How can colored glass make people want to stop?

From summer vacation to school, I am still waiting for the final climax and end. What is the reason why "colored glaze" makes the glaze "too high"? Acting, special effects and costumes are all commendable. These surprising factors make us push the door open, but it depends on the plot that allows us to move on and understand the world behind the door. I think the story of stained glass is very good. (Current 44 episodes)

The author constructs a grand world of heaven, demons and human beings, with the cause of Tianxutang (resurrection of evil spirits and revival of demon clan) as the main line, running through the whole process and linking the three realms. The plots under this clue are numerous and miscellaneous, and the author skillfully uses spatial narrative. The protagonists set out from Shaoyang and finally returned to Shaoyang. Every time you step into a geographical space, there will be a story of a small climax, and all the small climaxes will eventually move forward to the last big climax, that is, the recovery of the magic star. Rich and strict. Abundance makes the plot compact and the turbulent wave rises again; Stiffness keeps this bizarre world standing, and we can even write local chronicles.

Words seem to look at mountains rather than peace, and so does drama. When I think back to the climax of the play, I find that most of them are related to "sudden turn" and "discovery", which are Aristotle's theories about tragedy in Poetics. He believes that the simultaneous appearance of "mutation" and "discovery" will have a strong tragic effect. For example, Xuan Ji took off the mask of Sifeng's lover's curse. Like Sifeng, we thought the poison was cured, but the mask we picked up was a crying face, which was a sudden change, and then we found that we couldn't love her boss Feng anymore. Another example is Si Feng's discovery that Xuan Ji was a malefic, but later he admitted that he was a malefic, and suddenly turned against him after discovery. The impact of the huge gap between mind and heaven and hell thinking makes us feel aesthetic pleasure. There are many such mutations and discoveries in the play. In fact, the event of leaving the owner of Zewa Palace is self-deception, finding out who the owner is, and finding out the identity of the four phoenix birds and monsters ... I guess the climax of the whole play will eventually be realized by sudden changes and discoveries.

Let's talk about the characters brought out by the plot and some of my feelings. Everyone has a clear "life goal" except the protagonist. Yuen Long: The only workaholic in the whole drama who has no center of gravity, is bent on resurrecting the evil star, gaining the power of the God of War and resurrecting the inferno; Hao Chen: Every day, I pray that the God of War will not wake up, and I will quickly ascend to heaven; Jade protects her sister, Brother Liu protects her, and the little one protects the Lord, and the purple fox saves Wu Zhi ... Compared with them, our protagonist is always trying to get caught or save people. Xuan Ji's goal is to rob the Eight Wilderness Mirror? Yes, but it's not handled well here. Because many times they got this mirror by accident, not out of "seeking", except for high mountains)

So we can't forget that they are teenagers. They are new to the Jianghu. They are wandering, testing and choosing. All their actions point not to "goals", but to kindness and love. One of the most prominent is our Jiao Jiao bird princess "Sifeng". Since he entered the secret world to save little Yin Hua, he has never stopped helping. Tingnu, Liu Dage, Zihu, Linglong ... Of all people, he was the most selfless and romantic when he rescued Xuan Ji. "Only love can make people." Sifeng's love made Xuan Ji and herself. Such a role is moving.

Nowadays, when success is flying all over the sky, it is too easy for us to focus on our goals and ignore and lose kindness and love. We forget to love our family in order to achieve something, and become indifferent in order to achieve something. However, the goals cannot be achieved, one after another. Reminds me of a passage in the Bible, "If I can speak the language of thousands of people and the words of angels, but I don't have love, I will become a gong or a cymbal.". If I have the ability of a prophet, understand all kinds of mysteries and knowledge, and have all kinds of confidence, so that I can move mountains, but have no love, I am nothing. " The less love, the more important it is. I hope all the girls will draw their swords out of kindness and love when wandering in the rivers and lakes.

(Pull back the plot. And ...)

Generally speaking, the plot is grand but not empty, and the characters are vivid but a little thin. (Episode 44) For example, Yuen Long, as an important villain in the play, is really too single. His emotional world is too barren. Not to mention the arrangement of love between men and women, as far as the hyena's death is concerned, he should not have committed suicide. Isn't the character Zhang Dongsheng better than his handling of Pupu? If Wu Zhiqi in the back is the "Pupu" of Yuen Long, this figure will be much more vivid. Wu Tong could have advanced, but what he loves exquisite is ... love? ) Bad people are all bad, but not good at all. This one-dimensional character is not full.

I can follow the drama happily again today ~ I look forward to the development of the plot. Thanks to all those who have contributed their imagination to stained glass. Your creative work enables us to wake up and run in another world.

(Image transferred from Zhihu user "Tang Dabao")