About winter in Jinan

At the beginning of this paper, the author compares Peiping, London and the tropics with his own personal experience, and writes the "miracle" and "strange thing" of Jinan's windless, foggy and drug-free days in winter, highlighting its "warmth" and praising Jinan as a "treasure land". "Like me" is an independent sentence, which highlights the feeling of "I" and shows that the winter in Jinan is really different from the winter in my heart. The word "wind" is very accurate. "No wind" is not that there is no wind, but that there is no whistling sound from the north wind. If it is said that there is no wind, it is not in line with the actual situation. The modifier "winter in northern China" is also important, because there are warm weather in many places. "Winter in northern China" means "it should be biting cold and bleak sunshine", which shows the value of "warm and sunny" in Jinan winter. There are four sentences in this paragraph and three groups are compared. In the first sentence, there is strong wind in Beiping almost every day in winter, but there is no strong wind in Jinan in winter. The author doesn't directly say "it's windy almost every day in Beiping", but says "it's a miracle if it doesn't wind in winter" with his own unique feelings. Even if the language is vivid and sincere, it implies the following meaning: "It's a miracle if it doesn't wind in Jinan in winter." The second sentence compares the foggy winter in London with the clear and cloudless winter sky in Jinan. The author also wrote it from his own feelings. In order to avoid repetition, the author replaced "miracle" with "strange thing", which naturally implied the meaning of "sunny winter in Jinan, which is really strange". The comparison of the third and fourth sentences into the weather. The author compares the tropical toxic days and very loud weather with the warm and sunny weather in Jinan in winter, thus highlighting the characteristics of Jinan's winter weather: warm and sunny. It is precisely because Jinan's winter is a "miracle", a "strange thing" and "warm and sunny" that the author praises it as a "real treasure land". The "truth" here means truth, truthfulness and appropriateness.

"Wen Qing" is the main thread running through the whole paper. The following descriptions of Jinan's winter scenery are written with the weather characteristics in mind.

In the second paragraph, the phrase "If there is only sunshine, it is not surprising" is used to describe the mountains and water in Jinan in winter.

Before writing mountains and water separately, the author looked down and outlined a panoramic view of Jinan in winter under the sun. The sentence "Please close your eyes and think about it" leads the reader into the realm described by the author. The sentence "there are mountains and water" plays the role of the second part of the overall structure text. The following part of this paragraph and paragraphs 3 and 4 are all about mountains, and paragraph 5 is about water. A series of anthropomorphic writing methods such as "sunbathing", "sleeping" and "waking up" have created a warm and comfortable "ideal realm". Sunshine, warmth and warmth are closely related. The sentence "Is this an ideal state?" In a tone of consultation, people feel very cordial, as if they were asking for advice face to face; The tone is asking for advice, but it is full of deep love and praise.

This article goes on to write about the mountain scenery in winter. Write the mountain in the bright sunshine first. The author still looks down from above and describes the geographical environment of Jinan. "The hill has surrounded Jinan, only the north is missing." This description explains why Jinan is warm and sunny in winter. The words "all" and "lack" here seem to be contradictory literally, but they are not. The author intends to emphasize the former, because "lack" is just "point mouth". The "special" in the sentence "This circle of hills is particularly lovely in winter" directly expresses the love and praise for Jinan in winter, and the author emphasizes "winter", suggesting that this circle of hills can block the north wind whistling in winter and keep the temperature. The metaphor and anthropomorphic language of the "small cradle" make a circle of hills as gentle, considerate and kind as a loving mother, and the "small" of the "small cradle" just takes care of the "small" of the hills. "Silent" is to write expressions, and "whispering" is to write tone. These two modifiers remind people of the modality of mother humming a lullaby in the cradle, which endows this circle of hills with motherly feelings.

This paragraph could have ended here, but the author didn't stop there, writing the expressions, feelings, fantasies and moods of Jinan people.

Because the winter climate is warm and sunny, people's expressions are "smiling"; Because the hill is like a cradle, it is warm and comfortable, so people feel that they have "landed and relied on"; Because winter goes and spring comes, there are illusions that "tomorrow may be spring" and "the grass may be green tonight"; Because winter is too charitable, this fantasy can't be realized, and people's mood is "not in a hurry". These descriptions are closely related to the "mountains": the expression comes from the "small cradle", the feeling is to see "those hills", the fantasy of writing two "maybe" is to see the mountains from the sky, and the artistic conception is to sum up the above. "Charity" is usually used to describe people's kind and humble attitude. Here, the winter in Jinan is written as a person, which shows the feeling of winter in Jinan. This description is full of people's love and gratitude for the warm and sunny winter in Jinan. The above is the writer's own feelings, and this layer describes the feelings of Jinan people. The two complement each other and make people feel real and cordial.

The third paragraph is about the snow-covered mountains. This passage focuses on the word "Miao" and highlights the word "Xiao" ("Xiao" is determined by "Wen Qing"). According to the spatial order on the mountain, the top of the mountain, the hillside and the mountainside, it is arranged layer by layer to show the color, state and light of every detail one by one.

Dwarf pine is written on the mountain. The mountain is a hill, the snow is a light snow, and the pine is a "short" pine, which makes the whole picture very harmonious. The word "top" accurately shows the position and shape of a mass of white flowers on the treetops. Because it is a light snow, there is only a small pile of snow on the treetops, and the word "top" has both "on the treetops". It also means "a small pile"; The word "top" causes the following metaphor, comparing dwarf pine to "Japanese nurse (wet nurse)" Japanese nurses always wear a chic white work hat on their heads. Hats often protrude from the top of the head. It seems that they are "topped" on their heads. The similarity between the two is that they both have a white hat. This metaphor appropriately shows the beautiful shape of dwarf pine after light snow.

The top of the mountain is the highest point of the mountain. It meets the blue sky, so write their colors. "Mosaic" refers to embedding one object in another or surrounding the edge of another object. The "mosaic" here vividly shows that the white mountain tip is connected with the blue sky, just like a landscape with silver edges around the edge of the blue sky.

On the hillside, write the beauty of snow grass and its association. "In some places, the snow is thick, and in some places, the grass color is still exposed", which is a masterpiece of "light snow", so the color of "-the road is white and dark yellow" appears on the hillside; White is the color of snow, and dark yellow is the color of grass. The word "dark color" accurately describes the color difference between winter hay and autumn hay. The grass that has just withered in autumn is golden yellow. As the weather gets cold, the hay gradually loses its luster. From golden yellow to "dark yellow". The "dark" here means that the color is not bright and dull. The word "wear" not only accurately shows the state covered by snow and grass, but also causes the metaphor of "a flowered dress with waterline". The metaphor of "flowered clothes with waterline" depicts the beauty of snow and grass, giving readers a moving and dynamic sense of life. "Look" is the following association. "Mountain skin is more beautiful" can be understood as flowers and plants all over the mountain after spring comes. This association and the two "maybe" fantasy concerns in the second paragraph show the yearning for spring.

The mountainside focuses on light and color. "Light" is the sunshine when writing "sunset", and "color" is the change of color. The "yellowish" sunlight "slanted" on Bai Lei, revealing a little pink. The colors here and the descriptions of "blue and black", "white flowers", "blue sky", "silver border" and "dark yellow" on the top add more poetry.

"Sudden Shame" depicts the beautiful modality of the setting sun's oblique snow color with personification. A word "shame" not only draws the "color" of the snow scene, which is commensurate with the "powder", but also draws the love and inner beauty in the snow scene.

The last sentence is "light snow, Jinan can't stand heavy snow." Those hills are too delicate. "In the tone of discussing with God, it is actually a compliment to say that the hills are afraid of being crushed by heavy snow, praising the beauty of Jinan hills after light snow. A word "too". Full of praise.

In the fourth paragraph, write about the distant mountains outside the city and outline an elegant ink painting, which is a long-term vision. In this painting, the distant mountains are the background. The word "lie" has a special image. The sentence "It may have been painted by a famous painter in the Tang Dynasty" adds a sense of reality to "This is a small ink painting". "Maybe" means uncertain, but it is confirmed that this is indeed a painting.

The second to fourth paragraphs describe the mountain scenery in Jinan in winter.

The fifth paragraph describes the water color of Jinan in winter. The author incorporated his own unique feelings into the description. First, focus on rendering "green" and use five "greens" in succession. One writes about green duckweed, and the other four writes about algae. Use "green" to set off the clarity and transparency of water. The word "point" of "steaming" is used accurately. The word "point" is the word "temperature" in Jinan in winter. It is steaming, but it is just a "point" and a "temperature". If the "point" is removed and becomes "steaming", it is not "temperature". It "heats up" the anthropomorphic technique of "water can't bear to freeze" and makes water affectionate.

"Look" from the sky to the water surface, from the clarity of the river and the green algae, the whole space is clear and blue. Using ethereal blue crystal as a metaphor, there is praise and affection between the lines.

An ancient city, with mountains and water, is basking in the sun, sleeping warmly and comfortably, just waiting for the spring breeze to wake them up. Some trivial details are omitted, only the beautiful sleeping state of Jinan in winter is drawn, leaving readers with sufficient space for association, imagination and artistic re-creation. Draw a mountain, but don't draw it up and down. "The hill encircles Jinan, and only the north side lacks a little mouth." A pen grasps the main features of the scenery, and then guides readers to develop artistic association and imagination: "This circle of hills is particularly lovely in winter, as if Jinan were placed in a small cradle. They whispered, "Don't worry, it will be warm here." "With this kind of association and imagination, the soul of life in this painting will fly. Men, women and children who draw people instead of people not only omit the eyes, ears and eyebrows like traditional Chinese painting, but also omit the characters completely, and only draw the most important characteristics of Jinan winter characters: "Jinan people are laughing in winter." The city and the mountain form a perfect picture.

Third, carefully design the scenery and composition to show the image of the scenery layer by layer.

Painting is a "space art", and the juxtaposed scenes in space must be arranged skillfully according to the principle of beauty. Lao She also used this painting technique in his prose. If the second seamless Jinan land is a freehand painting, then the third beautiful Jinan snow scene is closer to meticulous painting.

The author writes the scenery according to the mountain, and draws the beauty of the hill by writing the snow light, snow color and snow state in all the details of the beautiful hill. In terms of artistic structure, there are two layers. Make a detailed description first, from the mountain, the top of the mountain, the hillside to the mountainside. Detailed description step by step: it is white, "there is a bun of white flowers on the top of the tree", and the pine green and white snow set each other off; It is silver, "putting a silver edge on the blue sky", such as washed blue sky, such as silver snow; It is colored, "Put a flower coat with waterline on the mountain" is its color, "This flower coat seems to be blown by the wind, which makes you want to see more beautiful mountain skin" is its state, and it writes the movement in silence in the description of color and state; It has the most touching beauty in the world. Under the oblique light of gorgeous sunset, it "suddenly feels blushing and shows a little pink" like a girl, and draws feelings in form in the brilliant rendering in the evening. It is really a scene, a scene, a state. This paragraph is described in detail, with meticulous methods and freehand brushwork in artistic conception. China's paintings pay attention to "vivid charm", and the snow scene painted by strokes alone is not dull, but vivid. A series of verbs bring readers into the artistic conception of association and imagination. Readers feel not only the external beauty of light, color and state of snow, but also the emotional charm and internal beauty of snow. What the author creates is the highest realm of painting art, "vivid charm".

The fourth paragraph depicts the second snow scene in order to make the painting more perfect. After sketching, I always draw a snow scene, and put the ancient city, the city, the city, the hillside, the village and the whole land into the snow scene. At the end of the sentence, it is pointed out directly: "This is a small ink painting, perhaps painted by a famous painter in the Tang Dynasty."

Fourth, highlight your most vivid impressions and feelings, so as to arouse readers' similar experiences and create an immersive feeling.

Jinan is called Quancheng, and its water is very famous. The water in Jinan comes from the depths of the earth, and it is mighty and flowing all year round. How to draw such a beautiful image? The author abandons all the appearances of Jinan Winter Water, summarizes the vivid image of the water with his own impressions and feelings, and deeply expresses his unique feelings in the vivid image. First of all, I worked hard to render the "green" of Jinan's winter water, a series of five "green" words. The author describes the green duckweed, algae and willow shadow on the water surface, but it shows the green of water. Reading these green duckweeds, green algae and green willows, we will naturally associate them with the water that nourishes them and feel the green spirit and green life hidden in Jinan's winter water. Then, I made great efforts to render the "live" of Jinan winter water. All the details, even the specific form of water flow, have disappeared, leaving only the vigorous vitality of water at the end of the pen: "The air, the air and the sky are so clear and blue from top to bottom." It is impossible for water in nature to flow to the sky. This is already emotional water and artistic water, which is the unique impression that Mr. Lao She got by observing the scenery with the eyes of a painter. In graphic painting art, in order to show the unique state and potential of water, running water can completely flow into the air and the sky. If it is not an excellent painting art, what is it? At the end, in Water Color, Water Light and Shui Ying, the author left a beautiful image for Quancheng with the brightest and most vivid colors in the whole article: "This crystal is covered with yellow grass mountain with red top, like a small group of gray trees on the carpet; This is Jinan in winter. "

Finally, this article is a complete picture in terms of conception, composition and gesture. Sunshine, mountains and rivers, people, snow and green water all show the word "warm". Draw a map of the sky and draw the general layout of this landscape map; Writing snow and water describes the specific details of this picture, from the warm sun in the sky to the warm city and the warm mountain under the warm sun, the snow on the mountain can be traced, and the water in the snow is drawn from the snow, which is smooth and in one go; Lao She is really a master among painters.

Charity Winter —— Reading Winter in Jinan (Army)

We have all experienced the power of winter. However, although Jinan is located in "North China", in winter, it is not a grim face, but a smile and "charity". After reading Lao She's masterpiece Winter in Jinan, the impression is so vivid.

The author spent his youth in Peiping. From the 1920s to the eve of the Anti-Japanese War, he taught in London University, cheeloo university University and Shandong University. Beiping, London and Jinan have successively become the three main stops of Lao She's life boat. Therefore, he is qualified to judge the contrast. "For a person who is used to living in Beiping, it is a miracle that it is not windy in winter; There is no wind in Jinan in winter. " No wind is a miracle, and no wind is a miracle among miracles. It is understandable that the author feels so deeply about the "windless" winter in Jinan. At that time, the author returned from foggy London to "sunny" Jinan, which had to form another strong psychological contrast: "It is strange for a person who just returned from London, like me, not to see the sun in winter; The winter in Jinan is sunny. " In order to emphasize this unusual feeling, the author then makes a third comparison between Jinan, a tropical place and northern China. By comparing the "toxic" sunshine in tropical places, the author highlights the loveliness of Jinan's "warm and sunny" winter. At this point, there are both "miracles" and "strange things" in Jinan, and the characteristics of its warm winter are vividly on the paper. Without taking measures, "charity" is just like charity.

The work takes "Jinan's winter is warm and sunny" as the main line, closely following "mountain" and "water", and then spreads elegant landscape paintings.

The first picture is a picture of a hill cradle. The author first outlined an "ideal realm" for the readers: "An ancient city with mountains and water, all basking in the sun and sleeping peacefully, just waiting for the spring breeze to wake them up." How quiet, so quiet that there is no wind at all; How beautiful! It's all under the "sky". It's really "sunny". It's hard to imagine that this is the winter scene in northern China, but it's the real winter in Jinan. This is the "surprise" of the "treasure land". But the "surprise" of the work lies in the description of "mountain" after the introduction of "mountain". In the south of Jinan, five miles from the city center, there is the famous Qianfo Mountain, which is connected with Fomao Mountain in the east and Maanshan and Lisi Mountain in the west. The mountains are green, forming a natural barrier in Jinan. They are indeed "hills", and the main peak of Qianfo Mountain is only 285 meters above sea level. For such a geographical environment, the work is written accurately in only one sentence: "Jinan is surrounded by hills, only the north is missing." This is also the geographical reason why Jinan is warm in winter. The work points out this truth, not in the tone of scholars, but in the metaphor of writers' novels: "This circle of hills is particularly lovely in winter, as if Jinan were put in a small cradle." Lying in the cradle, bearing the mother's love, is of course the warmest. What's more, "the mountains" are still humming a lullaby in a low voice: "Don't worry, it will be warm here!" A "Cradle of Mountains" actually contains touching tenderness. With this kind of considerate care, Jinan people should not only "greet with a smile", but also feel "settled and dependent": "Because there is such a charity winter, why else!"

The second picture of the beautiful scenery of Chu Qing after the snow. In addition to the wind, winter depends on snow to impress the earth and add chill. However, the snow in Jinan did not erase the brilliance of warm winter at all, but more and more revealed the "warmth and sunshine" of winter. Because it's just a "light snow", even the "dwarf pine" can't be covered. On the contrary, it looks "darker and darker" because of the snow, and only "has a bun of white flowers" on its "treetop"; The hill is just "the top of the hill is all white." If Jinan is not a warm winter, can you see this "most wonderful" snow-capped mountain and mingshan? What's even more amazing is that light snow adds charming colors to nature. On the hillside, "in some places, the snow is thick, and in some places, the grass is still exposed; In this way, one is white, the other is dark yellow, and the mountain is covered with a floral dress with water patterns; Looking at it, this floral dress seems to be blown by the wind. " Moreover, the all-white top of the mountain "sets a silver edge to the blue sky", "when the sun is about to set", and even "the yellow sun shines obliquely on the mountainside", making Bo Xue "slightly pink"! It can be said that Jinan after the snow is particularly beautiful. This is really a light color with alternating ink and wash!

In the last paragraph of the article, after writing "mountain", I began to write "water", which opened the third beautiful picture: the ethereal crystal picture. Jinan is known as the "Spring City". As the saying goes, "Every family listens to spring, and every family has a willow". Baotu Spring is the crown of "72 famous springs" in Jinan. The spring water gushes gently, spouts like boiling, and the water temperature is constant at 18℃. Therefore, in the middle of winter, the spring area is still foggy, and the pavilions around it are covered with a layer of gauze, just like a fairyland. In addition to spring water, Daming Lake is also famous for its "lotus flowers on four sides and willow on three sides". So the author uses "water" to write the "warmth" of Jinan in winter: "What about water? It's not freezing, it's steaming on green algae. " In the author's pen, such water is not only alive, but also emotional. "The clearer the sky, the greener the algae. With these green spirits, the water can't bear to freeze." The weeping willow is also personified: she "wants to take a picture in the water"! The author's technique is really unique. Here he didn't directly write about the "warmth" of the weather, but it made people feel the warmth. This water, this green algae and this weeping willow are all lovely. Can you not say that winter in Jinan is "charity"? Just as the reader is tasting the green water and weeping willows, the writer's eyes turn to the wider world: "clear" water and "blue sky" are integrated, and "whole" becomes ethereal blue crystal. In this "blue crystal", there is also a "red-topped Huangcao Mountain". A crystal picture of Zhang Mingliang is refreshing and fascinating. In this way, the author wrote from water to heaven, and even summarized the whole Jinan. Echoing the first paragraph "Jinan is really a treasure", he wrote a conclusion like a jade plate: "This is Jinan in winter." A complete artistic image is presented: Jinan Warm Winter Charity is as lovely as a mother and as crystal clear as a girl!

Articles are sentimental things. To impress readers, the author must be sincere first. Lao She's fascination with Jinan in winter is beyond words. "For a person who is used to living in Beiping, he is just like me ..." With this sentence, he not only writes his own unique feelings, but also appears sincere in meaning, which is the conclusion of the full text. "Please close your eyes and think ... Is this an ideal state?" Be persuasive and don't impose language at all. "Really, people in Jinan are laughing in winter." This is a tone that reveals the truth, lest readers believe it. "The best thing is a little light snow. See ... "Emotionally moving people, such as immersive. "It's just a light snow. Jinan can't stand heavy snow. Those hills are so exquisite! " Because of my love for Jinan and the charming hills that seem weak and invincible, it is simply a pleading tone here. "Yes, this is a small ink painting, probably painted by a famous artist in the Tang Dynasty." Think, guess and discuss with readers. "Look, look up slowly from the clarified river ..." Finally, I entered a beautiful and profound artistic conception, not forgetting my loyal readers. The whole article pays attention to the reading effect, which is eloquent and sincere, just like talking to an unfamiliar reader. There will be emotional communication from time to time. This kind writing makes people feel more kind to Jinan's "charity" winter.

Landscape Art in Winter in Jinan (Zhang Lianqiang)

Winter in Jinan is a successful landscape prose. His landscape painting art is commendable. To sum up, the art of landscape painting in the article has the following points.

(A) firmly grasp the main features of the scene to write, so that the full text of the same tone, color harmony.

Although Jinan is located in the north of China, there is no strong wind in winter, but there is plenty of sunshine. The most striking climate feature in winter is "warm and sunny" (warm and sunny). The article firmly grasps this point, so that all kinds of scenery in the pen are closely linked with this "warm and sunny" weather, which constitutes a warm and sunny winter picture of Jinan. Articles about mountains, water, cities and people are all painted with a layer of warm sunshine. Even writing snow scenes is still related to warmth-because of warmth, "it is best to have a little snow"; The sunshine is inseparable from the sunshine, because there is plenty of sunshine, so there is a scenery of "when the sun sets, the yellow sunshine shines obliquely on the hillside, and the snow seems to be ashamed and slightly red".

If the second paragraph mainly focuses on the panoramic view of Jinan, the third and fourth paragraphs mainly focus on the mountain view of Jinan, and the fifth paragraph mainly focuses on the water view of Jinan, then the full text is a long axis composed of these interrelated and relatively independent drawings. And this long axis is unified by this "warm and clear" tone, giving people a harmonious and consistent aesthetic feeling.

(2) The level of scenery is properly arranged, which makes the scenery in front of us come in droves and orderly.

The ancient Jinan, with beautiful scenery, is known as "every family springs, every family inserts willows" and "a city with mountains and half a city with lakes". How can we better show these beautiful scenery to readers? This is a question of writing the order of scenery. The article first gives readers a bird's-eye view of the whole city (the second paragraph), then gives readers a full view of the mountains and the sunset after the snow (the third and fourth paragraphs), and finally leads readers to the weeping willow bank to enjoy the waterscape where "the water is not frozen and steamed on the duckweed" and the algae are greener (the fifth paragraph). Write from big to small, from mountain to water, with distinct levels and clear context. Naturally, this is for all levels, and there are similarities and differences within each level. For example, the second paragraph is about scenery and people, the third paragraph is about snow and sunny, and the fifth paragraph is about water and sky. The style of writing is vivid without losing the purpose of uneven levels.

(3) The distance and size of the scenery are appropriate, so that the scenery is not a hundred miles long or a thousand miles long.

Let's see, in the author's pen, a huge Jinan can be placed in a small cradle surrounded by mountains, and the magnificent scenery is just an "ethereal blue crystal". This is the farthest thing from the scenery. Look at it again. "There is a bun of white flowers on the top of the tree, like a Japanese wet nurse." "The seaweed is really green, and all the green stored all the year round is taken out." This is the closest thing to the scenery. Long-term vision makes people broaden their horizons and feel relaxed and happy; The close-up of a small scene makes people look carefully and listen attentively, making the scene more vivid. Moreover, the long-term vision can break through the limitation of "I don't know the true face of Lushan Mountain, but toward which corner of the mountain", while the short-term vision can avoid the disadvantage of "seeing the trees but not the forest". The ancient poem goes: "The distant mountains are colored, and the water near them is silent." This means that unless you look from a distance, you can't see that the mountains are actually colored, and unless you listen carefully, you can't feel that the running water is silent. Thus, regardless of distance, landscape writing techniques can not be ignored. If used properly, you can kill two birds with one stone.

It is worth noting that when this article writes about landscapes, it not only uses distance, but also details are big and small, and it is often from near to far, from small to big, or from far to near, from big to small, and the writing is closely related to promoting nature. For example, the scenery in the fifth section, from near to far, from fine to large: first, the water is steaming, then the algae, then the weeping willows, and then the sky above the water, even the air and the sky. The scenery in the fourth paragraph is from far to near, from big to small: first write outside the city, then write on the hillside outside the city, then write on the small village on the hillside, and then write about the snow on the roof of the small village. This kind of writing not only conforms to the logical order of narration, but also meets the visual needs of readers. No wonder the author is willing to adopt it.

(4) The scenery is set off properly, which makes the image of the scenery more vivid in mutual setting off.

Some scenery is beautiful in itself, and it is even more beautiful against other scenery. There are also some landscapes that are not very beautiful in themselves, but they are beautiful against other landscapes. Of course, some scenery itself is beautiful, but once it is set off with other scenery, it loses its original beauty. In this paper, a group of white flowers is set off on the top of the tree with short pine, green and black; Set off the blue sky with all-white peaks; There is a piece of white on the hillside, which sets off a dark yellow; With a yellowish sunset, Bo Xue's slightly pink is set off. Colorful and pleasing to the eye, they are all wonderful pens that set each other off.

The "Yellow Grass Mountain" and "Little Gray Shadow" mentioned in the article are not very beautiful in themselves, but the article puts them in the following passage to show their beauty:

Look, slowly rising from the clear river, the sky, mid-air and sky are so clear and blue from top to bottom, and the whole is an ethereal blue crystal. In this crystal, there are red roofs and yellow grass hills, like small gray shadows of flowers on the carpet; This is Jinan in winter.

Please close your eyes and think about it. Open your eyes and have a look. This is a world made up of colored dots! However, "Huangcaoshan" and "Little Gray Shadow" are indispensable parts of this beautiful painting.

(5) The combination of reality and reality makes the scenery look like a legend.

It is undoubtedly necessary to write the image of the scene, such as the article "There is a bun of white flowers on the top of the tree, like a Japanese wet nurse". However, if we want to be more vivid than description, we have to rely more on imaginative writing. Therefore, in the author's pen, Jinan, which is sunny in winter, has the expression of "sleeping warmly and waiting for the spring breeze to wake them up"; A circle of hills surrounded by the city will also whisper "don't worry, it will be warm here"; Bo Xue will have a sense of shame of "showing a little powder"; Algae will have the spirit of "taking out all the green stored all the year round"; As for water, you can have a kind heart for seaweed. As for the hillside with uneven light snow coverage, it is natural to "put a floral coat with water lines on the mountain" and "those weeping willows with long branches should take a picture in the water", which is also a vivid sentence in the article.

(6) Point the topic appropriately to make the meaning contained in the scene more obvious.

One of the reasons why a painting has an inscription is that the inscription can make the meaning contained in the painting more obvious. It should be said that the inscription is an organic part of a painting, although it is not the scenery itself. Similarly, it is permissible for the author to directly point out the theme of his landscape. If he points out the theme, it is not dispensable. The topic of this article is very targeted, and a few words will make the finishing point. For example, after describing the snow scene in the hills, the article suddenly turned to a topic and asked the author as a commentator to talk about the topic: "It's just a light snow. Jinan can't stand heavy snow. Those hills are so exquisite! " This statement can be said not only in the picture described, but also in the picture described, because it is inherent in the picture, which is a bit unclear. As soon as it is pointed out, the beauty of a little light snow (not heavy snow) in Jinan will come to my face.