Do you prefer Qiong Yao's or Yi Shu's novels? Why?

Yi Shu’s novels are better.

Most of her novels are set in Hong Kong in the 1980s and 1990s. They basically describe the lives of white-collar women. The living environment of contemporary people has many similarities with Hong Kong at that time. , and urban women can indeed share half the world equally with men as described in her novels. And feelings, of course, are needed, but they are no longer necessary. If they are united, they will gather; if they are not united, they will be scattered. Still polite, hello, hello, hello, everyone. Even if you are abandoned, at worst, you will cry bitterly for several days, then get up again wherever you fall, and clean up your mood and start a new life. This is the greatest charm of Yi Shu's novels: teaching you how to be a strong, independent woman with an independent personality.

The surface theme of Yi Shu's novels is romance, but the essential themes go deep into many propositions such as human nature and gender. The ideological tendencies, realistic depth and life philosophy all surpass ordinary romance novels. Yi Shu exposes the alienation and destruction of love life by the industrial and commercial society, and the money worship principle of life has caused many marriage tragedies. The information of the times revealed in Yi Shu's novels, the social issues touched upon, and the depth of expression of human feelings and world conditions give the novels a serious artistic style.

An important theme of Yi Shu's novels is the discussion of women's destiny and independent value. Yi Shu takes a sympathetic stance towards the fate of the urban middle-class women she writes about, and truly expresses the deep complex emotions of middle-class women and the tragedy of human nature. On the theme of women's freedom and liberation, "My First Half of Life" fully embodies the author's thinking on the path of women's freedom, making the protagonist fully aware of the importance of female independence, thus rewriting the tragic path of Zijun in "Sorrow".

Yi Shu’s works present the living conditions of contemporary women, but they do not point out a new way out for women.

First, let’s take a look at the emotional tendencies of these two novels:

First, most of the love in Qiong Yao’s novels is aesthetic. In most of Qiong Yao's works, love is an indispensable and dominant component of life. Even life such as "life" and "death" have to take a back seat to "love", which is also the case. Life is precious, but love is even more valuable.

Second, Yi Shu is ambivalent about love. She confirmed that "love" exists in the world, and that this kind of love is a pure and beautiful feeling that comes from the heart regardless of background or identity. But at the same time, I also feel that this kind of pure and beautiful "love" is difficult to exist in the real world.

Thirdly, Qiong Yao believes that the ideal home of love is the family, while Yi Shu believes that there is no pure and fair love in a society of free competition.

So when it comes to this point of view, I prefer Yi Shu’s works because they are closer to reality, while Qiong Yao’s works are the ideal state in dreams, which can be pursued spiritually, but as adults we have to read to reality.

I prefer Yi Shu’s novels. Her novels are more real and profound than Qiong Yao’s novels.

The most different thing between Yi Shu’s novels and other popular novels is probably her strong female consciousness. Most of Yi Shu's heroines are women who have given up on classical romanticism and affection early on, and only focus on self-love and self-reliance. Love is questionable, most of the men in Yi Shu's works are disappointing, but friendship - friendship between women - is pushed to the most important position by Yi Shu. Most of her heroines have at least one female best friend, either a sister, a mother, a daughter, a classmate, a colleague, or even a stranger or love rival, who stands with her on the same front, appreciating her, encouraging her, and helping her. . Here, female friendship is women’s identity, respect and love for their own gender, their emotional needs, and even their joint resistance to the unfair treatment of another gender.

Yishu presents the living conditions of contemporary women, but does not point out a new way out for women. Only by completely removing the complex of "depending on men" deep in women's hearts can women become complete people in the true sense.

Yishu has created many female characters.

Mature women are a group of people described in Yi Shu's writings very vividly. Their joys, sorrows and joys are vividly and thoroughly described by Yi Shu's wonderful pen. Yi Shu himself, in fact, still yearns for the old-fashioned man who takes care of women, but the one-sided dependence will eventually be disillusioned in Yi Shu's writing (such as "The First Half of My Life"). The only person a person can rely on is herself ("Rouge"). This is Yi Shu's common saying, and it is also the motivation for all the heroines in her works to strengthen themselves and love themselves. Even if they are lonely and lonely, they are at least noble and proud, and can live without a man, and Not a bad life.

Most of Yi Shu’s novels are set in Hong Kong in the 1980s and 1990s. They basically describe the lives of white-collar women. The living environment of contemporary people has many similarities with Hong Kong at that time. , and urban women can indeed share half the world equally with men as described in her novels. And feelings, of course, are needed, but they are no longer necessary. If they are united, they will gather; if they are not united, they will be scattered. Still polite, hello, hello, hello, everyone. Even if you are abandoned, at worst, you will cry bitterly for several days, then get up again wherever you fall, and clean up your mood and start a new life. This is the greatest charm of Yi Shu's novels: teaching you how to be a strong, independent woman with an independent personality.

The surface theme of Yi Shu's novels is romance, but the essential themes go deep into many propositions such as human nature and gender. The ideological tendencies, realistic depth and life philosophy all surpass ordinary romance novels. Yi Shu exposes the alienation and destruction of love life by the industrial and commercial society, and the money worship principle of life has caused many marriage tragedies. The information of the times revealed in Yi Shu's novels, the social issues touched upon, and the depth of expression of human feelings and world conditions give the novels a serious artistic style.

An important theme of Yi Shu's novels is the discussion of women's destiny and independent value. Yi Shu takes a sympathetic stance towards the fate of the urban middle-class women she writes about, and truly expresses the deep complex emotions of middle-class women and the tragedy of human nature. On the theme of women's freedom and liberation, "My First Half of Life" fully embodies the author's thinking on the path of women's freedom, making the protagonist fully aware of the importance of female independence, thus rewriting the tragic path of Zijun in "Sorrow".

Both of them are very respectable literary masters. Their works each have their own styles and characteristics. This mainly comes from their own interests and hobbies. I personally like Yi Shu. Yi Shu’s description of love is as follows Even the unbearable pain in life is just an understatement for her. Almost all of her works are independent women with thoughts, wisdom, career and personality. There is no great sadness or great joy, no lingering sadness. It seems that every sentence contains the philosophy of life in its simplicity, and every sentence is worth savoring. She is like a mature and capable woman who talks little but speaks astonishingly and every word is exquisite. "If Susie Falls" and "Xibao" are my favorites. They teach me to grow and be independent. Most of Qiong Yao's works are affectionate, enchanting, and touching, making readers envious of happy couples with happy endings. I think Yi Shu is very rational and realistic, while Qiong Yao is fantasizing and building a fairy tale world. As for which language is easier to understand between the two, I think it depends on your interests and preferences. When you get used to a writer's language style, you will be able to understand the feelings he wants to express.

If I had to choose between the two, I personally prefer Yi Shu’s novels. Although I read a lot of Qiong Yao’s novels when I was studying, every girl at that time had read one. This Qiong Yao book has a love story of Aunt Qiong Yao in mind, which may just satisfy the feelings of adolescent girls.

Qiong Yao was born in a scholarly family in Chengdu, Sichuan in 1938. She has been writing since 1961. Her works include "Outside the Window", "Deep Love in the Rain", "Plum Blossom Brand" and "Returning Pearls" "Gege" etc.

Among the works that I personally like the most is "Shuiyunjian", which was later made into a TV series, starring Ma Jingtao, Chen Hong and Chen Derong.

The plot of the story is told. It is Mei Ruohong, a down-and-out painter. After meeting Du Qianqian, the daughter of a wealthy family, he was stunned by Du Qianqian and fell in love with her at the beginning. However, he felt that she was not worthy of her, so he pushed her to another rich man, Wang Zimo. , but the passage of time did not make him forget it. Instead, he regarded Du Zixuan, who had been pursuing him for many years, as a story in Du Qianqian's emotional entanglements.

Ma Jingtao's hysterical acting skills are still fresh in people's memory. It is also because of this Taiwanese TV series that Chen Hong became popular in both mainland China and Taiwan.

When I was a child, I thought this kind of love that did not care about one's own life was so beautiful. Later, when I grew up, I realized that Aunt Qiong Yao's novels were all about third-party plots, and the mistresses were all pitiful, which made people sympathize. drama. The older I get, the more I feel I have different opinions.

Let’s talk about Yi Shu again. Yi Shu’s real name is Ni Yi Shu. She is a Hong Kong writer, native of Zhenhai, Ningbo, Zhejiang. She is the sister of the great writer Ni Kuang. She was influenced by her family since childhood and started her writing career in middle school. Her representative works include "My "First Half of Life", "She's Lonelier than Fireworks", "Golden Years", "Move Forward, Don't Look Back", etc. She has written many essays and modern novels, because the backgrounds she writes are basically modern cities, and the protagonists are also modern professionals. Women, therefore, are very popular among modern young women.

Perhaps many people have not read Yi Shu's novels, but I believe many people have heard of the famous lines in Yi Shu's novels, such as: "A grievance that can be expressed is not a grievance; a grievance that can be taken away is not considered a grievance." A true lady never shows off everything she owns. She doesn’t tell people what books she has read, where she has been, and how much she has. A piece of clothing and jewelry, because she has no inferiority complex. "The best revenge is not hatred, but indifference from the bottom of your heart. Why bother to hate someone who has nothing to do with you?" - "The First Half of My Life" "There are many, many more.

Many of her novels have also been adapted into TV series, including: "Xibao", "Pearls", "Morning Blossoms Picked Up at Dusk", "Star Fragments", "Rouge", and "Single Woman" , "The Story of Rose", "Golden Years", "The Soul of Jade Pear", "A Complex Story".

Speaking of her novels, they generally talk about the lives of modern urban women. They are no longer the women of Aunt Qiong Yao who are dependent on male power and have no way to escape the shackles of old-style marriage. Her novels A woman is strong and independent. Love means deep love, the kind that doesn’t involve love or entanglement. It is very contemporary and can easily arouse the screams of modern women.

Personally, as I grow older, I no longer like Aunt Qiong Yao’s novels. Those stories about relationships that are either hysterical or compromised, as well as stories about three wives and four concubines in old-style marriages, have been written down. , our generation can no longer find the singing point. The plot of the mistress destroying the family is no longer acceptable to the monogamous family concept in today's society. This kind of plot that advocates the mistress to rise to the top and be favored has been considered by many people to be a moral deviation, so I left it. Qiong Yao's new drama "Huan Zhu Ge Ge" with these themes was hilarious and hilarious, but she also announced the end of her writing career.

Therefore, although I personally have the ignorant girlish feelings given by Aunt Qiong Yao, compared to the writing themes of the two of them, I prefer Yi Shu's crispness and lack of muddiness.

Hello everyone, I am Haihai Culture Chat, and I am very happy to answer this question.

Qiong Yao and Yi Shu are both representatives of famous contemporary female writers, and their works have very distinctive characteristics. Qiong Yao mainly writes romance novels, full of romanticism; while Yi Shu's works are very realistic.

When I was young, I particularly liked Qiong Yao’s works. But after I entered society, I slowly began to like Yi Shu’s works, because they can give me more guidance and inspiration in life.

Take Yi Shu's work "The First Half of My Life" as an example. The story is actually very simple. It mainly tells the story of a housewife who was abandoned by her husband and had to enter the workplace in order to survive.

But such a simple story taught me a lot.

In the play, Luo Zijun is a pampered wife who has a nanny to take care of her daily life. All she needs to do is dress herself up and go to the mall to buy.

In her life, her husband Chen Junsheng is everything. It is natural for her husband to provide her with a good life. She even despises single women like Tang Jing who are struggling in the workplace.

But she never thought about the kind of hard work her husband had to do to earn the kind of life she lived. She had never experienced her husband's hard work and could not understand the tremendous pressure her husband endured in the workplace. .

For her husband Chen Junsheng, he had to face various work pressures and complicated interpersonal relationships during the day. When he got home, he only saw a beautiful vase, which could not solve his problems, or even Can't understand his difficulties. Therefore, it was only a matter of time before Chen Junsheng fell for the thoughtfulness and attentiveness of his work partner Ling Ling.

Independence not only refers to financial independence, but also represents personal independence.

In the novel, before the divorce, Luo Zijun was a woman who depended on Chen Junsheng for life, and Chen Junsheng was her god. When Chen Junsheng asked her for a divorce one day, she felt that the sky was falling and she had no idea how she should live. Because she knew that after the divorce, she might even have problems with her survival.

She has been raised by Chen Junsheng at home since graduation and has never considered the issue of livelihood. She did not expect that Chen Junsheng would abandon her one day. At this time, her heart was panicked and timid.

Faced with Chen Junsheng's cheating, she didn't even dare to get angry. She just begged Chen Junsheng not to abandon her. Therefore, in marriage, a woman has no say if she is not independent.

I once saw a sentence: "Question: How can we make a marriage last? Answer: Just pretend that the marriage is not concluded." This sentence may seem absurd, but it actually makes sense. Before marriage, everyone is an independent individual. However, after marriage, many women begin to rely on men, gradually give up on their own growth, and begin to lose themselves.

We should all understand that a woman should have an independent personality and career, whether before or after marriage, so that she can have her own voice whether in life or in marriage.

I once saw a sentence: "What is the easiest way to eliminate fear? It is to face the fear." In the novel, when Luo Zijun was abandoned by Chen Junsheng and divorced, she was extremely frightened because she had never entered the workplace since graduating from college and had no skills. So she was at a loss when it came to life, and she didn't even know how to find a job.

However, Tang Jing found several companies for her from the recruitment website and asked her to go for interviews the next day. Luo Zijun visited these companies in anxiety, and only after that did she find out Just face it, reality isn't that scary.

From then on, she started from the lowest level of the job, worked seriously and responsibly, and gradually gained the appreciation of her boss. With the help of her friends, her career also improved greatly, and even she When her husband Chen Junsheng saw her again, he felt that she was completely different. I think Chen Junsheng said something different, referring to Luo Zijun's courage to face life and the confidence revealed in his eyes.

I like Wang Shuo's novels.

Because the works of the two women in the question are both at the level of middle school girls...

I like Qiong Yao

I don’t like Qiong Yao’s

I like Xi Juan Yes, easy!