Embroidered poster templates-those national poster designs that surprised me.

How to make hand-embroidered thank-you cards Tools/materials for making greeting cards: several envelopes, several pieces of cardboard, embroidery thread, embroidery needle, sewing machine, scissors, ruler and paper cutter.

Simple and Practical Hand-embroidered Greeting Card Making Steps/Methods

1. Cut the cardboard into cards slightly smaller than the envelope.

2. Punch holes with sewing machine. Get the sewing machine ready and don't thread. Sewing on cardboard according to your own design. You can use sewing, paper clips, chain sewing or zigzag sewing to change the distance and design of punching. If you are very skilled in acupuncture, you can also try to punch two rows of parallel holes and then use the techniques of carpet edge sewing, feather sewing and herringbone sewing.

3. If you want to make a French knot, you can draw a circular area on the cardboard with a hand sewing needle or sewing machine, and fill the small holes. If you want to make a small daisy, make a small hole with the paper as the center, and then make a circle of small holes around the hole with the length of sewing machine stitches as the radius.

4. After completing the first three steps, the embroidery template is ready. It should look like this.

5. Now start embroidery according to the template designed by yourself. The author reminds readers that it is best to embroider only one stitch at a time on cardboard. If you play back many stitches, creases will appear on the cardboard.

6. Wear colored lines from both sides to the middle, so that the feeling of flowers will come out.

7. Enjoy hand-embroidered greeting cards, give full play to your creativity, and try as many stitches, patterns and colors as possible. Your creativity will surprise you!

How to design cultural posters? 1, the hierarchical relationship of text segmentation

First of all, according to the importance of copywriting information, we divide it into different levels and arrange the primary and secondary information in turn. Through the above simple hierarchical division, we describe embroidery as a theme, and adjust other information to form a differentiated contrast. The layout adopts left and right composition, which handles the text information well.

2. Representation of written information

Because this project is about embroidery, we need to embody the elements of embroidery and China tradition, and we need to choose a font biased towards calligraphy, which can improve the accuracy of the project in tonality. The effect of weaving is to make the text and theme related in material, so as to better conform to the tonality of the project.

3, detail optimization

Using the thickness and size of characters, combined with geometric shapes, to form a contrast, so that the visual form of information is more abundant. Describe the information that needs to be highlighted. Extract key points and display other information quietly.

4, picture selection

Pictures related to embroidery need to be displayed on the screen, and we have selected some pictures that meet the requirements. Through the comparison of the following two pictures, it is found that the first one is more in line with the composition form of the poster and has better visual presentation effect. We put the photos on the poster and cut the size at the same time.

My understanding of the national poster design that surprised me;

Taking my usual preference for film selection as an example, whether the design beauty of publicity posters appeals to me is the key factor in my decision. In other words, I think a good poster should have a strong desire to make the audience want to go to the movies. The most important thing for a poster designer is to show what is behind the film through his profound grasp of the film and visual means. If he grasps the tonality and plot of the film and expresses it skillfully, then I think it is a successful poster. Horgo Matisse, an international master of visual design, once said, "A good poster should speak in graphic language, not in words."

In recent years, the rise of the cultural and creative trend in the Forbidden City has unconsciously narrowed the distance between us and China's 5,000-year history and culture. Personally, I like this traditional, simple, elegant and profound cultural heritage, so I will stop to taste the following film and television posters with oriental aesthetic design ~

What impressed me the most was this poster of The Legend of the Demon Cat. When the picture entered the eye socket for the first time, it was a thick hand-painted meticulous atmosphere. Under the background of cool colors and China's aesthetic elements, the three characters of "The Legend of the Demon Cat" in calligraphy are very eye-catching. The composition of the picture is symmetrical, and the phoenix at the top of the picture is half hidden in the blue water mist, with a slight expression. The dragon face of the main body of the picture is actually an isolated building at the top of the cat, and the blue peony flowers set off on both sides seem to imply the women represented by the cat and peony, as well as the bumpy fate of women because of this isolated building.

One of the posters of the variety show "Here We Come" should be a close-up of local embroidery on cheongsam. Through such a beautiful and elegant dress made of gold thread, it seems that we can get a glimpse of the elegant posture of the female guests wearing cheongsam, which can not help but make people look forward to and discover it.

I am surprised at this poster of Monster Hunter. First of all, the atmosphere of the whole picture is very freehand, which highlights the ethereal artistic conception of ink painting. The demon catcher waved his whip in the wind and stood in front of a mountain without fear. The straight back makes us ready for a fierce battle, and the two sides seem to be at daggers drawn. Such a picture makes people want to think about it.

The poster "I am repairing cultural relics in the Forbidden City" uses an ancient painting that is in urgent need of restoration. The broken traces of some cultural relics directly below the picture are clearly visible. People with obsessive-compulsive disorder will definitely not regard such a good work as a damaged state. Personally, I think that the workers who restore cultural relics in the documentary treat cultural relics as delicately as doctors do surgery on patients. Every trace of cultural relics should be well known and restored as new. Restore them to their original appearance and bring them back to life, as if the painting were still torn. After the restoration, the bamboo forest in the painting seems to shake with the wind, and the two cranes may spread their wings and fly in the wind next ~

The international poster of The Origin of the White Snake seems to be a combination of international visual effects and China's traditional aesthetic thinking. The whole picture uses blank space to set off the artistic conception well and lead us to shift our focus to the scene in the eyes of the white snake. A tear about to drop will set off a sad atmosphere in the hazy and beautiful memory world in the eyes, but there is a little tenderness and warmth around the heart in the cold. I don't think I need a spoiler, so I know I'm abusing my heart.

Guo Man's masterpiece "Nezha", which caught fire some time ago, really has to say that a poster of Taiyi was chosen here, just like everyone coming out of the cinema to vomit. The Taiyi real person who appeared on the scene this time is really refreshing, which is the opposite of the fairy appearance in everyone's mind. On the contrary, this is a silly fairy riding a piggy mount and drinking like a dog. The whole poster is hand-painted with lines and colors. Taiyi is a real person, lying leisurely on the piggy mount, drinking with his mouth wide open. Above his shoulders are all kinds of fruits, gold and silver jewelry and cultural relics, while below are all kinds of gold ingots. This background also sets off the characters' hobbies. The green lotus on the right seems to be a metaphor for Nezha.

Because when I was a child, I saw in the Hong Kong version of "The List of Gods" that after Nezha got into trouble and killed the third prince of the Dragon King, the heavenly soldiers would come down to condemn him. In order not to drag down his parents and the people in Chentangguan, he chose to commit suicide.

After his death, his master Taiyi used lotus root as the skeleton and lotus leaf as the muscle, which finally brought Nezha back to life. I still remember the scene when Nezha resurrected the corpse with lotus root, so from then on, when I saw lotus root or lotus root, I couldn't help thinking of Nezha.

Haha, after all, Nezha, the lotus root after resurrection, is full of treasures! Don't believe me. Look.