How old is it from 1930 to 2022, and how old is it from 1940 to now?

1930 to 2022 How old is the paper reporter Huang Song?

19 12 In the winter, Liu Haisu and Wu had lunch at a western restaurant in Zhangpu Road, Hongkou. When they saw a note posted on the wall outside the window, they went to rent a house after dinner. The house they rented was No.8 Zhapu Road. "No.8 Courtyard, Zhapu Road, American Concession" became the starting point of Shanghai Art Institute, which also had its original name "Shanghai Academy of Fine Arts".

In Huangmei season in 2022, Shunchang Road is under the old transformation and requisition, and the protected buildings such as the former site of Shanghai Academy of Fine Arts will be preserved. Looking out from the third floor of No.560 Shunchang Road (the former site of the Art Institute), you can see the alley life in Shanghai in your memory, surrounded by high-rise buildings, which cover the sky. This is the only completely preserved school site of Shanghai Academy of Fine Arts. This building was completed from 1930 to 1952, which left the memory of the heyday of Shanghai Academy of Fine Arts and the footprints of many celebrities.

Shanghai Art Institute used to face the main entrance of Shunchang Road.

In 2022, it is the anniversary of the establishment of Shanghai Academy of Fine Arts 1 10. In addition to Liu Haisu, many familiar names can be found in the old documents, photos and yearbook of this school, such as: Wang Jiyuan, Pan Tianshou, Lin Fengmian, Pan, Zhou Bichu, Chen Shengduo and Pang Xunqin.

From Zhapu Road to Shunchang Road, Shanghai Art Institute has moved to love and cut short (now Anqing Road), Hengbang Bridge South Quanfuli, Haining Road 10, Baiyunguan Zuojin, etc., and has been renamed several times. From the initial one-year system and fewer students system to the important practice field of "new culture movement" and "art"; Shanghai Academy of Fine Arts organized fine arts, took the lead in co-education and hired models to sketch, which triggered the conflict between old and new ideas ... The development experience of Shanghai Academy of Fine Arts reflected the evolution of modern fine arts education in China, and Shunchang Road became the archaeological landmark of Shanghai Academy of Fine Arts.

The former site of Shanghai Academy of Fine Arts is being rebuilt today.

"The mannequin is tired of the wind" on Shunchang Road.

The story of Shanghai Academy of Fine Arts and Shunchang Road begins at 192 1. At that time, Shanghai Academy of Fine Arts purchased some real estate and land at No.520-560 Road (now Shunchang Road), which was close to the original Yongxitang on Father Du Road (now Yongnian Road).

Schematic diagram of the location of Shanghai Academy of Fine Arts, Yongnian Road, Shunchang Road 1920s.

1923 In May, Shanghai Academy of Fine Arts transformed the old building of Yongxitang into more than 200 new school buildings of Western Painting Department. 1August, 923, the western painting department moved into the newly-built school building in the former site of Yongxitang, where the Chinese painting department was opened, which was called one of the courtyards; Higher normal schools and junior normal schools moved to the left of Baiyun Temple on Xie Fang Road, which is called the Second Hospital.

13 school address: 1923- Shanghai Art Institute, Yongxitang, Caishi Road.

1925 10, the Art Institute bought 2 mu of land on the side of a courtyard on Shunchang Road today, and built a three-story building of the Western Painting Department with pavilions, 6 western painting practice rooms and 52 dormitories. In June of the following year, the new school building was completed.

In the publication of 1929, the newly-built school building of Shanghai Academy of Fine Arts (the exhibition "One Hundred Years Witness-Liu Haisu and Shanghai Academy of Fine Arts Education and Research Exhibition" of Shanghai Liu Haisu Art Museum) was photographed.

At that time, the school building is now beyond recognition, but from the comparison of window patterns, it can be seen that the publication of 1929 is the Tamura Pavilion completed by 1926, and the picture shows the Tamura Pavilion taken from Hairong.

1June, 930, another three-story teaching building was built on the former site of Chua's Road, which was completed in June of that year. According to the records at that time, the first floor was the school office; 50 rooms on the second floor, named "Han Hai"; There are six western painting practice rooms on the third floor, which are called "Sea View Pavilion". This building faces the food market road from east to west. The new school name inscribed for Cai Yuanpei is "Shanghai Academy of Fine Arts".

Present situation of the former site of Shanghai Academy of Fine Arts (the building was built at 1930 and named "Guan Hai Pavilion").

There is a nameplate at the entrance of the cultural relics protection point in Huangpu District. You can learn about the history of this building by scanning the code.

Today, Guan Hai Pavilion, Tamura Pavilion and Hairong still exist, but the former school building has been buried in fireworks. At that time, many symbols of aesthetic education exploration were also related to this place, such as the sensational "mannequin storm" from 1925 to 1926.

Students of Shanghai Academy of Fine Arts draw human body sketches in oil painting practice classes.

From 19 15, Yang, the headmaster of Chengdong Girls' School, watched the exhibition of Shanghai Academy of Fine Arts, and saw the human works on display denouncing Liu Haisu as an "art traitor", to the debate with Sun on 1925, which lasted 10 years.

Sculpture, Watercolor and Traditional Chinese Painting Classes of Shanghai Art Institute (Exhibition of "Centennial Witness-Liu Haisu and Shanghai Art Institute Education and Research Exhibition" of Shanghai Liu Haisu Art Museum)

Although Liu Haisu began to teach figure painting in classroom teaching from 19 14, it was repeatedly criticized and demanded to be banned. 1In June, 925, Jiangsu Province (then Shanghai was under Jiangsu's control) asked the education department to ban models. 1926 In April, Wei, the county magistrate of Shanghai, was ordered to issue a warning to the Shanghai Academy of Fine Arts. /kloc-in April of 0/7, Liu Haisu wrote an article in Shenbao, accusing Wei of "belittling himself, speaking eloquently, boasting and pretending to be an official". On May 1 1, Wei officially issued an order to ban models and warned the Shanghai Academy of Fine Arts to "re-seal". 1in June, 926, Sun, the Beiyang warlord who controlled Shanghai at that time, sent a letter to Liu Haisu, urging him to give up using mannequins. However, in June 10, Liu Haisu publicly replied in Shenbao and resolutely rejected Sun's request. Sun Sui ordered the Shanghai County Office to ban American colleges. At the end of June, the French concession authorities agreed to ban models. On July 15, under pressure, Liu Haisu agreed to cancel the model. After Sun's downfall, Shanghai Art Institute reintroduced models.

Mantani Kojiro, human body, 1925, Liu Haisu Art Museum (Exhibition of "One Hundred Years Witness-Liu Haisu and Shanghai Art Institute Education Research Exhibition" in Liu Haisu Art Museum, Shanghai) and Liu Haisu Chronicle "1926 met with Japanese artists such as Rulu, Wang Jiyuan, Yu, etc. during their visit to Shanghai on August 24th, and now Liu Haisu Art Museum is in Manchu Dynasty.

The mannequin reflects the fierce struggle between old and new ideas in the cultural field and has become a major event in the history of China's art development. At the end of 1935, the teachers and students of Shanghai Academy of Fine Arts 17 took a group photo with the model. This has also become one of the most famous photos in the history of Shanghai Art Institute.

At the end of 1935, the teachers and students of Shanghai Academy of Fine Arts 17 took a group photo with the model.

In the photo, a group of high-spirited art college teachers and students are staring at the camera, and the female model in the middle is turning her cheeks. Behind the photo, the female model and the teachers and students of Shanghai Art Institute completed a historic leap. "Example" embodies the innovative spirit of Shanghai Academy of Fine Arts in introducing western art teaching system and daring to innovate.

1March, 933, all the staff of the 12th graduation reunion of Shanghai Academy of Fine Arts took a group photo.

Shunchang Road, Shanghai Academy of Fine Arts, Comic Club, and talented people.

During my stay in Shunchang Road, Shanghai Academy of Fine Arts, apart from the School of Plastic Arts (including the Department of Traditional Chinese Painting, the Department of Western Painting, the Department of Technological Design, etc. ) and Teachers College (including the Department of Picture Music and the Department of Picture Arts and Crafts), there are also outdoor sketching and learning courses, and there are expert teachers, as well as more than ten classrooms such as Haisu Classroom and Yi Shi Classroom, which are free to choose.

Old photo of the former site of Shanghai Academy of Fine Arts, the building on the right is Zhejiang Hall, which was demolished before the establishment of New China.

According to 1938, Zhou Chujiang, who was admitted to the Western Painting Department of Shanghai Academy of Fine Arts, recalled that they had sketching classes in the morning and English classes, art theory and music classes in the afternoon. Sketching was taught by Mr. Chen, who returned to China after studying in France for seven years. In the second semester, he received Mr. Guan Liang's education. A year later, Guan Liang went to the southwest rear area, and Mr. Ni Yide, a painter and art theorist, took over the teaching. In the second year, the third year, many grades have classes in the same class, drawing sketches and drawing human bodies. Most of the teachers in the Western Painting Department of Shanghai Academy of Fine Arts have returned from studying abroad, and their salaries are not high. However, when they were employed by Shanghai Academy of Fine Arts, they had more status and popularity in the world, so they didn't care, and even Liu Kaiqu came to class.

Mode practice course of Shanghai Academy of Fine Arts

At that time, the classrooms of the Western Painting Department and the Chinese Painting Department were on the third floor, and students from the two departments visited each other. Zhou Chujiang often takes time to go to the Chinese painting classroom to see the changed paintings. "I remember that the head of the department of Chinese painting is Mr. Wang Geyi, and Mr. Wang Geyi teaches flowers; Teacher Xie Gongzhan arranges classes three mornings a week, and teacher Wang Shengyuan teaches landscapes. At that time, Mr. Tang Yun and Mr. Lu Yifei were both young, that is, in their early twenties. They come to school for technical secondary school classes in the afternoon, and I attend classes from time to time. Learning to figure out the skills and copying famous paintings has also benefited a lot over time. " (Note: Zhou Chujiang 194 1 graduated and engaged in stage art design for a long time. Zhou Chujiang dictated the oral history of Shanghai Academy of Fine Arts. )

1June 27th, 935, graduation ceremony of Shanghai Academy of Fine Arts, issued by school director Cai Yuanpei.

The graduation exam at that time was a self-portrait. However, before graduation, every student will hold a small exhibition in the corridor of the dormitory room to report on their study. At that time, some students transferred from West Lake Art College to Shanghai Art College, including Zhao Wuji, but they also held a small exhibition before graduation.

Shanghai Meizhuan Pedestrian Street Gallery Xiaojing

Although it experienced the war with the Pacific Ocean, the Shanghai Art Institute moved to China in part. Even so, in the1968+0940s, there were more than 800 students in the Art College, of whom about 30% were girls, and there were many foreign teachers. Students from poor families can also apply for scholarships. By 1946, the Students' Self-government Association of Shanghai Academy of Fine Arts had also set up a cartoon group and a woodcut group, and created many comic woodcut works with the theme of "anti-hunger, anti-civil war and anti-feudalism".

Regulations on Mr. Cai Yumin Memorial Scholarship of Shanghai Academy of Fine Arts

1945 group photo of graduates after victory.

In September, 1952, Shanghai Academy of Fine Arts, Suzhou Academy of Fine Arts and Shandong University Art Department merged into East China Art College and moved to Sheqiao, Wuxi, Jiangsu. At this point, this educational institution named "Shanghai Academy of Fine Arts" terminated.

Shanghai Academy of Fine Arts student ID card

From 19 12 to 1952, Shanghai Academy of Fine Arts has been running for 40 years. According to incomplete statistics, Shanghai Academy of Fine Arts has trained more than 3,000 cutting-edge artists. Various trendy art forms, such as photography, art design, urban sculpture, emerging woodcut, etc. , blossoming everywhere in the form of courses and student associations.

Sha Fei, Mr. Lu Xun in the national woodcut exhibition,1936; Sha Fei 1936 was admitted to the Western Painting Department of Shanghai Academy of Fine Arts. In the same year, 10 Lu Xun's last photo and his funeral photo were taken, which caused widespread shock.

Moreover, Shanghai Art College is not independent in Shunchang Road. In the same block, cartoonist Ding Quan (the father of Ding Cong), who was the first provost of Shanghai Art Institute, once lived at No.31Tian Xiangli, Baylor Road (now No.9, Lane 847, Huangpi South Road) and 1924. Ding Quan, Huang Wennong, Zhang Guangyu, Ye Yuqian and Wang Dunqing initiated the establishment.

1927, from right: Qi Qing,,,, Hu, Lang Jingshan.

As I recall, Ye lived on the second floor of the alley, downstairs, and Tewei lived in the back, at 19. 3 1 Ding Jia is relatively spacious and has almost become a fixed place for artists to meet. There are many tourists on weekdays, and every weekend and holiday, it is like a lively salon, where they meet. Ye, Huang Wennong, Wang, Zhou Xuan, Nie Er, Zhang Leping and others are also frequent visitors here.

3 1 Tian Xiangli (now No.9, Lane 847, Huangpi South Road) The former residence of Ding Quan and the former site of the Comic Club.

Inside No.9 Lane 847, Huangpi South Road

Today, the former site of "Comic Club" is still in the alley behind the former site of the Art Institute, but the sea salon comparable to Lin's "Wife's Living Room" has moved into the homes of ordinary people. If there is no hint of "cultural relics protection point" at the door, it is estimated that it would have been unrecognizable. According to records, at that time, the first floor was the living room, Ding Quan and his wife lived on the second floor, and their eldest son, Ding Cong, lived on the third floor. Now they all live in different houses. The building facing the street where Ye lives should be there, but I can't tell which one it is.

The way Tian Xiangli crossed the street today.

In the "Li Xicheng" within walking distance (now Lane 278 of Madang Road), in the late1920s, there were Zhang Daqian and Huang.

Jincheng Arts & Crafts Company (1958 merged with Mali Arts & Crafts Factory), one of the earliest professional factories in China, also saw the business opportunities here, and set up a salesroom on Shunchang Road opposite to 1930 Shanghai Art Institute, which also reflected the prosperity of art here.

Old photos of Shunchang Road

Past lives: The wooden stairs, wooden doors and steel windows are the same as before.

1946 65438+ 10, when Mu Xin first set foot in Shanghai Academy of Fine Arts from here, he wrote the following words:

"From the front, the school building is a fairly spacious four-story western-style building (actually three stories), but it faces the street and looks very commercial. The black painted iron gate is quite magnificent. When I stepped in, I thought: this is my art gate, and the stage of laity is over. "

But now, the "art gate" has been sealed by cement, and the gate inscribed by "Shanghai Academy of Fine Arts" and Cai Yuanpei on the first floor of the street has disappeared, but the building components are still faintly discernible. If the "Shanghai Academy of Fine Arts" at the gate wants to enter this building, it needs to enter from the alley at the intersection of Shunchang Road and Yongnian Road.

Alley leading to the former site of Shanghai Academy of Fine Arts

Since 1952 Shanghai Academy of Fine Arts moved out, buildings have been used for residents' lives, and the artistic atmosphere has gradually faded. The only thing that can be compared with history is the stairs of Shanghai Academy of Fine Arts.

Fireworks filled the former site of Shanghai Academy of Fine Arts.

This staircase, which was once trodden by a shining name, is now submerged in pigeon coops, noodle restaurants, parked bicycles, clothes and sheets to dry, without the bright luster of the past.

It turns out that the corner staircase of Shanghai Academy of Fine Arts has a pigeon house on one side and a noodle restaurant on the other.

Walking up the stairs of that year is no longer the "sea pavilion" of Shanghai Academy of Fine Arts, but the ordinary people in Shanghai. The second floor used to be; Then walk up the wooden stairs leading to the third floor, which used to be the skylight studio of the Art College.

Wooden stairs on the third floor

In the summary of school buildings reported by 1952 in July, it reads:

"The main school buildings in our school include Guan Hai Pavilion, Tamura Pavilion, Hairong third floor and other affiliated houses and small courtyards, with a total area of 2,627.86 meters.

Guanhaige-self-built by renting land, with eleven bays, three floors, brick walls and red tiles, and wooden structure. Now there are four offices, one is the reception room, one is the school doctor's room, one is the storage room, one is the library, one is the gallery, and there are eight classrooms. Nine, one in the ladies' room and one in the bathroom. The attached houses are piano room 2 and cooperative house 1. "

1949, architectural drawing of Shanghai Academy of Fine Arts.

However, in 1952, the condition of the school building has been "not repaired for a long time, most of the paint and steel windows have rusted or closed, the foundation of the south end of Guan Hai Pavilion collapsed, and cracks appeared in the walls, which should be completely repaired." Murata Pavilion and Hairong were also damaged because they were rented in Hu Xin Middle School and Jintai Paper Factory.

The present situation of Tamura Pavilion and Hairong.

When our reporter and the researcher of Liu Haisu Art Museum were comparing the differences between the school building drawings of 1949 in the corridor, an old man in his 60s pushed the door out and saw some strange faces. He was not surprised, but he soon judged the meaning. He said that in recent years, more than 1000 people, many of whom were descendants of American college students at that time, lived here intentionally or unintentionally to bridge the gap.

The old gentleman, who has lived here since he was two years old, told what he knew about architectural changes.

After the conversation, the old man began to tell himself and what he knew about the art school. His surname is Gu. He moved here with his parents in 1954, when he was only two years old. He graduated from Johns University and stayed on as a teacher. The original residents on the third floor basically have the background of Johns University. 1952 was adjusted, and after the cancellation of Johns University, he entered the middle school to teach.

Wooden stairs on the third floor of the former site of Shanghai Academy of Fine Arts. draw

According to him, this three-story building has two original features, one is wooden stairs, and the other is wooden doors and steel windows. However, the original hollow parts of cement stairs and corridors have all been filled with cement.

A room behind the stairs of the former site of Shanghai Academy of Fine Arts was transformed into a public kitchen (kitchen).

However, compared with the old photos, the Zhejiang Guild Hall, which was originally parallel to the east and west buildings of the Art College, is no longer there. What we can see now are some two-story bungalows in the north-south direction. As for when this change happened, Mr. Gu doesn't know, as long as he remembers it. It should have been like this before, but when I was a child, there was a wooden fence downstairs to separate the building of this art college from the house behind it.

Looking out from the third floor of Shanghai Academy of Fine Arts, there are many high-rise buildings around, and the red building behind it is "Tamura Pavilion".

The house they live in now used to be a skylight studio with a sloping roof. Before they moved in, they made a unified transformation and divided the three studios into two families. So the houses of the residents on this floor are all L-shaped, that is, one studio is half and the other studio is half. Because of the high floors, each family also built an attic to increase the use area. The two long wooden strips left on the sloping roof also run through every household on the third floor. The glass was originally embedded between two slats to better repair the skylight, but it was also removed after moving into a new house.

The wooden strips at the top of the skylight studio on the third floor were originally inlaid with glass to make the studio brighter.

In the corridor on the third floor, Mr. Gu also showed us the original piano room, playground and other areas, as well as the water tower behind the house. It seems that there is still a lot of history buried by time.

Shanghai Academy of Fine Arts former site piano room.

Present situation of the corridor on the second floor of Guanhaige, the former site of American College.

Akutagawa Ryunosuke once said, "Sometimes life is not as good as Baudelaire." Mu Xin, who is studying at the Art College, took the second part, "Sometimes Baudelaire is worse than a bowl of wonton." According to textual research, this poem records Mu Xin's mood in Yumin Middle School in Gao Qiao in the 1950s. Later, food lovers attached this bowl of wonton to Sheng Xing, a century-old shop near Shanghai Academy of Fine Arts. Times have changed, and this old shop selling jiaozi wonton is still in the same position. At that time, art students or painters in comics should have been there to some extent, but I don't know if it still smells like that now.

Present situation of skylight studio corridor on the third floor of Guanhaige, the former site of American College.

It's hard to imagine that Baoshunchang Road is the best in Shanghai, with exquisite life intentions in the surrounding shopping malls and business buildings, but Shunchang Road is a wilderness, with snack bars, roasted seeds and nuts shops, hair salons, photo studios, small food markets, stalls and alleys, even though the cats and dogs on this road are full of life.

The cat on the roof of Shunchang Road.

At present, Shunchang Road is in the collection stage, and how to write the history of Shunchang Road in the future is still unknown. However, historical buildings such as the former site of Shanghai Academy of Fine Arts will be preserved. Dean of Shanghai Academy of Fine Arts of Shanghai University also proposed this year to "transform the former site of Shanghai Academy of Fine Arts into China Museum of Modern Art Education", hoping to build a historical and cultural block with a point and an area.

Shanghai meizhuan bulletin board Chu

Shanghai meizhuan craft Guan

Shuttling through the alleys of Shunchang Road, you can feel the taste of Huangmei in the old buildings during the rainy season. The smells include the smell of dishes floating from the kitchen, the smell of passing by with a spittoon, and stepping on a dark corridor full of debris. This also makes people really feel that in such a cramped space, people need to improve their living environment.

Shunchang Road Yongnian intersection (diagonally opposite to the former site of Shanghai Academy of Fine Arts) has completed the collection of alleys.

Then, in urban renewal, how to maintain the original regional texture, balance the willingness to live, and find a satisfactory solution between culture and business? Let the century-old shop tell its own history here, so that the historical block is still full of vitality.

Aerial photography of Shunchang Road Community. Image provision

Editor in charge: Lu

Proofreading: Liu Wei

The above is about the age from 1930 to 2022, and sharing about Liu Haisu. How old are you now after reading 1940? I hope this will help everyone!