Jia Yuanchun: The Tragic Queen in A Dream of Red Mansions.

In A Dream of Red Mansions, Jia Zheng's eldest daughter Jia Yuanchun was born on the first day of the first month, so she was named Yuan Chun. She was elected to the palace for her "virtuous and filial piety". At first, she was responsible for the etiquette duties of the queen and served as a female history. Soon, it was named the history of Fengzao Palace, and it was also named Princess Xiande. Later, the Mongolian emperor issued a decree granting Luan Yu special permission to enter his private property. Several times in the book, "Yuan Fei's mothering" was written, and Jia's money flowed freely. However, despite this, Yuan Chun called the palace where she lived a shameful place, which showed that she was under the jurisdiction of totalitarianism and had no unspeakable bitterness towards personal freedom. It stands to reason that every noble woman is happy to realize the dream of imperial concubine, but Yuan Fei is almost never happy, and her sadness and troubles are always accompanied. Why? Recently, the author read a dream of red mansions and got the corresponding answer.

The picture comes from the internet.

First of all. Jia's successors lack the suffering of others. After the prosperous period of Qianlong, both the Manchu Dynasty and the feudal society in China were facing irreversible decline, and Jiafu was no exception, and was on the decline. Jia Fu is a lackluster successor. It can be said that this is the common sense of most readers, and I feel the same way after reading A Dream of Red Mansions. However, I always feel that monopoly and doting are the fundamental reasons for the lack of successors.

Jia was in power before her death, and Jia's family was relatively safe. Despite the great difficulties, the thin camel is bigger than the horse, and the honor in front of outsiders can still be maintained. A series of problems such as the death of Jia Mu and the decline of Jia Fu were exposed. Therefore, when Yuan Chun walked out of the palace, she felt a strong sense of loss. She thinks that decline and prosperity are ever-changing, and deeply laments Jia's misfortune and helplessness. So, on the way to her mother's house, she gently criticized her mother's villa for being too luxurious three times: "Looking at the garden in the car is so luxurious, because it is too expensive, I can only sigh silently"; "Don't be too extravagant in the future, this is too much"; "If I let you go back to the province tomorrow, you must not be so extravagant!" These sincere exhortations show that Yuan Chun has a particularly strong anxiety about the decline of her family, and also show that she is extremely confused about her position and prospects.

The picture comes from the internet.

Second. Affection, homesickness, sadness, sadness. Jiafu ranks first among the four families, because it has the most wealth and power, and this is because it has a big backer-Jia Yuanchun, who ensures this position. Because of her, Jia Fu, a respected minister from generation to generation, became relatives. Therefore, the first half of A Dream of Red Mansions focuses on the plots of "only choosing the Fengzao Palace", "sealing the virtuous princess" and "mothering in Yuan Chun", and tries to write the story of Jia Fu's "cooking oil in the fire and flowers in the brocade". However, "luxury is enviable, but parting is embarrassing." Who knows the joys, sorrows and sorrows when you win a hollow reputation? "Let's look at the scene where Yuan Chun went home to meet his relatives in a private room. Behind the "glory", we can see the tragic situation of the separation of flesh and blood. Yuan Chun said something crying, describing the Imperial Palace ouchi as a "shady place" with no interest, just like walking out of a place imprisoned by claustrophobia. A Dream of Red Mansions vividly describes Jia Yuanchun's tragic mentality.

Going back to see her mother reflects her infinite attachment to the Jia family. When she got home, she first visited her harem. In A Dream of Red Mansions, it is described as follows: Jia Fei, with tears in her eyes, came forward to meet with one hand and Mrs. Wang in the other. All three of them have a lot to say in their hearts, but they can't say anything but sob. Mrs. Xing, Li Wan, Wang Xifeng, Ying, Tan, etc. all gathered around and cried silently. After half a day, Jia choked back grief and forced a smile to comfort the old lady. Mrs. Wang said humanely, "Since I was sent to that shady place that day, I have been home for a long time today. Instead of joking, I began to cry. I'll go later, and I don't know how long it will take! " Having said that, I couldn't help choking up again. ...

The picture comes from the internet.

Then there was a tearful memorial to his father's deep regret: "Although Tian She's family has salt, cloth and silk, they can finally get together. Although today is extremely rich, all flesh and blood are boring! " Finally, when she left for the palace, she felt great sadness: "Jia Fei couldn't help crying again, full of tears." However, he managed to smile, took the hand of the old lady and Mrs. Wang, and could not bear to let go. He urged again: Never mind, live well and support yourself. Now, thanks to God, I introspect once a month. This is what we are going to encounter, so why are we hurt so badly ... Jia Mu and others have already choked with tears. Although Jia Fei was reluctant to say goodbye, she was reluctant to go to jade because of the royal norms. "It is a great event for the Jia family to go home for the New Year. To this end, the Jia family spent huge sums of money to build the Grand View Garden. However, on the 15th day of the first month, Yuan Chun "got up early" and went to Guo Rong Mansion. He returned to the funeral at that ugly moment and stayed at home for only a short time. This is the truest sorrow in "Jewel Dried, Glass World". Father Jia Zheng was "welcoming guests outside the curtain", and Yuan Chun said to him through the curtain with tears in his eyes: "Although wealth is extremely high, the flesh and blood have no interest. "

After leaving the province, Yuan Chun couldn't help complaining: If he wants to go back to the province next year, he can't be so extravagant. Yuan Chun is clever and wise. She knows that being with a gentleman is like being with a tiger, and honor and disgrace are inseparable. Once you offend the dragon's face, it will endanger the whole family. She changed the "fairy mirror" on the stone archway in the main hall of Grand View Garden to "mothering mountain villa", precisely to prevent hubbub and self-pity, for fear of disaster. It is the most important supporting force of Jia family. After her death, Jia's family soon collapsed. As can be seen from the above pictures of family reunion, although Jia Yuanchun is a concubine in the palace, she is still in Jia's heart and has deep feelings for Jia's family, so it is difficult to give up. Third. Pain in an ocean of pain. According to common sense, the imperial concubine Jia Yuanchun is a royal family. However, when Yuan Chun burned incense to worship Buddha, the inscription read: "Suffering from the sea, sailing with kindness". From the perspective of Buddhism, the author thinks that the inscription of the imperial concubine "Suffering from the sea and sailing with kindness" is a kind of relief from the suffering in the cold environment where she lives, and also a hope and longing for returning to a free life.

The picture comes from the internet.

Jia Yuanchun in A Dream of Red Mansions has realized her dream of being a imperial concubine, which is something that every noble woman is happy about. But the description in the book is almost never accompanied by happiness and sadness. Although Jia Yuanchun described in A Dream of Red Mansions is a noble lady, she can't escape her tragic fate. Yuan Chun enjoys the prosperity of the world with the dignity of an imperial concubine, but is still classified as the tragic world of happy ever after by A Dream of Red Mansions. Because wealth is not equal to happiness, in Yuan Chun's view, the palace is a "shady place". Without affection, it is difficult to have family happiness. This is also a place that imprisons and erodes her youth. "Royal norms must not be violated" is the root of Yuan Chun's loneliness and pain. Here, Yuan Chun not only lost his youth, but also lost his freedom and right to speak and complain. Finally, "I dreamed of going home when I met a tiger" and lost my life.