Discussion on architectural decoration design style and culture?

The following is a discussion on architectural decoration design style and culture brought by Zhong Da Consulting for your reference.

Facing the coming 2 1 century, China will usher in a prosperous period with high development of economy, information, science and technology and culture. The material and spiritual life of society will reach a new height, and accordingly people will put forward higher requirements for the quality of their living and production environment, such as safety, health, comfort and beauty. Therefore, it will be the task of our interior designers to design and create a modern indoor environment that is scientific and artistic, can meet the functional requirements, and has cultural connotation, and is people-oriented and reasonable.

Exploration of style and culture

Mr. I.M. Pei, a famous architect, said: "Every building should be individually designed, which is not only related to the climate and location, but also related to the local history, people and cultural background. This is why buildings around the world still have their own unique styles. " The form of interior design style is the ideological trend of different times and regional characteristics, which has gradually developed into a representative interior design form through traumatic conception and performance. A typical style is usually closely related to local cultural factors and natural conditions, and it also needs to have the characteristics of conception and modeling in creation.

Although style is expressed in form, it has profound connotations such as art, culture and social development. From this profound point of view, style does not stay or equate with form. The style of decorative design is often closely combined with the style and genre of architecture and furniture, and sometimes it is based on the style and genre of painting, plastic arts and even literature and music in the corresponding period.

In the practice of architectural decoration engineering for more than ten years, we have explored and studied different decoration contents, different geographical and cultural environments, different functional requirements, different styles and cultural connotations, and at the same time embodied artistic characteristics and creative personality. The external factors of style (national characteristics, social system, lifestyle, cultural trends, scientific and technological development, customs, religious beliefs, climate products and geographical location) are combined with the internal factors of style formation (individual or group creative ideas, including the professional quality and artistic quality of creators), thus giving the decorative content of design an indoor environment with visual pleasure and cultural connotation, and making people living in a high-tech and high-paced modern society psychologically and spiritually balanced. ) The artistic features and creative personality are embodied in the specific decoration projects designed by us, and the indoor environment with reasonable functions, comfort and beauty is created by using material technology and architectural aesthetics principles to meet people's material and spiritual needs.

Here are a few typical engineering examples, one is the Jiuhua Mountain Villa in China's traditional style, and the other is the "Longmen Mansion VIP Building" in Europe's new art style in the past century, so as to summarize and analyze how to combine external factors with internal factors, style and culture in practice, so as to achieve the continuation and deepening of architectural design and create an ideal cultural atmosphere and a shocking and pleasant space.

Second, the experience in practice "Jiuhua Mountain Villa" Decoration Project (Beijing) 1996 The "Jiuhua Mountain Villa International Health Club" located in Xiaotangshan Hot Spring Resort in Beijing is located in Long Mai, the former site of the Ming and Qing Dynasties, covering an area of 400,000 square meters. The building adopts the royal garden design style, and the environment is elegant, which meets the management standards of five-star hotels. It is a large hotel integrating health care, leisure and entertainment. The building of our company is the core part of Jiuhua Mountain Villa, commonly known as "Five Great Halls".

The five halls are composed of the main hall and four slant halls. The main hall is single-eaved and leaning on the mountain, and the architectural design is T-shaped. On the basis of the original architectural design, we adjusted the unreasonable function and spatial organization. In terms of function division, the main hall in the middle of the lobby is the central axis, the coffee area and the reception desk are divided into two sides, the multi-function hall is in the back hall, and the dining area and the medical area are in the left and right halls respectively, with clear lines and clear functions.

Interior decoration design follows the principle of organic combination of traditional architectural style and modern expression techniques in China. The indoor environment has historical continuity and a sense of regional context, which highlights the image characteristics of the origin of national culture. We summarize and sort out the shapes and colors of traditional buildings, symbolize the complex buildings carved with beams and painted with paintings, and let the ancient historical and cultural atmosphere flow faintly on the ground, ceiling and walls, so as to achieve communication through understanding. As a result, we reconstructed the artistic image of physical space and virtual space with beautiful association and strict statutes, and refined and processed the line expression in traditional modeling to make it simple and straight. Concrete elements are processed and sublimated into abstract symbols. The mural on the main entrance wall of the main hall shows the image combination of Xi and Nu Wa. It is cast in bronze and has a strong ancient style, which is in contrast with the smooth wall, attracting attention and embodying the philosophical concept of "harmony between man and nature". Indian red flagstones are pasted on the beams on both sides, and the beautiful Gu Zhuo with ancient patterns is carved on the flagstones. With the help of various decorative materials selected in the design and carefully carved by craftsmen, the vivid effect has been achieved.

The decoration project of Jiuhua Mountain Villa is a successful work for us to grasp the charm of traditional style and the sense of the times. During the design and practice of this project, we have realized that China's national culture and art pursue similarity, artistic conception, express savings and mystery, absorb the "charm" of China's traditional style culture in the profound world cultural heritage, carry forward China culture, organically combine modern design consciousness with traditional style, make the past serve the present and make the west serve the present. The pictures of this project were compiled into the large-scale album "Selected Works of Contemporary Architectural Decoration in China" sponsored by the Ministry of Construction, and participated in the first national exhibition of architectural decoration achievements, and were compiled into the book "Selected Works of Architectural Decoration in China".

The development of history

The building was built in 190 1 year and completed in 1903. It was the Middle East Railway Hotel and the most luxurious hotel at that time. The Russo-Japanese War broke out in 1904 and was once converted into a temporary field hospital. 1905 is the headquarters of the Tsar Russian Railway Protection Army. 1906 is the consulate of tsarist Russia in Harbin. 1907 changed to czar Russian officers' club. 192 1 became the office building of the Council of the Middle East Railway Company. The first overhaul and reconstruction began in May 1926 and was undertaken by the Public Works Department of Middle East Railway Bureau, and was completed in 1927+0 1 year.

After Manchuria Railway 1935 took over the Middle East Railway, the building was overhauled for the second time in June 1936, and it was renamed as "Dahe Hotel" on June 1937 and officially opened. (At that time, Shenyang, Dalian, Changchun and Harbin in the three northeastern provinces were all called "Yamato Hotel") General Zhang Xueliang, pujie aixinjueluo and other dignitaries once stayed here. 1In April, 946, the Northeast Democratic Allied Forces liberated Harbin, and most of the cadres who received the Northeast Railway lived here. From 65438 to 0950, the building was placed under Harbin Institute of Military Engineering and became an expert building for Soviet military experts in China. 1968 returned to Harbin Railway Bureau, which was originally a railway hospital, and was changed to a guest house of the Railway Bureau at the end of the same year, and was confirmed as a first-class protected building. 1995 merged into Longmen building in June.

65438+1September 1996, the third overhaul in history began, and our company was responsible for the design and construction tasks, and it was renamed as "VIP Building" of Longmen Building. Based on the principle of protecting history, inheriting the context and creating the best products of the times, we have turned this earliest luxury hotel in Harbin into another measure taken by the Harbin municipal government to save key cultural relics (the restoration of Sophia church and the transformation of central street), and integrated it into the main theme of saving urban culture.

Design measures

Due to historical changes, the original technical information of the building has disappeared. We organized experts to survey the current situation of the building, comprehensively appraised the structural system and quality of the building, and formed a survey atlas and a structural inspection report. The conclusion is: "The building has been used for more than 90 years, and it is basically intact and has no fatal injuries. In the future renovation project, except for local reinforcement and maintenance, the main structure basically does not need overhaul. It is estimated that in the next 40 to 50 years. According to this conclusion, on the basis of our understanding of the original building, after repeated research and discussion, and inviting experts to demonstrate, we think that this renovation should be very cautious, and we should strive to maintain the artistic style of the original building with respect for history and perfect functions, earnestly carry forward the cultural connotation, embody the design idea of "style restoration", and make it reproduce its historical glory.

This building is one of the large public buildings with Art Nouveau architectural style that appeared in Harbin in the early 20th century. The building is two stories high, one underground, with brick and wood structure. Yellow painted walls, stone painted pilasters, balconies, cornices, door and window covers, etc. Curves and patterns with architectural characteristics of Art Nouveau, cast iron patterns on the eaves of the canopy, the entrance canopy of steel frame stained glass, especially the tree-shaped support connected with the canopy at the top of cast iron columns, are more obvious in the decorative techniques of architectural characteristics of Art Nouveau.

The development of human society, whether it is material technology or spiritual culture, has historical continuity. Tracing back to the times and respecting history are organically unified in terms of the essence of its social development. /kloc-from the end of 0/9 to the beginning of the 20th century, there was a new architectural movement in Europe, which tried to get rid of the shackles of old traditions and create new forms. The Art Nouveau movement in Harbin almost covers all kinds of buildings, so Harbin enjoys the reputation of "Moscow in the East" and "Little Paris in the East". This building, which was born in this environmental background, has gone through historical vicissitudes and changes, with different functions, and some of them have changed beyond recognition.

Based on the principle of combining science with artistry, attaching equal importance to the sense of the times and historical context, this project not only solves the problem of adding modern equipment and facilities such as central air conditioning, fire fighting and computer management to old buildings, but also focuses on solving the contradiction between the space occupied by each system and maintaining the original style and various artistic shapes, giving full play to the wisdom of designers, and successfully realizing the combination of technology and art in this difficult reconstruction project.

After consulting a large number of historical archives and understanding the historical witnesses of several different historical periods, we decided to resume the second overhaul and reconstruction, that is, 1935, when Manchuria Railway took over the Middle East Railway, and changed it to the plane layout of the main public space during the "Yamato Hotel" period. Outdoor buildings should be kept as they are, and damaged parts should be repaired and painted.

In the public space of the hotel, a considerable number of decorations and components with Art Nouveau characteristics are reserved, such as cast copper revolving doors, stone fireplaces, wooden structures with European arch coupons, Siberian wooden decorations and baroque features. Renaissance wooden doors and beautifully carved wooden components, gypsum relief patterns with great aesthetic value, metal cast stair handrails and Roman Doric columns. In the face of these objects full of historical vicissitudes, these cultural heritages of human beings have different appearances, but they are fascinating and amazing.

In order to achieve the overall design idea, in the construction, the damaged parts and the parts that need constant adjustment are copied according to the original design method, and made in strict proportion, so as to achieve the visual effect of confusing the fake with the real. Exquisite plaster pattern rubbings restore the original appearance as much as possible. Under the guidance of the design concept of unified and harmonious overall decoration style, metal ornaments have typical characteristics. Woodcarving modeling. Lighting. Signboard. Iron art products. Fabric. Greening is to create an atmosphere. Emotional appeal played a role in finishing the painting. Lie Bin, the representative of the Soviet roving painting school. Shiskin。 Levitan. Works by painters such as Surikov. The oil paintings of portraits are dotted with them, which increases the harmony of the environment and the discussion of hidden culture.

The completion of this kind of works is an exploration of architectural technology and artistic protection, as well as an exploration of style and culture. As a kind of cultural crystallization, the charm of cultural relic architecture lasts forever because of the social significance of the cultural value system and people's psychological judgments and views on cultural values. The project has attracted the attention of relevant experts, scholars and government management departments. How does Zeze promote the protection of cultural relics and its historical, humanistic and cultural functions, and promote the development of architectural culture, tourism and many other industries, which has positive social significance?

Third, understanding of style and culture.

In today's society, the pace of life is accelerating, the indoor functions of buildings are complex and changeable, and the indoor decoration materials, facilities and equipment, and even doors and windows are changing with each passing day. The "intangible devaluation" of interior design and architectural decoration is increasingly prominent, and the renewal cycle is increasingly shortened. Moreover, people's appreciation and pursuit of the artistic style and cultural atmosphere of the indoor environment are also changing with the passage of time.

Once a style or genre is formed, it can have a positive or negative impact on culture, art and many social factors, not just as a form of expression and visual experience. In recent years, architectural design and interior design are generally diversified and inclusive. Interior layout also tends to be modern and practical, but also absorbs traditional characteristics, and integrates ancient and modern Chinese and western in decoration and furnishings.

At present, society is in a transitional period from industrial society to post-industrial society or resident society. People's demand for their own surrounding environment can not only meet the use requirements, but also pay more attention to the demand for spiritual functions such as environmental atmosphere, cultural connotation and artistic quality. The emergence, development and transformation of different artistic styles and schools of interior design are not only the continuation and development of the historical context of architectural art, but also have profound historical and cultural connotations of social development, which will greatly enrich people's spiritual life in the morning and evening.

The relationship between style and culture is to pursue a higher level of harmony. Its essence is to enjoy and develop human civilization, and it has surpassed it according to historical traditions.

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