What works of art are the Spring Rain Jiangnan Art Exhibition about?

Artists participating in this exhibition are:, Liu, Li, He Shuifa, Kong Zhongqi, Zhou, thomas lee, Zhang Weiping, Feng Ru, Pan Wenxun, Yang Chunhua, Xu Huiquan, Wu Guannan, Zhou Yaming, Chu Zhengang, Founder, Bao Xianlun, Jin Xinming, Lin Haizhong, Luo Jianhua and Liu Jian.

Ink and spring rain writing Jiangnan

Jiangnan is a poem and Jiangnan is also a painting. The spring rain in Jiangnan is picturesque.

"Jiangnan is good, the scenery is familiar, the sunrise river is redder than the fire, and the riverside is as green as blue. Can you not remember Jiangnan? " Jiang Nanyi, an eternal masterpiece, poured into the poet Bai Juyi's deep feelings for Jiangnan. However, Su Dongpo, a great writer in the Northern Song Dynasty, has a unique vision: "Spring is not old, and the wind is fine and the willows are oblique. Try to watch it on a separate platform. Half the city is full of spring water, and the flowers are dark. After a cold meal, I woke up but felt uncomfortable. Don't be homesick for old friends, and try new tea with new fire, make poetry and wine by years. " This great writer's lofty world outlook and heavy sense of historical mission show the independent humanistic thinking of China intellectuals. This kind of thinking has spanned thousands of years and inspired the humanistic reconstruction led by the cultural elites of our time.

When the Song Dynasty moved south, the political center of China once moved south. Since then, the economic and cultural center of China has been deeply rooted in the south of the Yangtze River. Since then, although the political center of China has returned to the north, the economic and cultural center has been rooted in the south of the Yangtze River.

One hundred years have passed since the Revolution of 1911. This is a century in which disappointment and hope coexist, accompanied by pain and achievements. Culture and art have become the main driving force in the process of national and national civilization, and Jiangnan is the cradle of culture and art. Perhaps it is the spring rain that endows Jiangnan with more spirituality and nourishes the talents of literati. In a hundred years of misty rain, a large number of artists such as Wu Changshuo, Huang, Xu Beihong, Pan Tianshou, Lin Fengmian, Fu Baoshi, Li Keran and Lu emerged in the south of the Yangtze River ... They constructed the artistic classics of the times and enriched the cultural time and space of China.

At present, 60 masterpieces by 28 famous artists including Fang Zengxian, Gao Yun, Kong Zhongqi, Jiang Baolin, Liu Jian, Wei Xiaorong, Zhu Xinjian, Wu Guannan, Bao Xianlun and Feng Ru are exhibited in the "Spring Rain Jiangnan-China Painting and Calligraphy Exhibition" sponsored by Hangzhou Jiangnan Painting and Calligraphy Management Co., Ltd. and Wuxi Yunlin Art Exchange Center Co., Ltd., and they came to Wuxi Sujia Art Museum in the rainy season on March 9. Jiangnan, an outstanding group of artists, not only shows the level and present situation of contemporary Chinese painting, but also shows their aesthetic thought and humanistic spirit. They are the time display of the spirit of freehand brushwork in Chinese painting advocated by Yang Xiaoyang, president of China National Academy of Painting. The exhibition shows the role of contemporary outstanding artists in promoting the progress of civilization.

The artists who participated in the exhibition were born in 1930s and 1980s, spanning 50 years. For half a century, due to the experience of historical factors such as culture, education and economy, they have their own characteristics and advantages in traditional inheritance, creative methods, descriptive language, technological innovation and other value orientations, philosophical speculation, aesthetic feelings and universal ideas. Therefore, we can observe the process of China Jiangnan painters from growth to transformation to evolution in a three-dimensional and all-round way. Poetry, calligraphy and painting, the integration of Chinese and Western cultures, and the footprints of New literati paintings and contemporary ink painting from formation, development to climax are also clearly visible, which can be described as the epitome of contemporary China painting history.

With the increasingly serious desertification of humanities and aesthetic education, spring rain and art grow more oases, bringing better quality of life and happiness index.

Ink spring rain, writing a new chapter in the era.