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Famous aphorisms in Chinese calligraphy
Famous aphorisms in Chinese calligraphy
1) If the book is natural, it must have bones and muscles, thick blood and old bones, hidden muscles and wonderful posture. In modern times, Kang Youwei's Talk about Guang Yi and Zhou Shuang
2) The words written are like people, but the bones and muscles are flesh and blood, and the spirit has vitality. After eight preparations, it can be a person or a corpse. Clear. Wang Shu's Lun Shu and Teng Yu
3) A book must have spirit, qi, bone, blood and flesh to be a book. Northern Song Dynasty. Su Shi's On Books
4) For beginners, it is advisable to practice your bones and muscles first. Don Xu Hao's book.
5) Fengshen people have meat in their bones. Those who are old and energetic are all in their bones. People who are interested in swimming pools should distinguish them with their eyes. And Tang's "New Interpretation of Linchi"
6) first show the bones, restore the spirit, have skin and blood, and strengthen the muscles. Silk comes and goes with clear veins. Detailed explanation of calligraphy
7) The bones are preserved, but they are moistened. The Book Score of Don Sun Guo Ting
8) Every book, no matter what body, should be equipped with bones and muscles, movements of bones and muscles, movements of bones, movements of blood, movements of body, feelings of pen and water. Bao Qing Chen Shi is in Wu An.
9) Shape with bones and muscles and polish with expressions. Zhang Tang Huai Guan's On Characters
10) bone, lower phalanx bone also; The tendon of the word, the pen also; The flesh of words, brush also. Words are born in ink, ink is born in water, and the blood of words is also in water. Yi once wrote Hanlin Yaoze.
1 1) people are comfortable with books, but they are neutral and fat. If the book is also short, the degree of coordination should be balanced, yin and yang should be appropriate, and rigidity and softness should be combined. Elegant characters in Ming Xiangmu's calligraphy
12) Fat characters should have bones and thin characters should have meat. Northern Song Dynasty. Huang tingjian
13) The bone is implanted with tendons, which are attached to the bone and twisted, and the bone is short and thin, and the two are separated before the beginning, so the functions belong to each other.
14) bones and muscles are not born in pens, but pens can damage and benefit; Blood and flesh are not born in ink, and ink can be increased or decreased.
15) The meat is tender, the skin is full and the tendons are moist. Thin is charming, moist is colorful. Da Zhongguang's Book Raft in Qing Dynasty
16) Fuma has more tendons than meat, and meat has more tendons, so do books. Don. Zhang Huaiguan's book review on medical stone.
17) when the book is in its bones, the seniors are ready. What else can we say? The cover is divided into four pieces and combined into one piece. In other words, the tendon comes from the arm and wrist, and the arm and wrist must rotate, which is the tendon; Bone comes from fingers, fingertips are not solid, and bones are difficult to become; Blood is ink and wash, and ink and wash must be adjusted; Meat is a fine pen, and the pen is empty and round. Blood can be colorful, but the posture inside is very awkward; But flesh and blood are born in bones and muscles, and bones and muscles are not established, and flesh and blood should not be proud. Therefore, take the bones and muscles in the book first. Zhu Qing Luzhen's Introduction to Learning Books
18), so I learned it from the beginning, but I didn't learn it in essence; Those who are too slow are stagnant without tendons, and those who are too anxious are ill without bones; Lateral tube injury is slow and fleshy; If you stand up straight, then do it, show it. Wu's "meaning"
19) now I am in the book of the ancients, not learning their feelings, but seeking their strength and affection. What I do, I do it first, and I can only achieve it if I have fruit. Don Li Shimin's Calligraphy Strategy
20) softness is graceful and graceful, while rigidity is elegant and vigorous. Don. Zhang Huaiguan's book review on medical stone.
Selected epigrams of famous Chinese calligraphy words
1) when the ancients wrote a book, it was round to the end as soon as they put pen to paper, and it was smooth to the end as soon as they put pen to paper, and each article became a composition. "Lanting" uses a circle, "Shengjiao" uses a square, and the second paste is a model of calligraphy in the past century. The so-called rules are the best in Fiona Fang.
2) Turn the beam, then inside and outside; In terms of pen quality, the bone is square and round. This is a certain principle. Qing Zhou Xinglian's My Opinion on Linchi
3) Soft is round, fat is thin, hard is dry and flat. Therefore, the truth lies in temperament, reaching form, being round in form and based on temperament. Clear. Bao's "Art Boat Double Series"
4) lift it with a round pen, but it is frustrated. Fang Bi turned the conversation to dinner and mentioned the contract. The round pen should be sharp, and Fang Bi should turn it over. If the round pen is not sharp, it will be weak, and if Fang Bi does not turn it over, it will be weak. Modern. Kang Youwei's Guang Yi and Zhou Shuang.
5) Use the pen tip like a falling front, but nothing like a sharp front, which means that the scene is vivid and refreshing, and it is a word that must be counted. On Jin and Wang Xizhi's Books
6) When writing a book, you should write a pen instead of a letter. Cover the letter pen, its wave painting is weak. As soon as I start writing, I am dominated by every turn. The characters "Zhuan" and "Liang" are clever tactics of calligraphers. Ming Dong Qichang's Essays on Painting Zen Rooms
7) Opening and closing are sequential, there are true and false, there are anti-parallel lines, and there are far and straight. Clear. Liu Xizai's Art Outline
8) If a good knife is pressed, it will bend. If it is abandoned, it will be as firm as ever, and the world will return to it. That's what the nib wants. What if after a quotation, the song is no longer equivalent, safe and satisfactory? Therefore, long is not as long as long; Strength without roundness is better than no strength. Cover paper, pen and ink are supplemented by calligraphy. Song. Jiang Kui's Continued Book Score
9) Use a pen calmly. When it is calm, the pen will not float; Also want to be empty, empty spirit is not good. Using a pen to solve this problem has its own gradual effect.
10) use a pen skillfully, skillfully, and awkwardly, and combine them. When writing, there is no problem of being light and turbid. Clear. Qin dynasty's "painting method through sound"
1 1) The ancients used pens, that's all? Disease? ,? Sese? Two words. The astringency is neither too late nor too fast. Too fast is hard, but nothing can be too fast.
12) Books are based on pens and written in ink. Clear. Liu Xizai's Art Outline
13) There are two ways to write a book: one is illness and the other is astringent. There are two ways to get sick, and the book is wonderful. Eastern Han dynasty Cai Yong's Stone Chamber Magic Pen
14) the pen is expensive around the left, and the book is still late, which is also the way of monarch and minister. Don Lin Yun's Preface to the Removal of Stirrups
15) If you write too fast, there will be no setbacks, and if you write too late, it will be invalid. Xian's Theory of Learning Books
16) The author is familiar with the saying that the pen has astringency, but he doesn't know why it has astringency. Only when the pen wants to do it, if there is anything to refuse, try your best to fight it, so that it will not be astringent. Qing Liu Xizai's On Writing with a Pen.
17) writing is firm and never slow, and calligraphy is thick and deep. Don. Zhang Yanyuan's Book of Dharma.
18) Xu Gong said: When a husband writes, he cares about stability, and when he writes, he cares about lightness, so lightness will be heavy, and astringency will be astringent. This is called Tibetan front. Not astringent is dangerous, flowing is strong, flowing is slippery, and flowing is vulgar. Tang Han Fang Ming's "Give a Pen"
19) Shan Zhou said: The pen should be soft, and the softness is long; The style of writing should be long, and the spirit should be long; When the ink is full, it is full; Write quickly, you'll be out soon. Clear. Liang on frequent elections.
20) The brushwork is too revealing and easy to hurt rhyme.
Famous aphorisms in brush calligraphy
1) The brush strokes must go against the trend, and they cannot drag forward, that is, they are lifeless and naive. Clear. Qin's "Painting Method with Tone"
2) People know that pen and ink have charm, but they don't know that charm is all in their hands. Da Zhongguang painted Sasakawa in Qing Dynasty.
3) Those who have tasted brushwork but can't ink, don't get brushwork and don't use the author. Clear. Bao's "Art Boat Double Series"
4) The ink will not come out, which is excellent for calligraphers. And Tang's "New Interpretation of Linchi"
5) With the method of ink painting, water is scattered and ink is present, and traces are floating and gathering, which is natural. Don Lu Xie's Linchi Tactics
6) However, the method of calligraphy and painting is based on pen and ink, so ink painting is a key to calligraphy. In fact, the pen is heavy, but it is floating. Clear. Bao's "Art Boat Double Series"
7) Be familiar with grinding ink and live without water; Dip in a pen to moisten, but frown and use it will be turbid. Black is round and white, with a wide and tight border (black has a fat, round and tortuous circle, and white has a square, rectangle and oblique angle). Calligraphers in ancient and modern times, the same round show, but only the center is strong and straight, neat and smooth, and then round and round. Da Zhongguang's Book Raft in Qing Dynasty
8) The ink must be thick, the pen must be healthy, and the pen must be thick, so that the words are powerful and the charm is floating. Clear. Wang Shu's Lun Shu and Teng Yu
9) Those with fat ink are vigorous, while those with thin ink are noble. Clear. The queen plays "essays on the rain window"
10) light ink hurts the spirit, while thick ink stagnates. Fat is dull, thin is obvious; It's not surprising that you don't hurt your weakness and anger. The true story of calligraphy Wu
1 1) If you want to wipe the ink, it should not be too dry. When you walk on the grass, it will be dry and wet, so as to gain beauty and dryness and take risks. Thick ink makes the pen sluggish, while dry ink makes it dry. This pen is long and round. If you are long, you can exercise with ink; You are strong, you are strong; If you are round, you will be beautiful. Song. Jiang Kui's Continued Book Score
12) The ink should be bright and dark, dry and wet, and naturally angry at one go. Clear. Qin's "Painting Method with Tone"
13) ink should be moist, not stuffy, especially avoid fattening, which is a great evil. Ming Dong Qichang's Essays on Painting Zen Rooms
14) The pen draws horizontally and the characters draw vertically. The qi stretches, the tendons are twisted, the veins are constantly pulled, the flesh and blood are reconciled, the interest is exposed in the hook, the light is distributed, the lines are dense and flowing, and the situation is staggered. Da Zhongguang's Book Raft in Qing Dynasty
15) written at the beginning, there are those who ride the front and those who fold the front. Their word-for-word style is scheduled to be written at the beginning. Whenever writing a word, the first word is mostly a folding front, the second and third words are gestures, mostly a front. If most of the right side is folded between words, it should be the left side. There are also plain people, such as Li Hua; Those who hide the front are like printing pictures. In particular, it is wonderful to break the spirit, hide the good and hide the good, and have both. Song. Jiang Kui's Continued Book Score
16) marked with Yin and Yang, if it is horizontal, it is Yang above and Yin below; Vertical is left as yang and right as yin, but both yin and yang can be achieved, otherwise you will be alone. Clear. Liu Xizai's Art Outline
17) The pen of horizontal painting is up, the pen of vertical painting is down, the pen of left painting is heavy, the pen of Nai is light, the pen of folding is flat, the pen of wrapping is round, the pen of point is frustrated, the pen of hook is exposed, all kinds of pens are hidden, the pen of distribution is wide and the pen of structure is tight. Da Zhongguang's Book Raft in Qing Dynasty
18) Generally speaking, the pen is slow and urgent, sharp and not, with a word on it, a traction and a sudden relapse. Slow to the ancient style, anxious to surprise; There is a front to show off its spirit, and there is no front to contain its smell. Tilt straight, hook and loop coiled, all dominated by potential. However, if you don't want to be with each other, then bring the customs. Horizontal painting doesn't want to be too long, and if it is long, it will be converted late; If you don't want to draw too much, you will be fascinated. When you run out of meaning, use a garter. If the meaning is unfinished, there must be a pen meaning. Hang up your ears if you don't use them. Song. Jiang Kui's Continued Book Score
19) cannot be horizontal, vertical, wrist, eye and distribution; If the distribution is not good, the rules cannot be prepared; Rules are harmful and laws are difficult to learn. Da Zhongguang's Book Raft in Qing Dynasty
20) Write something about dealing with guests. Above one hall, the guests are full, taking care of both sides. The guest does not know its quietness, and the Lord does not slack off. Writing a book can't be thoughtful. There are setbacks and slippages, such as not taking good care of the guests. The cloud pen has been delivered, that's it. And Tang's "New Interpretation of Linchi"
After reading the famous epigram in Chinese calligraphy, I also read:
1.8 calligraphy brush
2. Inspirational calligraphy epigrams
3. Inspirational Quotations Brush Calligraphy
4. Practice famous words
5. Celebrity brush calligraphy appreciation
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