Heaven: Venice's paintings have an unprecedented sense of drama and impact, do you know?

Tintoretto, a familiar and unfamiliar name, is one of the last great Italian writers in the Renaissance. He is also known as the "Three Masters" of Venice with Tintoretto, which is unfamiliar to the "layman" who is not familiar with art.

However, mentioning the "three masters" of the Venice Renaissance has a feeling of deja vu, but mentioning another famous Renaissance tycoon Michelangelo can stimulate everyone's historical memory. Today, the protagonist we are going to talk about is Tintoretto, the representative of the Venetian painting peak.

Tintoretto

Handed down painting "Paradise"

During the Renaissance, many paintings handed down from generation to generation were born, and of course, Venetian artist Tintoretto, who has outstanding military exploits, is no exception. This large-scale painting paradise for the Duke's Palace is 22.2 meters long and 9 meters high. It is one of the largest canvas oil paintings in the current history, and it is also a painting with the most people in the picture, and it is also the pinnacle of Tintoretto.

This painting, called Paradise, is one of the great masterpieces of Venice School. In the use of light and color, it is even more extreme, showing a vivid paradise scene. Jesus, the Virgin Mary and his disciples went to heaven in * * * *, and each character described the details, which made the viewers feel that the images in the painting were rich and troublesome. The perspective of the azimuth expression technique makes the whole painting reach a pluralistic but not mixed, dense and orderly state, so that the distributed painting can shock the audience who come to enjoy it.

A paradise full of light and shadow details

In the position of the painting, both of them hold the holy light on their heads, indicating that this is a religious series of paintings, symbolizing the savior's radiant light. The characters next to them swarmed, and the splendor in color showed the splendor in the sky. Such a huge painting is unique in its entirety and details. This painting also shows that Tintoretto's painting skills are profound, and such skills are unmatched by anyone during the Renaissance.

It seems to be irregular, but the order is chaotic, but it is hidden. It's like a joke, but the viewer can appreciate it at a glance. This dramatic display is Tintoretto's painting style.

Tintoretto behind heaven

Tintoretto, a "small dyer" born in 15 18, was born in a dyer's family. Tintoretto has 20 brothers and sisters. From an early age, Tintoretto showed amazing painting talent. He often doodled on the wall of his home dyehouse, so his father discovered Tintoretto's painting talent.

1533, Tintoretto entered Titian Studio for further study.

Tintoretto's The Shepherd Came to Korea (Part)

My father sent Tintoretto to study in the studio of Titian, a famous Venetian painter, in order to raise his artistic attainments to a higher level. Unexpectedly, Titian only took 65,438+00 days to send Tintoretto home. Later, there was this polarized discussion. Some people think that Tintoretto's painting talent is extraordinary. Only through Titian's oral instruction could he create amazing works, which made Titian very jealous, so he sent Tintoretto home.

Another way of saying this is that Tintoretto has a unique artistic view. If he studies Titian's painting style, it will lead to the loss of Tintoretto's unique style. At this time, Tintoretto already had the qualification to become a new school of artistic painters, so Titian thought he could have artistic discussions at home, so he sent Tintoretto home for further study.

1538, Tintoretto set up his own studio, and Tintoretto, who was sent home, started the road of self-study at home. There is no artistic communication between Tintoretto and Titian, but Tintoretto has always regarded Titian as the object of admiration, and the slogan of the studio also declared: Michelangelo's sketch, Titian's artistic color.

St George and the Dragon in Tintoretto (Part)

The characteristics of Tintoretto's paintings are precisely the combination of the styles of these two masters, the colors of Titian and Michelangelo's sketches. The combination of these two styles and personal artistic opinions have created his own unique style, thus the artistic style representing Tintoretto appeared in his paintings.

Tintoretto wrote his own chapter in the history of Venetian painting, not only the huge canvas painting Paradise introduced at the beginning, but also Tintoretto created many intriguing works in his life.

Tintoretto's masterpiece.

Assumption of Mary

Assumption of Mary

At that time, some paintings in Venice took religion as the theme, and the most classic images were the Virgin Mary and Jesus. The famous Ascension of the Virgin Mary represents Tintoretto's main expression technique, adding emotional color to the characters through Michelangelo's sketches and drama to the painting through Titian's color style.

Tintoretto's studio mainly serves colleges and religions, and also has personal portraits, but it tends to be the creation of religions, colleges and countries.

Bringing the Body Back to Venice is one of Tintoretto's early paintings for St. Kyle's College. Rough lines and bright colors. The most commonly used colors are red, gold and green. The outstanding use of these colors makes the rough-looking paintings full of drama.

The miracle of St. Kyle

The miracle of St. Kyle

Although Titian's paintings can show the beauty of painting, they lack the shocking effect of expression. At that time, most of them were adapted from the Bible, and the stories in the Bible were very vivid. Most of the works at that time had few shocking highlights. Tintoretto made great efforts to paint a masterpiece that shocked people. This "miracle of St. Kyle" fully shows the shocking effect.

The Miracle of St. Kyle tells the story that when Christianity was not recognized, slave believers were caught by pagans and wanted to travel, and the patron saint of Venice, Kyle, fell from the sky and saved Christians.

The performance area in this part of the painting can make us feel that when a group of pagans are about to execute slave Christians, everyone's attention is at the moment of execution. When the sacred Venetian guardian Kyle falls from the sky, the broken instruments of torture are about to be inserted into the chest.

Details of the miracle of St. Kyle 1

The guardian city of Saint Kyle in Venice, which descended from the sky with the aura of the gods, was thus knocked down and acted strangely. This kind of movement brought an unprecedented feeling and caused an uproar at that time. The "holy light" overhead is a unique expression of Venice.

In the crowd, only one child noticed the arrival of St. Kyle. Although there is no positive description of the child's expression, it can be seen from the description of the woman's movements that the child suddenly noticed. This exhibition technique caused an uproar at that time, and the completion of this painting made Tintoretto, then 30, famous in Venice. This kind of picture expression technique highlights the drama and strong sense of substitution. In fact, careful viewers will find that the colors of the characters' clothes are actually staggered.

The miracle of St. Kyle, detail 2

The interweaving of red, green and black makes the sense of gap more prominent, and the sense of drama of the whole picture is more intense. Even if more people appear in the picture, Tintoretto sets off a grand scene and nervous mood through the buildings next to it.

In this famous work by Tintoretto, we can see that Tintoretto likes to show the facial expressions and body movements of the characters, as well as the emotions and hearts revealed at the moment of freeze-frame. This kind of expression makes the exquisite Venice painting lack of emotional expression, and instantly has a shocking feeling.

The gentle side of Tintoretto.

Tintoretto sketch

This simple sketch shows Tintoretto's tenderness. Her favorite daughter is dying of an epidemic, but there is nothing she can do. The faint light diffracted from the window, just like her daughter's dying life. This simple lighting technique highlights Tintoretto's tenderness and high-intensity sketch technique, and also shows Tintoretto's painting talent and foundation.

Compared with the drama and color expression of early paintings, Tintoretto's later works are slightly "real".

Compared with the previous period, the late Tintoretto-style painting has a stronger contrast between light and shade, and the colorful center in the previous period pays more attention to the later period.

The miracle of bread and fish

The Miracle of Bread and Fish describes the social scene at that time and the sense of drama brought by the arrangement of light and interlaced colors. This narrative dramatic presentation shows the radical side of Tintoretto, and the details of this painting make the viewer feel more mysterious and dark.

On May 3rd1594, 3rd1,the great Venetian artist passed away due to stomach trouble and high fever, and was buried next to his daughter and "slept" with her in the underground of Venice.

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/kloc-At the end of the Renaissance in the 6th century, Tintoretto left a unique painting style in the history of Venetian painting, which created an unprecedented sense of drama and impact for the painting at that time with clear picture layout and contrast of light and shade produced by color sketches.

Tintoretto's Last Supper

This aspect of creation even made Titian's creative style a little shaken and became the traditional style of Venice's contemporaries. In the later period, soft colors were sacrificed in exchange for the sense of gap caused by the picture, showing an independent painting school.

Through such bold composition and exaggerated display, Tintoretto showed vivid stories under rich buildings and guided the future Baroque style. In fact, the most striking thing about Tintoretto's paintings is that Tintoretto can instantly show the emotions and inner world revealed by his paintings. Did Tintoretto, an outstanding color master and a pioneer of Baroque art, conquer you?