Common speech gestures, you know?

Some friends have no place to put their hands when they go on stage. There are several mistakes, such as putting your hands in your pockets and behind your back, and some people simply cross their waists and even rub their clothes with their hands. The above symptoms will be considered as unconfident and nervous when they are displayed on the stage. As long as you learn the four gestures I taught you today, the key is that you can learn them as soon as you take the stage.

The first universal gesture, the golden triangle. Its standard action is to put a triangle with both hands, but more commonly, it is a triangle with both hands crossed and placed above and below the navel. The whole speech process is ok, and it has no special significance. Treating friends who don't know where to put them will greatly ease the tension when speaking and give people a sense of security.

The second general gesture, spread your hand. Hands naturally open on the chest. If you are not sure about this action, imagine a table in front of you. You push everything on the table with your hand, neither too high nor too low. Here, I want to remind you that this gesture has no specific meaning, just an emotional transmission. It can be used almost all the time during your speech, giving people a comfortable and elegant feeling.

The third general gesture, simulated gesture. Is to use our hands to express what you want to express, such as 123, a big watermelon, such a small thing, grow fast, reduce it a little. This kind of action can make you feel more vivid, interesting and unforgettable when you speak.

The fourth general gesture, handbag. Pinch your fingers together with your fingertips facing up. This is a handbag. When you want to emphasize one thing, you can use it like this. What you do can deepen the audience's impression of your speech.

The four universal gestures I will tell you today must be memorized by everyone, so that you can express them freely when you go on stage. Finally, I want to remind you that we can practice deliberately under the stage, but when we get to the stage, we will play at will. Don't deliberately do the action, otherwise it will be stiff and affect the expression.