Focus on the characteristics of winter in Jinan and write an article with the word 100.

The characteristics of winter writing in Jinan are: the combination of scenery and emotion.

1. The artistic features of this article are remarkable and can be summarized as the following six points.

(1) Grasping the main features of the scenery, the full text has consistent tones and harmonious colors.

The winter climate in Jinan is characterized by the word "warm sun". The article firmly grasps this point, so that all kinds of scenery in the pen are closely linked with the "warm and sunny" weather. Articles about mountains, water, cities and people are all painted with a layer of warm sunshine. Even writing snow scenes is still related to Wen Qing-because it is warm, "it is best to snow a little"; And it can't be separated from Sunny, because Sunny, so it's as thin as "Wait until autumn ...".

Snow seems to suddenly hurt shame, revealing a little pink "landscape"

The second natural section mainly focuses on the panoramic view of Jinan, the third and fourth natural sections mainly focus on the mountain view of Jinan, and the fifth natural section mainly focuses on the water view. The full text is a long axis composed of these interrelated and relatively independent pictures, and this long axis is also unified by this "warm and clear" tone, giving people a harmonious aesthetic feeling.

The full text is colorful. We can see more than ten kinds of colors: blue sky, white snow, blue-black dwarf pine, dark Huangshan, green algae, red roof, gray shadow, silver edge, light yellow sunshine, pink Bo Xue ... These colors are so bright, symmetrical, quiet and charming.

(2) The arrangement of scenery levels is proper, and the scenery comes in droves and is orderly.

Let readers have a bird's eye view of the whole city (the second natural section), then enjoy the sunset after the mountains and snow (the third and fourth natural sections), and finally go to the weeping willow bank to enjoy the waterscape of "the water is not frozen, and the green duckweed is steamed" (the fifth natural section), from big to small, from mountains to water, with distinct levels. This is a big level, and there are similarities and differences within the big level. For example, in the second paragraph, you write about people, in the third paragraph, you write about snow and sunny, and in the fifth paragraph, you write about water and sky. The brushwork is vivid and patchy.

The hierarchical arrangement of the full-text scenery is like the movement of the lens: first look at the panoramic view of the "cradle" → the surrounding hills → (top-down) the summit, with a silver edge; On the hillside, some small villages are sandwiched by water patterns; On the mountainside, pink snow → look at the river below → the green algae in the water are steaming → the weeping willows at the water → (bottom-up) air → air → sky, all of which are so clear and blue.

(three) the framing distance and size are appropriate, the scenery or scale is hundreds of miles, or the details are perfect. Such a big Jinan can be placed in a small cradle surrounded by mountains, and the magnificent scenery is just an "ethereal blue crystal". This is the farthest thing from the scenery. "There is a smart white flower on the top of the tree, like a Japanese wet nurse." "The seaweed is really green, and all the green stored all the year round is taken out." This is the scenery.

The closest is the smallest. Foresight broadens people's horizons, while close-up makes people look closely and listen; Vision can break through the limitation of "I don't know the true face of Lushan Mountain, but toward which corner of the mountain", and vision can avoid the disadvantage of "seeing the forest but not the trees". The ancients said: "The distant mountains are colored, and the water near them is silent." . This means that unless you are far away, you can't see that the mountains are actually colored. If you don't listen carefully, you can't feel the running water. Thus, the skills of landscape writing can not be ignored. In this paper, when writing landscape, not only the distance is used, but also the details are big and small, often from near to far, from small to big; Or from far to near, from big to small. For example, the fifth paragraph, from near to far, from small to large: first write steamed water, then write algae, then write weeping willows, and then write the sky above the water, even mid-air and sky. The first paragraph is naturally from far to near, from big to small: first write outside the city, then write on the hillside outside the city, then write on the small village on the hillside, and then write on the snow on the roof of the small village. This kind of writing not only conforms to the logical order of narration, but also meets the visual needs of readers.

(4) The scenery is well set off, and the images of the scenery are more vivid in mutual setting off.

To write the scenery well, the key is not only to set it off, but also to set it off properly. If you get it right, it will complement each other and turn mediocrity into magic. The article sets off a bun of white flowers on the top of the tree with a sharp style; Set off the blue sky with all-white peaks; Use a white road on the hillside to set off a yellow road; With a yellowish sunset, it sets off the pink of Bo Xue, which is a wonderful foil. The "Huangcaoshan" and "Little Gray Shadow" mentioned in the article are not very beautiful in themselves, but they are beautiful in the following passage: "Look, look up slowly from the clarified river. ...

This is an ethereal blue crystal. In this crystal, there are red roofs and yellow grass hills, like small gray shadows of flowers on the carpet; This is Jinan in winter. "This is a world of how to dye with colored dots! And "Yellow Grass Mountain" and "Little Gray Shadow" are an indispensable part of this beautiful picture.

(5) When writing scenery, use both the virtual and the real, and the scenery looks like a legend.

It is necessary to write the image of the scene truly, but to be more vivid than description, we must rely on virtual writing. Therefore, in the author's pen, Jinan in the winter sun has the expression of "sleeping warmly and comfortably, just waiting for the spring breeze to wake them up"; A circle of hills surrounded by the city will also whisper "don't worry, it will be warm here"; Those skilled weeping willows "need to take a picture in the water". These are beautiful sentences in the text.

(6) If the topic is pointed out properly, the meaning contained in the landscape itself will be more obvious.

The topic of this paper is very targeted, and a few words will get the finishing touch. For example, after describing the scenery of Xiaoxiao Snow Mountain, the article suddenly turned to the topic like a commentator: "It just snowed, Jinan can't stand the heavy snow, and those hills are so delicate!" This statement can be said not only in the described picture, but also in the described picture.

Once pointed out, the beauty of a little light snow in Jinan is above the scenery written.

References:

Junior high school Chinese teaching plan