the four great poets in the Song Dynasty, did not have such disadvantages, because they always criticized the abuses. Ouyang Xiu took the lead, and the clarion call of "reciting books is indispensable" opened a precedent for advocating calligraphy. Su Shi, Huang Tingjian and Mi Fei have made great efforts in this field, breaking through the shackles of respecting the law and liberating their own brushwork, which can still hold up the situation after the history of calligraphy reaches its peak. After the Yuan Dynasty, including everyone's books, the brushwork became thinner and thinner. After the Yuan Dynasty, the peak of Tang Kai blocked the view. The essence of powerlessness is to ignore the "turning point" and cause "emptiness in the middle", which is characterized by excessively delicate and gentle pen and smooth overall style. The understanding of escapement is too shallow, and there is no golden point in the palace; Abduction means sticking your head out to take a peek, or stretching your limbs, or even losing your strength. It is difficult to see the traces of calligraphy culture because of the weak inheritance of contemporary calligraphy. As a hanging book, sometimes it is beautiful and exquisite, and its function is lost. Or the pen is not enough to collapse, or I don't know the general trend, act rashly, and the pen and ink are as thin as paper. Affectionate ranked eighth. Pretending, moaning without illness; Charming function, posing; When I can't write, I am in a dilemma. Or live in fireworks and stand a chastity archway; Or seize the book by force; Or despise modern people who wear robes and pretend to be gentle. It can really be described as "a hundred kinds of embellishments, and there is no fierce woman in the end." Looking back at the history of calligraphy, the most famous seventeen articles were not written specifically for calligraphy. In addition to grief, the "Manuscript for Sacrificing a Nephew" was full of paintings, and the wanton smearing won the miraculous effect of cracking the autumn wind. Irresistible passion gushed out, and the spirit of going straight with broken arms gave the audience a shocking appeal. Even begging for rice can be written as an Anglian spring. In ancient times, there were no specialized calligraphers and calligraphers' institutions, and even primary schools were one of the courses. "The book of an old friend is indispensable, and innocence is my teacher", which is also a swan song throughout the ages. Naturally, carving is a positive result. Laojiu in a slump. After the Yuan Dynasty, although the calligraphy practice declined gradually, Zhao Mengfu still supported the calligraphy practice with the omnipotence of five-style calligraphy. Wu Zhongru, Wen Zhiming and Zhu Yunming have made unremitting efforts to this end. We can also see the courage of Xu Wei and Badashan people to scrape bones and cure poison. Although they can't do these five things, they can still do them independently. In modern times, in Wu Changshuo's place, calligraphy "writing" was restored, replacing painting and description, and became another insurmountable peak in the history of calligraphy. The depression of contemporary book circles lies in the lack of real exploration spirit except the eight vulgar books listed above, and it is difficult to find the morning star in the works that have been published. After all, the inheritance and partial transformation of classic books, or the small-scale brushwork that has got rid of the legal bondage, is the failure of the book world to cheer up. However, the inaccessible state of modernist calligraphy makes the originally depressed book world become old. The absence is ten times. Calligraphy practice barely supports the situation of inheritance, which makes this ancient art immortal, which is already very difficult; Calligraphy theory's absence made the book world worse. Although Mrs. Wei said that "good writers don't learn and good scholars don't write", the history of calligraphy tells us that there is no calligraphy theorist in the world of books who can't even hold a brush. Although Zong Baihua and Qiu Zhenzhong also had a few experts pointing out the maze, they were all drowned in the Gobi by muddy sandstorms. Although there are calligraphy theory or a thousand words, it is difficult to get rid of the situation of "restating the old chapter, which is not what it used to be", and Gou Xingxin's speakers are rare, let alone expect to be beneficial to the future.