Poems of Oriental Women Wearing Cheongsam

The poems of oriental women wearing cheongsam are as follows:

1, the bamboo forest is blue and purple, and the makeup is tied in front of ChristianRandPhillips Pavilion. Cheongsam is really a lady with beautiful eyes.

2, the eyes are deep and deep, and the aquamarine in the dream is charming and moving. The dignified and beautiful Longjiang rhyme, the flow of Xin poetry at the bottom of the wrist is even more luxurious.

3. Jiangnan women's training is twice as gentle, with exquisite curves and strong charm. Graceful new clothes, elegant makeup, bright whitewash suitable for romance.

4. The national flag is beautiful and generous, and the ground is inclined to the sky. The back spine supports the double circle of brocade curtain, and the front peak shakes the skirt waist against the drum.

5, cheongsam is symmetrical and bright as the moon, with fine eyes. Fate came to pray for being a passer-by and crossing the ocean to find Wan Li.

6. Brocade is luxuriantly wrapped around the waist, and the cut is exquisite and slender. Yingying smiled gracefully and slowly exuded a charming atmosphere.

Cheongsam, also known as robe, is the traditional dress of women in China and even in China, and is regarded as the quintessence of China and the national costume of women. Cheongsam was formed in the 1920s, and some scholars believe that its origin can be traced back to the deep clothes in the pre-Qin and Han dynasties.

Although there are many controversies about its definition and the time when it came into being, it is still one of the most splendid phenomena and forms in China's long-standing costume culture. Cheongsam became the most common women's dress after the 1920s.

Cheongsam concept

Cheongsam actually refers to the robes of women in the Eight Banners of the Qing Dynasty. Whether "cheongsam" refers to the cheongsam that appeared in the Republic of China, or includes the "flag bearer robe" or "flag girl robe" in the Qing Dynasty, the definition of the concept of cheongsam is as controversial as the origin and style of cheongsam in academic circles.

As we all know, during the Cultural Revolution, cheongsam was criticized as a symbol of "four modernizations" and "sealing, endowment and repair", and the study of cheongsam became a forbidden area in academic circles. It was not until after the reform and opening up that the research on cheongsam in mainland academic circles gradually increased.