Are the famous sentences in Jiang Xuezhong written by Liu Zongyuan the first two sentences or the last two sentences?

Is the famous sentence in "Jiang Xue" written by Liu Zongyuan the first two sentences or the last two sentences?

The famous sentence in "Jiang Xue" is the last two sentences: A lonely man in a boat with a coir raincoat fishing alone in the cold snow in the river .

These two poems depict the image of a fisherman fishing alone in the cold river. In a place with heavy snow and almost no life, there is a lonely boat. There is a fisherman on the boat, wearing a raincoat, alone in the river. Fishing on the snowy river. The image of this fisherman is obviously a portrayal of the poet himself, twisting and turning to express the poet's tenacious, fearless, arrogant and noble spiritual outlook despite his loneliness after the failure of political reform. Famous lines from Liu Zongyuan's "Snow on the River"

The famous lines in Liu Zongyuan's "Snow on the River" are the last two lines: A man with a coir raincoat hat is alone in a boat, fishing alone in the cold snow in the river.

Appreciation: These two poems depict the image of a fisherman fishing alone in a cold river. In a place with heavy snow and almost no life, there is a lonely boat. There is a fisherman on the boat, wearing a raincoat. Fishing alone on the snowy river. The image of this fisherman is obviously a portrayal of the poet himself, twisting and turning to express the poet's tenacious, fearless, arrogant and noble spiritual outlook despite his loneliness after the failure of political reform. "Jiang Xue" written by Liu Zongyuan

"Jiang Xue"

Author: Liu Zongyuan

Birds in thousands of mountains have disappeared, and all traces of people have disappeared.

A man with a coir raincoat in a lone boat, fishing alone in the snow in the cold mountains. Liu Zongyuan's famous saying Jiang Xue

Liu Zongyuan's famous saying Jiang Xue is: Birds fly away from thousands of mountains, and human traces disappear from thousands of paths.

"Snow on the River" is a landscape poem by Liu Zongyuan, a poet in the Tang Dynasty, which describes a snowy scene in Jiangxiang. The mountains are covered with snow and the roads are all white. The birds disappeared and the traces of people disappeared. The distant scenery is vast and the surrounding scenery is lonely and cold. The artistic conception is secluded and the mood is desolate. The image of the fisherman is carefully crafted, clear and complete. The poem adopts rhyme, which is vigorous and powerful.

Poets of all dynasties have praised it. Masters of painting through the ages also competed with each other to draw many touching pictures of rivers, sky and snow scenes with this theme.

About the author:

Liu Zongyuan (773-819), courtesy name Zihou, was a famous writer and thinker in the Tang Dynasty. Liu's ancestral home was in Hedong (today's Ruicheng and Yuncheng areas of Shanxi Province). Liu was born in an official family. He was rarely talented but had great ambitions. In his early years, he was admitted to Jinshi, and his writing skills were based on eloquent words. One of the Eight Great Masters of the Tang and Song Dynasties, he and Han Yu jointly initiated the ancient prose movement in the Tang Dynasty, and were also known as "Han Liu". Liu Yuxi was also called "Liu Liu" with him. Wang Wei, Meng Haoran, and Wei Yingwu are also called "Wang Meng Wei Liu". Liu Zongyuan left more than 600 poems and essays in his lifetime. His philosophical thoughts contain elements of simple materialism. His political thoughts are mainly manifested in the social and historical view that emphasizes "power" and the Confucian people-centered thought. The language of his literary works is simple and natural, and the style is elegant. It has profound meaning, and its representative works include "The Donkey of Guizhou", "The Story of the Snake Catcher", "Eight Notes of Yongzhou" and the quatrain "Jiang Xue", etc.

Original text:

Jiang Xue

Author Liu Zongyuan Tang Dynasty

Thousands of mountains and birds have disappeared, and thousands of people have disappeared.

A man in a boat with a coir raincoat fishing alone in the snow in the cold river. What is the famous sentence of Liu Zongyuan's "Snow on the River"

A man in a boat with a coir raincoat fishing alone in the cold snow on the river.

Jiang Xue

Author: Liu Zongyuan (Tang Dynasty)

Birds in thousands of mountains have disappeared, and all traces of people have disappeared.

A man in a boat with a coir raincoat fishing alone in the snow in the cold river.

Liu Zongyuan's famous lines on the river snow

The famous line in "The Snow on the River" is: A man with a coir raincoat hat is alone in a boat, fishing alone for snow in the cold river.

Jiang Xue

Author: Liu Zongyuan

Thousands of birds have disappeared, and thousands of people have disappeared.

A man in a boat with a coir raincoat fishing alone in the snow in the cold river.

Brief analysis: These two poems depict the image of a fisherman fishing alone in the cold river. In a place with heavy snow and almost no life, there is a lonely boat. There is a fisherman on the boat, wearing a raincoat. , fishing alone on the snowy river.

The image of this fisherman is obviously a portrayal of the poet himself, twisting and turning to express the poet's lonely situation after the failure of political reform, but his tenacious, fearless, and arrogant spiritual outlook. What mood does Jiang Xue's last two sentences reflect Liu Zongyuan's mood?

1. The last two sentences, "A lone man in a boat and a coir raincoat, fishing alone in the snow on the cold river" show the poet Yongzhen's arrogant and unyielding character despite his loneliness after the failure of his reform.

2. Original text

Jiang Xue Liu Zongyuan

Birds in thousands of mountains have disappeared, and all traces of people have disappeared.

A man in a boat with a coir raincoat fishing alone in the snow in the cold river.

3. Notes

Jue: None, none.

Ten Thousand Paths: a virtual finger, referring to thousands of roads.

Human traces: human footprints.

Gu: Solitary.

coir raincoat (suō lì): coir raincoat and bamboo hat 笠: a hat made of bamboo strips. ("Li" means clothes used to prevent rain in ancient times; "笠" means hats used to prevent rain in ancient times.)

Du: alone.

Translation

In all the mountains, the birds are all cut off; in all the roads, there is no trace of human beings. In a lonely boat on the river, the fisherman wears a raincoat and a hat; fishing alone, he is not afraid of ice and snow.

4. Brief analysis

In this poem, the thing that covers everything and encompasses everything is snow. There is snow on the mountains and on the roads, and there are "thousands of mountains" and "ten thousand mountains". "The path" is covered with snow, which makes "birds disappear" and "human traces disappear". Even the boat awning and the fisherman's coir raincoat were, of course, covered in snow. However, the author did not clearly connect these scenery with "snow". On the contrary, in this picture, there is only Jiang and Jiang Xin. Of course, the river will not store snow or be covered by snow, and even if snow falls into the river, it will immediately turn into water. However, the author chose to use the three words "Hanjiang Snow" to connect the two most distant images of "Jiang" and "Snow" together, which gave people a feeling of being relatively empty, distant and relatively distant. The feeling of zooming out, which creates a long-distance shot. This makes the main objects described in the poem more concentrated, clever and prominent. Because even the river seems to be full of snow, and even the places where there is no snow are full of snow, this completely describes the situation of heavy, dense, thick and thick snow, and makes the water and sky irrespective of each other. The vast atmosphere above and below is also completely highlighted. As for the use of the word "cold" above, it is certainly to point out the climate; but the poet's subjective intention is to quietly write about the spiritual world of the fisherman. Just imagine, in such a cold and silent environment, the old fisherman was not afraid of the cold weather or the heavy snow. He forgot about everything and concentrated on fishing. Although his body was lonely, his character seemed aloof and aloof, even a little awe-inspiring and inviolable. This transformed and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen from this that the three characters "Hanjiang Snow" are the "finishing touch". It organically connects the two parts of the whole poem, not only forming a condensed and summarized picture, but also shaping the fisherman's complete and outstanding character. image. Let’s talk about the meaning of these two lines in Liu Zongyuan’s poem “Jiang Snow”

Introduction to the work

“Jiang Snow” is a landscape poem by a poet in the Tang Dynasty, describing a snowy scene in a river village. picture. The mountains are covered with snow and the roads are all white. The birds disappeared and the traces of people disappeared. The distant scenery is vast and the surrounding scenery is lonely and cold. The artistic conception is secluded and the mood is desolate. The image of the fisherman is carefully crafted, clear and complete. The poem adopts rhyme, which is vigorous and powerful.

Original text

Jiang Xue

Birds flying across thousands of mountains are gone, and people are missing from thousands of paths.

There are 4 boats with 5 men in coir raincoats, and 6 fishes for snow in the cold river.

Notes

Jue: None, none.

Ten Thousand Paths: a virtual finger, referring to thousands of roads.

Human traces: human footprints.

Gu: Solitary.

coir raincoat (suō lì): coir raincoat and bamboo hat 笠: a hat made of bamboo strips. ("Li" means clothes used to prevent rain in ancient times; "笠" means hats used to prevent rain in ancient times.)

Du: alone.

Vernacular Translation

All the mountains are barren of birds, and all the roads are deserted.

In a lone boat on the river, the fisherman wears a raincoat and a hat; fishing alone, he is not afraid of ice and snow.

Creative background

In the first year of Yongzhen reign of Emperor Shunzong of Tang Dynasty, Liu Zongyuan participated in the political reform movement led by Wang Shuwen. Due to the joint counterattack of conservative forces and eunuchs, the reform failed. Therefore, Liu Zongyuan was demoted to Yongzhou, known as the "Southern Wasteland". His official name was Sima, but he was actually a "criminal" who had no real power and was monitored by local officials. There was no room for him in the government office, so he had to settle in the west wing of Longxing Temple, a monk's temple.

Since Liu Zongyuan was demoted to Yongzhou, he has been greatly depressed and depressed mentally. He used to describe the landscape and sing about the fishermen living in seclusion among the mountains and rivers to express his aloof and aloof feelings. Emotionally, express one's depression and anguish of being frustrated in politics. So, with deep anger, he wrote this famous poem that is widely praised.

Appreciation

Liu Zongyuan's landscape poems have a distinctive feature, that is, the objective realm is relatively secluded, while the poet's subjective mood appears relatively lonely, and sometimes even It can't help but be too lonely, too deserted, without any human atmosphere. This song "Snow on the River" is exactly like this. The poet only used twenty words to describe a quiet and cold picture: On the river covered with heavy snow, there is a small boat and an old fisherman, alone in the middle of the cold river. fishing. What the poet shows readers is the following: the world between heaven and earth is so pure and silent, spotless and silent; the life of the fisherman is so noble, and the character of the fisherman is so aloof. In fact, this is a fantasy realm created by Liu Zongyuan out of his hatred of the Tang Dynasty society, which was declining day by day. Compared with the characters in "Peach Blossom Spring", it is probably even more illusory and far away from the world. What the poet wants to describe in detail is extremely simple. It is just a small boat and an old fisherman wearing a raincoat and a hat, fishing on the snowy river, that's all. However, in order to highlight the main descriptive object, the poet did not hesitate to use half of the page to describe its background, and made the background as broad and broad as possible, almost to the extent of being boundless. The broader the background, the more prominent the main descriptive objects will be. First of all, the poet uses the words "thousands of mountains" and "ten thousand paths" to set off the images of "lonely boat" and "solitary fishing" in the following two sentences. Without the words "thousand" and "ten thousand", the words "lone" and "lone" below would be bland and have no appeal. Secondly, the birds flying on the mountains and the traces of people on the road are originally very common things and the most general images. However, the poet put them under "thousands of mountains" and "ten thousand paths", and added the words "absolute" and "extinction", which gave the most common and general dynamics at once. It turned into extreme silence, absolute silence, forming an unusual scene. Therefore, the following two sentences were originally static descriptions, but because they were placed against this absolutely quiet and silent background, they appeared exquisite and translucent, animated, floating and active on the screen. It can also be said that the first two sentences are originally a distant view. According to the general understanding, it only needs to be outlined, and there is no need to spend a lot of effort to carve it carefully. However, the poet happens not to handle it this way. It's like shooting a movie, using a close-up lens that is magnified many times to explain and reflect every corner of the background clearly. The more specific and detailed the writing, the more general and exaggerated it appears. The last two sentences were originally the objects that the poet intended to highlight, but in the end, he used a long-distance lens to shrink it many times, giving the reader an ethereal, clear, visible but inaccessible feeling. Only by writing in this way can we express the aloof and aloof thoughts and feelings that the author is eager to show readers, free from the secular and transcendent. As for the formation of this long-distance feeling, it is mainly caused by the author placing the word "snow" at the end of the whole poem and connecting it with the word "jiang".

In this poem, the thing that covers everything and encompasses everything is snow. There is snow on the mountains and on the roads. Moreover, "thousands of mountains" and "ten thousand paths" are all snow, which makes "birds fly" "Extinct", "The traces of people are extinct". Even the boat awning and the fisherman's coir raincoat were of course covered with snow. However, the author does not clearly connect these scenery with "snow". On the contrary, in this picture, there is only Jiang, only Jiang Xin. Of course, the river will not store snow or be covered by snow, and even if snow falls into the river, it will immediately turn into water.

However, the author chose to use the three words "Hanjiang Snow" to connect the two most distant images of "Jiang" and "Snow" together, which gave people a feeling of being relatively empty, distant and relatively distant. The feeling of zooming out, which creates a long-distance shot. This makes the main objects described in the poem more concentrated, clever and prominent. Because even the river seems to be full of snow, and even the places where there is no snow are full of snow, this completely describes the situation of heavy, dense, thick and thick snow, and makes the water and sky irrespective of each other. The vast atmosphere above and below is also completely highlighted. As for the use of the word "cold" above, it is certainly to point out the climate; but the poet's subjective intention is to quietly write about the spiritual world of the fisherman. Just imagine, in such a cold and silent environment, the old fisherman was not afraid of the cold weather or the heavy snow. He forgot about everything and concentrated on fishing. Although his body was lonely, his character seemed aloof and aloof, even a little awe-inspiring and inviolable. This transformed and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen from this that the three characters "Hanjiang Snow" are the "finishing touch". It organically connects the two parts of the whole poem, not only forming a condensed and summarized picture, but also shaping the fisherman's complete and outstanding character. image.

Use specific and meticulous techniques to describe the background, and use distant images to describe the main images; meticulous craftsmanship and extreme exaggeration are intricately unified in one poem, which is the essence of this landscape poem. The unique artistic characteristics of poetry.

Download Nitu online: ae2./tangshi/liuzongyuan/1889.