What is the cultural connotation of Peking Opera?

1, art in literature, performance, music, singing, gongs and drums, makeup, facial makeup and other aspects, mutual constraints, complementary rules and standardized procedures.

2. The artistic means are very rich and the usage is very strict.

3. Development is different from local operas.

4. Peking Opera has to show a wider range of life, more types of characters to be created, stricter requirements on the comprehensiveness and completeness of skills and higher aesthetic requirements on the shaping of stage image. Accordingly, its folk local flavor is weakened, and its simple and rough style characteristics are relatively weak. because

5. The performing arts tend to combine the virtual and the real, and go beyond the limitation of stage space and time to the maximum extent, so as to achieve the artistic realm of "expressing the spirit with form and having both form and spirit".

6. The performance is exquisite and delicate, and it is being performed everywhere; It is required to sing melodiously and euphemistically, and the voice is full of emotion; Martial arts is not won by bravery, but by "singing martial arts".

Extending the information "Peking Opera into Campus" activity into colleges and universities

The activity is divided into two parts: "learning while chatting" and "singing while performing". Wu Yu from China Opera Academy and Ma Zhixiang from Tianjin Peking Opera Theatre used humorous chats to popularize Peking Opera knowledge. At the same time, in order to let the audience understand the stage form of Peking Opera more intuitively, the actors from four professions, namely "Sheng, Dan, Jing and Ugly", appeared in turn and invited students from university of international business and economics to experience it together.

Sena, a Russian student, took the stage to challenge the elderly to dress up, imitating the fragment of "defeated and fled" and deducing the distinctive male role of the elderly; Zhang Yueyi, a Peking Opera special student, performed the Hua Dan action of "opening the door" gracefully. Dong is a black Togolese boy studying abroad. He dressed up as a painted face and participated in the experience of the "wow" segment of the "net" corner.

Xie Hao, a young martial arts actor in Beijing Peking Opera Theatre, and Bi Jiawang, an ugly martial arts actor, brought the traditional martial arts drama Sanchakou to the audience. Zheng Xiao brought classic Peking Opera repertoires "Drunken Imperial Lady" and "No.1 Media", whose elegant singing and superb performance won applause from the audience.

"I didn't expect Beijing opera to be so attractive. It is really a' small stage, big life', and all the scenes are floating. " Liu, 16 foreign trade student, said at the end of the activity. This activity reproduces abstract, freehand brushwork and implicit Peking Opera, deepens teachers' and students' understanding of the quintessence of Chinese culture, promotes the classical art of Peking Opera, and enhances the self-confidence of national culture.

It is reported that the "Peking Opera on Campus" activity will also go to other universities to present wonderful opera performances for teachers and students.

Baidu Encyclopedia-Peking Opera