Poems, Authors and Translation of Sauvignon Blanc

Bianshui flow, Surabaya flow, flows to Guazhou ancient ferry. Wu Shan is a little sad.

Think long and hate long, until it's time to pay back. Yueming people lean on the building.

Bianshui and Surabaya are the two largest tributaries in the lower reaches of the Huaihe River in ancient times, and they are also the two ancient north-south arteries in China. Today, these two rivers have become "cultural relics" and "urban treasures" in Suqian City. Guazhou: the north bank of the South Yangtze River in Yangzhou, Jiangsu. Guazhou used to be a sandbar in the middle of the river. The sand grows like a melon. Wu Shan: In Hangzhou, Zhejiang, it was the southern boundary of Wu in the Spring and Autumn Period.

Who is this word addressed to? There are many sayings on the white altar, such as Su Fan and Herry Liu. But more inclined to Su Fan. "Cherry Su Fan mouth, willow small waist" Su Fan and Xiaoman are two white poets in China. When Bai Juyi was 29 years old, he came fourth. He bought it when he was a scholar. Su Fan's good song "Yang Liuzhi" is also called "Willow Branch". For various reasons, he begged to leave, and Bai said in "Farewell to a Willow": "Two willows in a small building have been with drunkards for many years. After returning to China tomorrow, there should be a spring breeze in the world? " It can be seen that the author is very sad about Fan Shi's departure.

[Appreciation]

The only way for Su Fan to return to South is written in the first half of the poem. As a native of Hangzhou, the author felt sad when he looked at Wu Shan. This is a thoughtful lyric word. Shang Kun started writing from the running water he saw before his eyes, and watched the waves in the distance. He imagined that the flowing water would flow to Guazhoudu and join the Yangtze River, and then he thought that the mountains in Wuzhong (south of the Yangtze River) were also sad. In fact, he deeply misses his lover in the south of the Yangtze River, hoping that his lover can return from Wu, cross Guazhou Gudu and meet him upstream, but the same Bianshui and Surabaya are gone forever, and then the lover who went south is probably. Therefore, in the author's imagination, Wuzhong Mountains are like the condensation of sadness and hatred. In just a few words, the focus and sadness of returning home were conveyed concisely and profoundly. Although the beauty has gone and the makeup building is empty, the author is still infatuated and unforgettable, so he expresses his lovesickness pain in the next place. These two "leisurely" describe the depth of the poet's thought. The intensity of this emotion can only stop when the lover comes back. However, it is only an illusion, and there is nothing to do. In this case, the author can only lean back and look forward to recalling the joy of the past to relieve the depression in his heart. But let's think about "people leaning against the building in the moonlight" and imagine such a picture, a bright moon in the sky, leaning against the building alone. What kind of artistic conception is it?

The whole poem is set against the flowing water under the moon, symbolizing the long-term parting, deep thoughts and the continuous resentment caused by it, and frequently using overlapping words to rhyme, coupled with the soft folk song flavor, expressing endless "thinking" and "hate".

This work is a more formal and mature word in the middle Tang Dynasty. Although the form is short, it uses a repetitive sentence pattern, and the rhythm of flowing water runs through the same rhyme at every intermittent end, which has an enduring charm and shows the pain of lovesickness and parting more incisively and vividly.

Imagine such a picture of the bright moon in the sky and leaning against the building alone, which is more artistic.

"Sauvignon Blanc" is a epigraph name, but the content of this word is closely related to it. Words are divided into two parts, with the same meter and number of words. Four sentences each, rhyme.

This is a thoughtful lyric word. Shang Kun started writing from the running water he saw before his eyes, and watched the waves in the distance. He imagined that the flowing water would flow to Guazhoudu and merge into the Yangtze River, and then he thought that the mountains in Wuzhong (south of the Yangtze River) were also sad. In fact, he deeply misses his lover in the south of the Yangtze River and hopes that his lover will return from Wu, cross Guazhou and meet him upstream. Xia Tan confessed directly that because the person he missed didn't come back, he had to lean on the tall building alone on this moonlit night.

Endless "thoughts" and "hates". The whole poem is set against the flowing water under the moon, symbolizing the long-term parting, deep yearning and the endless resentment caused by it, and frequently using overlapping words to rhyme, coupled with the soft folk song flavor, can deeply touch the hearts of readers.